El antepenúltimo mohicano - Rotten Tomatoes

El antepenúltimo mohicano

Tomatometer-approved publication
Rating
Title/Year
Author
1
Willow (1988)

José Martín

Those of us who were children in the 80s will continue to consider it one of the most joyous and charming productions of our life. [Full review in Spanish]
Posted Dec 5, 2018
2
4/5
Leave No Trace (2018)

José Martín

The chemistry between Foster and McKenzie is brutal and together they have been the fundamental key so that Leave No Trace is one of those small films in dimensions but enormous in importance and depth. [Full Review in Spanish]
Posted Dec 3, 2018
3
3/5
Bad Times at the El Royale (2018)

Miguel Muñoz Garnica

Goddard's solvency is undeniable. [Full Review in Spanish]
Posted Dec 3, 2018
4
5/5
Dogman (2018)

Alberto Sáez Villarino

It's a figurative animalization without any kind of introspective construction, without makeup and without excuses. [Full review in Spanish]
Posted Nov 21, 2018
5
5/5
Happy as Lazzaro (Lazzaro felice) (2018)

Ignacio Navarro

Finding a movie like Happy as Lazzaro is almost a miracle in itself. [Full review in Spanish]
Posted Nov 14, 2018
6
3/5
Overlord (2018)

José Martín

Overlord is one hundred percent an Abrams title, which creates a daring hodgepodge between war movies and the zombie genre horror movies that have played so much in the last decade. [Full review in Spanish]
Posted Nov 12, 2018
7
5/5
BlacKkKlansman (2018)

Alberto Sáez Villarino

BlacKkKlansman, like a serious caricature, it is an oxymoron in itself, sadly funny, peacefully violent and absolutely necessary. [Full review in Spanish]
Posted Nov 12, 2018
8
2/5
The Tree of Blood (El árbol de la sangre) (2018)

Ignacio Navarro

The footage is in fact full of leitmotifs, already present in [director Julio] Medem's previous films... but here they are not so well linked to the main plot. [Full review in Spanish]
Posted Nov 7, 2018
9
4/5
Bohemian Rhapsody (2018)

Aarón Rodríguez Serrano

Despite everything... there was something in those images that manipulated with force and precision the time, the memories, the frustrations. [Full review in Spanish]
Posted Nov 7, 2018
10
4/5
A Wild Stream (Una corriente salvaje) (2018)

Rafael Guilhem

This vague place barely inhabited by human beings... reminds us of the work of the German filmmaker Werner Herzog, always on the hunt for hostile places, untouched by humanity or captured by any image. [Full review in Spanish]
Posted Oct 30, 2018
11
4/5
Another Day of Life (2017)

Juan Roures Rego

Dissonance between fantasy and reality aside, this poetic essay moves us because we know that its evocation... is very present in that acute pain from which humanity will never recover completely. [Full review in Spanish]
Posted Oct 30, 2018
12
4/5
Colette (2018)

Juan Roures Rego

The strength of the film lies in the naturalness with which we participate in the evolution of Colette. [Full review in Spanish]
Posted Oct 30, 2018
13
1/5
Halloween (2018)

Aarón Rodríguez Serrano

A project designed unappetizingly. [Full review in Spanish]
Posted Oct 30, 2018
14
5/5
Burning (Beoning) (2018)

Alberto Sáez Villarino

Achieving a style much more poetic and eloquent than that evidenced by Murakami in his best sellers, the director raises a debate about love and death dealt with great elegance. [Full review in Spanish]
Posted Oct 30, 2018
15
5/5
Mandy (2018)

José Martín

One of the most genius, visceral and truly transgressive genre films known in the last decade. [Full review in Spanish]
Posted Oct 30, 2018
16
2/5
Gemini (2018)

José Martín

An exploration of the female universe... but that at no time ends up finding the right tone. [Full review in Spanish]
Posted Oct 24, 2018
17
4/5
Hold the Dark (2018)

Aarón Rodríguez Serrano

The film ends up being an exceptional reflexive exercise, a solid challenge that is based on the strength - but also on the apparent distance - of its images. [Full review in Spanish]
Posted Oct 23, 2018
18
4/5
Sad Hill Unearthed (Desenterrando Sad Hill) (2018)

