El antepenúltimo mohicano

A proper performance by [Milan] Maric. [Full review in Spanish]

Posted Feb 20, 2019

3/5

Capernaum (Capharnaüm) (2018)

[Capernaum] deserves to be seen and appreciated. [Full review in Spanish]

Posted Feb 20, 2019

4/5

The Sisters Brothers (2018)

The director manages to increase the dangerous and abrupt trip's feelings of discomfort and fatigue, while presenting a subtle metaphor of the horse as [the] animalization of the bounty hunter. [Full review in Spanish]

Posted Feb 12, 2019

4/5

The Old Man & the Gun (2018)

[A] beautiful swan song from one of the greats. [Full review in Spanish]

Posted Feb 11, 2019

4/5

Creed II (2018)

[Tessa Thompson] gives the film a sort of density that neither Michael B. Jordan nor Stallone himself managed to maintain. [Full review in Spanish]

Posted Feb 11, 2019

3/5

Sofia (2018)

Aitor Salinas

Sofia never highlights injustice through martyrdom or turning the protagonist into a heroine, but in turning her into a survivor. [Full review in Spanish]

Posted Feb 11, 2019

4/5

Velvet Buzzsaw (2019)

[Director Dan] Gilroy approaches a diffuse style that combines dramatic intensity and psychological subtlety, the objectivity of presentation with the subjective vision. [Full review in Spanish]

Posted Feb 11, 2019

3/5

Beautiful Boy (2018)

Beautiful Boy works considerably better as a portrait of the disintegration of a family... than as a story about drug addiction in youth. [Full review in Spanish]

Posted Feb 11, 2019

4/5

Three Identical Strangers (2018)

It remains to say that the most attractive part of the documentary is found in its profound analysis of the causes that produced the triplets' separation. [Full review in Spanish]

Posted Feb 8, 2019

3/5

White Boy Rick (2018)

[Matthew McConaughey] is, in short, not only the film's motor but its moral justification, the fullest representation of a state of affairs and an era marked by social, political and economic decline. [Full review in Spanish]

Posted Feb 8, 2019

4/5

High Life (2019)

Miguel Muñoz Garnica

A final shot as purely formal as a straight line... [is] the triumph of mystery in a film so devoted to exploring the limits, or possibilities, of a concept as oblique and at the same time as simple as "life" [Full review in Spanish]

Posted Feb 8, 2019

3/5

Summer of '84 (2018)

A remarkable exercise in suspense. [Full review in Spanish]

Posted Feb 1, 2019

5/5

If Beale Street Could Talk (2019)

The sublime narration that accompanies the film is... one of the film's most enjoyable rhythmic tools. [Full review in Spanish]

Posted Jan 31, 2019

4/5

Green Book (2018)

[Green Book]... flees from the typical trappings of the biopic genre to which it belongs, offering a quite universal story. [Full review in Spanish]

Posted Jan 31, 2019

3/5

Iceman (2019)

Sofía Pérez Delgado

It 's always risky to make films set in prehistoric times... but the German director overcomes the first obstacle using only a version of the Rhaetian language, the dead language from the region of Italy where Ötzi was found. [Full review in Spanish]

Posted Jan 25, 2019

5/5

The Favourite (2018)

Lanthimos presents a heartrending feminist story. [Full review in Spanish]

Posted Jan 24, 2019

4/5

Murer: Anatomie eines Prozesses (2018)

A fair, vibrant film. [Full review in Spanish]

Posted Jan 22, 2019

4/5

Juliet, Naked (2018)

Each [actor] unfolds effectively in their scenes, showing precisely what in other hands would have been lackluster. [Full review in Spanish]

Posted Jan 22, 2019

5/5

Glass (2019)

We may be facing one of the most misunderstood titles of the year, a masterful work, beautiful even with its imperfections, which floods [its] authentic love for comics in each frame. [Full review in Spanish]

Posted Jan 22, 2019

3/5

Sunset (Napszállta) (2018)

One of the film's greatest virtues is that the director does not contaminate the story with false demagogy; instead, it presents devastating events but [they're] wrapped in a plot in constant evolution. [Full review in Spanish]

Posted Jan 16, 2019

4/5

Vice (2018)

Christian Bale... shows why he is one of the best performers of his generation. [Full review in Spanish]

Posted Jan 14, 2019

5/5

Border (Gräns) (2018)

An exceptional work that... is one of the most fascinating film experiences that European cinema has given us in recent years. [Full review in Spanish]

Posted Jan 11, 2019

3/5

The Third Wife (2018)

José Luis Forte

It's true that [The Third Wife] shows a tendency towards excessive preciosity, but by not losing contact with its characters or its tribulations it rises above it. [Full review in Spanish]

Posted Jan 11, 2019

4/5

Ismael's Ghosts (Les fantômes d'Ismaël) (2018)

[Director Arnaud] Desplechin seeks - and finds - for each precise action and each concrete scene its own cinematographic response. [Full review in Spanish]

Posted Jan 7, 2019

3/5

Lost in Paris (Paris pieds nus) (2017)

