La Jornada

La Jornada is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Carlos Bonfil, Leonardo Garcia Tsao, Luis Tovar
Rating Title/Year Author
Things to Come (2016) Carlos Bonfil A wonderful film that tackles with enormous subtlety the affective shipwreck of a married woman. [Full review in Spanish] EDIT
Posted Oct 10, 2017
The Lost City of Z (2016) Leonardo Garcia Tsao One of those vigorous adventure films that are no longer made. [Full review in Spanish] EDIT
Posted Sep 27, 2017
Heaven in Auschwitz (2016) Leonardo Garcia Tsao A remarkable work of collection and treatment of archival material. [Full review in Spanish] EDIT
Posted Aug 17, 2017
Sieranevada (2016) Carlos Bonfil The dominant tone of the film is a dark comedy plagued by absurd situations and rituals, sometimes in the manner of an Italian comedy of the 1960s. [Full review in Spanish] EDIT
Posted Aug 16, 2017
Paterson (2016) Carlos Bonfil A formidable tribute to the poetry that hidden in the simplest labor trades, those that don't always involve the exercise of the mind but that can ignite all the perceptions and senses. [Full review in Spanish] EDIT
Posted Jul 27, 2017
Graduation (2016) Leonardo Garcia Tsao A cold and ruthless dissection of the current Romanian society. [Full review in Spanish] EDIT
Posted Jul 6, 2017
After the Storm (2016) Carlos Bonfil The best scenes of the film have to do with the presence of the octogenarian mother, a balm after the emotional storm that have crossed the characters. [Full review in Spanish] EDIT
Posted Jun 29, 2017
The Queen of Spain (2016) Leonardo Garcia Tsao Too bad the script is an example of missed opportunities. And the heavy hand with which Trueba directs its actors also doesn't help. [Full review in Spanish] EDIT
Posted Jun 19, 2017
Maquinaria panamericana (2016) Luis Tovar A comedy of facile dyes that, among other things, allows a casual and effective game of metaphor and allegory: turned into a plausibly representative microuniverse of Mexican reality. [Full review in Spanish] EDIT
Posted Jun 8, 2017
Maquinaria panamericana (2016) Leonardo Garcia Tsao A film combines the potential of a commercial film with the stance of the author's cinema. [Full review in Spanish] EDIT
Posted Jun 8, 2017
Double Lover (2017) Leonardo Garcia Tsao The filmmaker wants to teng a lot of traps to the viewer, that the film turns out to be incoherent. [Full review in Spanish] EDIT
Posted May 30, 2017
Aus dem Nichts (2017) Leonardo Garcia Tsao A conventional demonstration of how to trivialize a hot topic. [Full review in Spanish] EDIT
Posted May 30, 2017
Based on a True Story (2017) Leonardo Garcia Tsao The dialogues feel artificial and make a subtle actress like Green look bad. [Full review in Spanish] EDIT
Posted May 30, 2017
A Beautiful Day (2017) Leonardo Garcia Tsao The film confirms Ramsay's status, who has not filmed enough. [Full review in Spanish] EDIT
Posted May 30, 2017
Krotkaya (2017) Leonardo Garcia Tsao Undoubtedly, Loznitsa uses Krotkaya as an emotional discharge, a kind of ideological exorcism. But what fault do we have? [Full review in Spanish] EDIT
Posted May 29, 2017
Good Time (2017) Leonardo Garcia Tsao A film that evokes a certain eighties cinema, without falling into the trap of nostalgia. [Full review in Spanish] EDIT
Posted May 29, 2017
The Beguiled (2017) Leonardo Garcia Tsao The film shows some progress in the director's ability, but it's more decorative than decorous. [Full review in Spanish] EDIT
Posted May 26, 2017
Le Redoutable (2017) Leonardo Garcia Tsao A bad joke that overflows with resentment against Godard. [Full review in Spanish] EDIT
Posted May 25, 2017
Radiance (Hikari) (2017) Leonardo Garcia Tsao Despite being a filmmaker who seems limited to me, doesn't change my opinion. [Full review in Spanish] EDIT
Posted May 25, 2017
The Day After (2017) Leonardo Garcia Tsao The monotony with which Hong films their long dialogues it's exhausting. [Full review in Spanish] EDIT
Posted May 25, 2017
The Killing of a Sacred Deer (2017) Leonardo Garcia Tsao It's the most solemn film of Lanthimos to date and misses the irreverent mood of his previous Dogtooth (2009). [Full review in Spanish] EDIT
Posted May 25, 2017
Happy End (2017) Leonardo Garcia Tsao The bad European conscience and nihilism as the only correct posture are some of the issues now shuffled in which it is a very minor work. [Full review in Spanish] EDIT
Posted May 25, 2017
The Meyerowitz Stories (New and Selected) (2017) Leonardo Garcia Tsao I wouldn't say it's contest material for the most prestigious festival in the world. [Full review in Spanish] EDIT
Posted May 25, 2017
Los herederos (2015) Carlos Bonfil A film worthy of being taken into account about the responsibility that adults assume, bluntly, in generational recycling, prolongation and predominance of all endemic corruption. [Full review in Spanish] EDIT
Posted May 24, 2017
Les fantômes d'Ismaël (2017) Leonardo Garcia Tsao Although Desplechin is an estimable author, this time his project didn't worked. [Full review in Spanish] EDIT
Posted May 23, 2017
Wonderstruck (2017) Leonardo Garcia Tsao Undoubtedly, Wonderstruck is well filmed, but the sweetened and is the exact opposite record to that of Zvyagintsev. [Full review in Spanish] EDIT
Posted May 23, 2017