David Tejero Nogales

The director Guillermo de Oliveira always leaves enough space for the heroes of this story to be the members of Sad Hill, or the people who make a pilgrimage to a place that is, I repeat, a time rather than a place. [Full review in Spanish]
Posted Oct 22, 2018
19
5/5
Petra (2018)

Alberto Sáez Villarino

Petra is a sublime exercise of narrative skill and control of intrigue, which is perfectly executed thanks to the performances of Bárbara Lennie and Joan Botey. [Full review in Spanish]
Posted Oct 22, 2018
20
4/5
First Man (2018)

Alberto Sáez Villarino

The conscious criticism and de-romanticization of the story make this film one of the great events of the year. [Full review in Spanish]
Posted Oct 19, 2018
21
3/5
Gun City (La sombra de la ley) (2018)

Ignacio Navarro

Especially memorable are the roles of Vicente Romero and Manolo Solo, two villains that their actors endow with a tragic and nuanced air. [Full review in Spanish]
Posted Oct 17, 2018
22
3/5
The Royal Exchange (L'échange des princesses) (2018)

Hernán Touzón

Although the film does not have a very compelling conflict, nor a very original or surprising plot... the film is an interesting exercise around the fragility of man (and his body) in the face of time. [Full review in Spanish]
Posted Oct 15, 2018
23
1/5
Lean on Pete (2018)

Aarón Rodríguez Serrano

Indigence and Instagram filters, you know, are not usually good travel companions. [Full review in Spanish]
Posted Oct 15, 2018
24
3/5
Utøya: July 22 (Utøya 22. Juli) (2018)

Rafael Guilhem

Given the haste - it has been just 7 years since that fateful day - [director Erik] Poppe opts to portray the remaining 73 minutes in a shot-sequence... as if he were more interested in putting us in the experiential terrain. [Full review in Spanish]
Posted Oct 15, 2018
25
4/5
The Rider (2018)

Alberto Sáez Villarino

It seems that each narrative element of the film is arranged to make us connect with nature. [Full review in Spanish]
Posted Oct 8, 2018
26
4/5
Journey to a Mother's Room (Viaje al cuarto de una madre) (2018)

Juan Roures Rego

As exemplary novel director, [Celia Rico Clavellino] renounces all visual or audible artifice to offer a humble work that seems to come directly from her heart; that is, from her relationship with her parents. [Full review in Spanish]
Posted Oct 8, 2018
27
4/5
Searching (2018)

José Martín

In short, it exceeds all expectations and reinforces director [Aneesh] Chaganty as a filmmaker to follow in the future. [Full review in Spanish]
Posted Oct 5, 2018
28
4/5
Beast (2018)

Hernán Touzón

Beast is an interesting story and a firm first step in the British filmmaker's promising career. [Full review in Spanish]
Posted Oct 5, 2018
29
2/5
A Star Is Born (2018)

Miguel Muñoz Garnica

Cooper delivers a weightless version of the story. [Full review in Spanish]
Posted Oct 5, 2018
30
3/5
Chappaquiddick (2018)

José Martín

More than a political thriller or a biography, what Chappaquiddick offers a non-complacent drama that delves into the mixed feelings that rattled the insides of the youngest Kennedys. [Full review in Spanish]
Posted Oct 5, 2018
31
4/5
Selma (2015)

Ignacio Navarro

The structure with which the film is designed turns out to be as beneficial and intriguing as it is unsatisfactory and imprecise. [Full Review in Spanish]
Posted Oct 4, 2018
32
5/5
Penélope (2017)

Aarón Rodríguez Serrano

What a great movie [director] Eva Vila has shot, and what a pity to not have better words to celebrate it. [Full review in Spanishi]
Posted Oct 3, 2018
33
8.5/10
The Notebook (2004)

Emilio Luna

A story about true love that makes you cry, the kind you don't forget. [Full Review in Spanish]
Posted Oct 1, 2018
34
3/5
The Apparition (L'apparition) (2018)