In the hands of this pair of filmmakers, the comic and burlesque tone is perfectly combined. [Full review in Spanish]

Posted Dec 27, 2018

4/5

The Ballad of Buster Scruggs (2018)

The Coens achieve the simple but difficult task of creating refreshing entertainment by resorting to what they do best: cinema as it was meant to be in its golden age. [Full review in Spanish]

Posted Dec 27, 2018

4/5

Mary Poppins Returns (2018)

The return of Mary Poppins is an artistic triumph. [Full review in Spanish]

Posted Dec 27, 2018

3/5

Aquaman (2018)

Aquaman offers two and a quarter hours of pure and simple escape. [Full review in Spanish]

Posted Dec 27, 2018

4/5

Eighth Grade (2018)

Gonzalo Hernández Espinosa

[Elsie Fisher] is, without a doubt, one of the great revelations of 2018. [Full review in Spanish]

Posted Dec 19, 2018

3/5

The Heiresses (Las Herederas) (2019)

Rafael Guilhem

Fortunately, this air of indetermination continues until the end, like a shadow that hides any sign of the body that projects it. [Full review in Spanish]

Posted Dec 19, 2018

3/5

Maleficent (2014)

There is courage in it, from the perspective it chooses... and above all an outstanding performance. [Full review in Spanish]

Posted Dec 13, 2018

2/5

Widows (2018)

What comes out here is... [the] effortless calligraphy of an intelligent but dispassionate schoolboy. [Full review in Spanish]

Posted Dec 10, 2018

4/5

Notes for a Heist Movie (Apuntes para una película de atracos) (2018)

Juan Roures Rego

Poetic, emotive and thoughtful. [Full review in Spanish]

Posted Dec 10, 2018

4/5

Between Two Waters (Entre dos aguas) (2018)

Miguel Muñoz Garnica

Between Two Waters achieves with naturalness what many supposedly committed directors tend to fail at: to honestly approach... the new capitalism. [Full review in Spanish]

Posted Dec 10, 2018

Willow (1988)

Those of us who were children in the 80s will continue to consider it one of the most joyous and charming productions of our life. [Full review in Spanish]

Posted Dec 5, 2018

4/5

Leave No Trace (2018)

The chemistry between Foster and McKenzie is brutal and together they have been the fundamental key so that Leave No Trace is one of those small films in dimensions but enormous in importance and depth. [Full Review in Spanish]

Posted Dec 3, 2018

3/5

Bad Times at the El Royale (2018)

Miguel Muñoz Garnica

Goddard's solvency is undeniable. [Full Review in Spanish]

Posted Dec 3, 2018

5/5

Dogman (2019)

It's a figurative animalization without any kind of introspective construction, without makeup and without excuses. [Full review in Spanish]

Posted Nov 21, 2018

5/5

Happy as Lazzaro (Lazzaro felice) (2018)

Ignacio Navarro

Finding a movie like Happy as Lazzaro is almost a miracle in itself. [Full review in Spanish]

Posted Nov 14, 2018

3/5

Overlord (2018)

Overlord is one hundred percent an Abrams title, which creates a daring hodgepodge between war movies and the zombie genre horror movies that have played so much in the last decade. [Full review in Spanish]

Posted Nov 12, 2018

5/5

BlacKkKlansman (2018)

BlacKkKlansman, like a serious caricature, it is an oxymoron in itself, sadly funny, peacefully violent and absolutely necessary. [Full review in Spanish]

Posted Nov 12, 2018

2/5

The Tree of Blood (El árbol de la sangre) (2018)

Ignacio Navarro

The footage is in fact full of leitmotifs, already present in [director Julio] Medem's previous films... but here they are not so well linked to the main plot. [Full review in Spanish]

Posted Nov 7, 2018

4/5

Bohemian Rhapsody (2018)

Despite everything... there was something in those images that manipulated with force and precision the time, the memories, the frustrations. [Full review in Spanish]

Posted Nov 7, 2018

4/5

A Wild Stream (Una corriente salvaje) (2018)

Rafael Guilhem

This vague place barely inhabited by human beings... reminds us of the work of the German filmmaker Werner Herzog, always on the hunt for hostile places, untouched by humanity or captured by any image. [Full review in Spanish]

Posted Oct 30, 2018

4/5

Another Day of Life (2017)

Juan Roures Rego

Dissonance between fantasy and reality aside, this poetic essay moves us because we know that its evocation... is very present in that acute pain from which humanity will never recover completely. [Full review in Spanish]

Posted Oct 30, 2018

4/5

Colette (2018)

Juan Roures Rego

The strength of the film lies in the naturalness with which we participate in the evolution of Colette. [Full review in Spanish]

Posted Oct 30, 2018

1/5

Halloween (2018)

A project designed unappetizingly. [Full review in Spanish]

Posted Oct 30, 2018

5/5

Burning (Beoning) (2018)

Achieving a style much more poetic and eloquent than that evidenced by Murakami in his best sellers, the director raises a debate about love and death dealt with great elegance. [Full review in Spanish]

Posted Oct 30, 2018

5/5

Mandy (2018)