Nelyubov (2017) Leonardo Garcia Tsao Zvyagintsev looks at his society with the same critical eye of his previous Leviathan (2014), albeit with less political scope. [Full review in Spanish] EDIT
Posted May 23, 2017
Visages, villages (2017) Leonardo Garcia Tsao You can not help but admire a woman of almost 90 years still interested in making a fresh and personal cinema. [Full review in Spanish] EDIT
Posted May 23, 2017
Jupiter's Moon (2017) Leonardo Garcia Tsao The end result is frustrating because the filmmaker doesn't show his full potential. [Full review in Spanish] EDIT
Posted May 23, 2017
Okja (2017) Leonardo Garcia Tsao The message is rudely repeated, as if someone thought that an american transnational might be benign. [Full review in Spanish] EDIT
Posted May 23, 2017
The Square (2017) Leonardo Garcia Tsao The film itself, two hours and 20 minutes long, would have benefited from a greater sense of the economy. [Full review in Spanish] EDIT
Posted May 23, 2017
120 battements par minute (2017) Leonardo Garcia Tsao The film offers an European perspective on the AIDS crisis, with an emphasis on different political positions, attitudes of solidarity and vital celebration in clubs. [Full review in Spanish] EDIT
Posted May 23, 2017
Final Portrait (2017) Leonardo Garcia Tsao One of those films that will not be released on the billboard of its country, because its potential audience is non-existent. It's designed for some cable channel like HBO, because it's basically like a prestigious telefilm. [Full review in Spanish] EDIT
Posted Apr 12, 2017
T2 Trainspotting (2017) Leonardo Garcia Tsao Danny Boyle's useless recovery on of one of his greatest successes. [Full review in Spanish] EDIT
Posted Apr 12, 2017
The Dinner (2017) Leonardo Garcia Tsao Although it has interpreters with enough solvency, the excessive ethical discussion becomes tiring. [Full review in Spanish] EDIT
Posted Apr 12, 2017
Devil's Freedom (2017) Leonardo Garcia Tsao A series of disturbing testimonies that doesn't pretend any aesthetic strategy, but rather confront with the repeated voice of violence. [Full review in Spanish] EDIT
Posted Apr 12, 2017
Florence Foster Jenkins (2016) Leonardo Garcia Tsao A joyous production which emotional side is reinforced by Meryl Streep's performance. [Full review in Spanish] EDIT
Posted Apr 12, 2017
Busanhaeng (2016) Leonardo Garcia Tsao The greatness of a fantastic film is measured in its capacity of delirium and Yeon achieves it in the climatic actions. [Full review in Spanish] EDIT
Posted Apr 12, 2017
Scarred Hearts (2016) Carlos Bonfil A film where the borders between public and private are blurred and music is a precious balm to the horror of the war that is looming. [Full review in Spanish] EDIT
Posted Apr 12, 2017
A Quiet Passion (2016) Carlos Bonfil A film that contrasts the youth and maturity of the writer Emily Dickinson in a subtle and malicious way. [Full review in Spanish] EDIT
Posted Apr 12, 2017
American Honey (2016) Carlos Bonfil A quirky road movie that explores the vast areas of unemployment and poverty in midwest US, precisely those regions that felt disfavored and ignored by Washington's power elites. [Full review in Spanish] EDIT
Posted Mar 9, 2017
A Monster With a Thousand Heads (2015) Carlos Bonfil A film with great narrative and artistic solvency to suggest an oppressive atmosphere and maintain a fast pace of suspense in what is now openly a thriller with a social critic. [Full review in Spanish] EDIT
Posted Mar 9, 2017
Saint-Amour (2016) Carlos Bonfil An effective comedy with incisive dialogues and delirious situations, and a touch of bucolic melancholy. [Full review in Spanish] EDIT
Posted Mar 9, 2017
Anesthesia (2015) Carlos Bonfil Unfortunately, the script of Anesthesia supports the ballast of an excessive verbosity and the proposed subplots don't acquire a greater dramatic density. [Full review in Spanish] EDIT
Posted Mar 9, 2017
La La Land (2016) Carlos Bonfil A film with a scenic exuberance that resembles a patina in primary colors of the very vintage almanac of a disappeared and endearing world, and that tries to mythologize to Los Angeles like the capital of the dreams. [Full review in Spanish] EDIT
Posted Mar 9, 2017
O Ornitólogo (2016) Carlos Bonfil Rodrigues completely changes his accustomed record of turbid atmospheres and dark characters marked by fatality, to propose, in the form of a luminous parable, the experience of his solitary protagonist. [Full review in Spanish] EDIT
Posted Mar 9, 2017
Nocturnal Animals (2016) Carlos Bonfil The film is attractive and superficial, confusing in its commitment of complexity, and shows in its treatment and invoice the same lightness that is its subject and object of criticism. [Full review in Spanish] EDIT
Posted Mar 9, 2017
Manchester by the Sea (2016) Carlos Bonfil A superb family melodrama built in two times and centered on the complex figure of Lee Chandler. [Full review in Spanish] EDIT
Posted Mar 9, 2017
Los hámsters (2015) Carlos Bonfil A concise and simple story, a bittersweet family comedy that has remarkable humorous moments. [Full review in Spanish] EDIT
Posted Nov 29, 2016
Los hámsters (2015) Leonardo Garcia Tsao A ruthless satire in which González Penilla makes a punctual dissection of the customs of a middle class Mexican family in crisis situations. [Full review in Spanish] EDIT
Posted Nov 29, 2016