Ignacio Navarro

A last appreciable quality is the performances of Bellugi and Lindon... both memorable in their roles despite their monotonous and somewhat superficial nature. [Full review in Spanish]
Posted Sep 26, 2018
35
3/5
The Realm (El reino) (2018)

Miguel Muñoz Garnica

The film finds virtues by way of inserting different visual cyphers as intruders in the filmic passage. [Full review in Spanish]
Posted Sep 24, 2018
36
3/5
Mrs. Hyde (Madame Hyde) (2018)

Elisenda N. Frisach

Madame Hyde is a film that has many virtues, not the least of which is its willingness to go against the current. [Full review in Spanish]
Posted Sep 21, 2018
37
3/5
The Predator (2018)

José Martín

It may not be a great film and its story's originality suffers... but it's shot with a very good rhythm and it hits the right notes when recalling the strengths of the [original] Predator starring Schwarzenegger. [Full review in Spanish]
Posted Sep 17, 2018
38
4/5
Roma (2018)

Rafael Guilhem

It is the unique aspects of Rome, and not the invariables, that illuminate something about reality for which the sun has been insufficient. [Full review in Spanish]
Posted Sep 17, 2018
39
4/5
First Reformed (2018)

Elisenda N. Frisach

Paul Schrader offers a very personal and, at the same time, universalist, film... that even allows brief moments of "magical realism". [Full review in Spanish]
Posted Sep 17, 2018
40
4/5
Les distàncies (2018)

Ignacio Navarro

Les distàncies runs through these contradictory motivations ... to provide each character with motivation and depth without drawing upon expository dialogues nor to dramatic turns. [Full review in Spanish]
Posted Sep 17, 2018
41
4/5
Mary and The Witch's Flower (2018)

Ignacio Navarro

The legacy of the [Hayao Miyazaki] is in good hands. [Full review in Spanish]
Posted Sep 10, 2018
42
3/5
Carmen & Lola (Carmen y Lola) (2018)

Víctor Blanes Picó

It is in the level of social representation where the film stands out. [Full review in Spanish]
Posted Sep 10, 2018
43
1/5
The Nun (2018)

Aarón Rodríguez Serrano

In the third act of the film, one no longer knows whether to laugh or cry. [Full review in Spanish]
Posted Sep 10, 2018
44
2/5
Rodin (2018)

Hernán Touzón

On the one hand, we witness the grandiloquence of Rodin's declamations about the meaning of his art... but on the other, the film, in its narrative and temporal character, lacks a rhythmic and dramatic structure. [Full review in Spanish]
Posted Aug 22, 2018
45
4/5
Thoroughbreds (2018)

José Martín

[Director Cory] Finley is revealed as a filmmaker with a great talent for the visual, who... makes the most of his scenarios so that they serve as a silent witness to evil in its purest form. [Full review in Spanish]
Posted Aug 22, 2018
46
3/5
Ceasefire (Cessez-le-feu) (2017)

Ignacio Navarro

It's natural that the conflict is more internal than external once the war framework has been overcome, but there is a lack of reflections, not only verbal but also symbolic, that deepen within it. [Full review in Spanish]
Posted Aug 21, 2018
47
3/5
Permission (2018)

José Martín

It is a work that raises an interesting debate about the importance given to monogamy... and the consequences that could result from ceasing to practice it. [Full review in Spanish]
Posted Aug 21, 2018
48
4/5
Equalizer 2 (2018)

David Tejero Nogales

In summary, it is a good product, which questions and interrogates while it houses a franchise that is somewhat uncomfortable to place in the contemporary mainstream panorama. [Full Review in Spanish]
Posted Aug 20, 2018
49
2/5
What Will People Say? (Hva vil folk si) (2018)

Hernán Touzón

Everyone in the protagonists's environment... reasons and acts in the same way, [becoming] a film that wastes the opportunity to explore the differences of opinion that may generate some kind of conflict. [Full review in Spanish]
Posted Aug 17, 2018
50
1/5
Under the Tree (Undir trénu) (2018)

Aarón Rodríguez Serrano

The pure spectacle of beast-like characters showing their teeth and then, the inevitable and abrupt violent outburst... does not work because it has not built tension throughout the film. [Full review in Spanish]
Posted Aug 13, 2018