El antepenúltimo mohicano

Tomatometer-approved publication
Rating Title/Year Author
3/5 Dark Phoenix (2019) José Martín [Balances] the action... with the relationships between the different characters, their dilemmas and internal conflicts. [Full review in Spanish] EDIT
Posted Jun 18, 2019
3/5 () Ignacio Navarro A comedy that works very well because it knows what it wants to tell and how to tell it. [Full review in Spanish] EDIT
Posted Jun 14, 2019
5/5 Sauvage (2018) Juan Roures Maritaud fills [the screen] with his perfect mix of charisma and vulnerability. [Full review in Spanish] EDIT
Posted Jun 14, 2019
4/5 Gloria Bell (2018) Aitor Salinas Gloria... is brimming with life. [Full review in Spanish] EDIT
Posted Jun 11, 2019
5/5 Ash Is Purest White (2018) Miguel Muñoz Garnica [Ash is Purest White has] a particularly physical, almost palpable staging. EDIT
Posted Jun 3, 2019
2.5/10 War on Everyone (2016) Víctor Blanes Picó There is no tension or surprise, it develops with little grace and stumbling between the commonplace and the politically incorrect joke, easy and very visible. [Full Review in Spanish] EDIT
Posted May 24, 2019
4/5 () Alberto Sáez Villarino A ray of hope seems to emerge after the storm in this fantastic dramatic fable. [Full review in Spanish] EDIT
Posted May 24, 2019
4/5 () Alberto Sáez Villarino A superb script. [Full review in Spanish] EDIT
Posted May 24, 2019
5/5 Once Upon a Time in... Hollywood (2019) Alberto Sáez Villarino It's pop violence, which Tarantino popularized... A drug that constitutes one of the greatest postmodern representations of rhetorical-narrative eloquence and film spectacle. [Full review in Spanish] EDIT
Posted May 23, 2019
4/5 () Alberto Sáez Villarino Will be remembered as a magnificent introspective and bilateral test of characters. [Full review in Spanish] EDIT
Posted May 22, 2019
3/5 The Dead Don't Die (2019) Alberto Sáez Villarino There is not a single Jarmusch movie that can be categorized... and The Dead Don't Die is no exception [Full review in Spanish] EDIT
Posted May 15, 2019
4/5 Sorry Angel (2018) Juan Roures The dialogues, very subtle, reveal both the reality of the characters and the world around them. [Full review in Spanish] EDIT
Posted May 13, 2019
5/5 Da xiang xi di er zuo (2018) Juan Roures The unforgettable final shot, where life is confirmed as a frustrating but beautiful trip back and forth, puts the finishing touch to a monumental work. [Full review in Spanish] EDIT
Posted May 8, 2019
3/5 Hormigas (El despertar de las hormigas) (2019) Rafael Guilhem [Directora Antonella] Sudasassi finds in subtlety a tool to disarm the threads of a sophisticated oppression. [Full review in Spanish] EDIT
Posted May 1, 2019
4/5 Avengers: Endgame (2019) José Martín As epic as you would expect and more. [Full review in Spanish] EDIT
Posted Apr 30, 2019
5/5 Suspiria (2018) Aitor Salinas Iintoxicating and Machiavellian. [Full review in Spanish] EDIT
Posted Apr 25, 2019
3/5 Immersed Family (Familia sumergida) (2018) Ignacio Navarro The film is perhaps more intriguing in its fantastic elements than in its dramatic naturalism. [Full review in Spanish] EDIT
Posted Apr 25, 2019
4/5 Florianópolis Dream (Sueño Florianópolis) (2018) Rafael Guilhem [Director Ana] Katz establishes the rules of her film as those of a game: to put reality in crisis to displace it, distort it... And even so, there is a certain beauty and human empathy between the characters. [Full review in Spanish] EDIT
Posted Apr 23, 2019
4/5 Donbass (2018) Ignacio Navarro [Director Sergey Loznitsa] uses a very appropriate approach in connecting... in addition to soldiers and informants, both ordinary citizens and local or regional rulers. [Full review in Spanish] EDIT
Posted Apr 23, 2019
1/5 Red Joan (2018) Juan Roures There is no surprise, there is no emotion and, above all, there is hardly any interest in delving into the facts presented. [Full review in Spanish] EDIT
Posted Apr 23, 2019
4/5 () Mariona Borrull [Director Rita] Azevedo's story... becomes a great ode to painting and, more specifically, to the woman contemplated on the canvas... But the film's greatest achievement is that it manages to give complexity to this relationship. [Full review in Spanish] EDIT
Posted Apr 23, 2019
2/5 Pet Sematary (2019) José Martín Awkward and gimmicky. [Full review in Spanish] EDIT
Posted Apr 22, 2019
3/5 Triple Frontier (2019) José Martín The sequences that take place in the jungle, the plane's crash landing or the shooting in the mountain provide the necessary doses of good entertainment. [Full review in Spanish] EDIT
Posted Apr 22, 2019
4/5 Première année (2018) Juan Roures At the end of the day... the film in question does not fail to show a pressing search for meaning and, even more important, happiness. [Full review in Spanish] EDIT
Posted Apr 19, 2019
4/5 Double Lives (2018) Ignacio Navarro Assayas finds in his latest film a more nuanced manifestation. [Full review in Spanish] EDIT
Posted Apr 15, 2019
4/5 Grâce À Dieu (1970) Ignacio Navarro In short, By the Grace of God insists upon... a choral history, but without losing sight of this last dimension that connects more with the reality we know. [Full review in Spanish] EDIT
Posted Apr 12, 2019
4/5 In the Aisles (2018) Juan Roures Filled with compassion for its characters, but also imaginative ways of extracting poetry from the day to day. [Full review in Spanish] EDIT
Posted Apr 12, 2019
1/5 After (2019) Ignacio Navarro The soundtrack rounds up the accumulation of clichés that characterizes the entire film. [Full review in Spanish] EDIT
Posted Apr 12, 2019
3/5 Never Look Away (2018) Ignacio Navarro The actors' charisma, the care of the recreation, the cadence of the assembly and other aesthetic elements... immerse us. [Full review in Spanish] EDIT
Posted Apr 10, 2019
3/5 Assassination Nation (2018) Ignacio Navarro Creates a cumulative effect where the insistence of the message ends up bearing fruit. [Full review in Spanish] EDIT
Posted Apr 3, 2019
2/5 () Rafael Guilhem Callos denies any tradition... and navigates a map unknown to its cartographer. [Full review in Spanish] EDIT
Posted Apr 2, 2019
3/5 Sibel (2018) Arantxa Luna The film discards the stereotype in cinema where a woman in trouble needs a male figure to trigger her decisions. [Full review in Spanish] EDIT
Posted Apr 2, 2019
4/5 Us (2019) José Martín [Jordan Peele] has taken a leap forward as a filmmaker... reaching an exemplary maturity. [Full review in Spanish] EDIT
Posted Apr 1, 2019
4/5 The Kid Who Would Be King (2019) José Martín It's also worth applauding the way in which [the] characters behave like kids their own age. [Full review in Spanish] EDIT
Posted Mar 26, 2019
4/5 Maya (2018) Ignacio Navarro Only the talent of a director like [Mia] Hansen-Løve allows all this construction to seem so loose and spontaneous. [Full review in Spanish] EDIT
Posted Mar 25, 2019
4/5 () Ignacio Navarro Almodóvar brings us back to his very distinctive world... with several self-referential and metalinguistic winks. [Full review in Spanish] EDIT
Posted Mar 25, 2019
5/5 The Image Book (2018) Miguel Muñoz Garnica The Image Book is, like all of Godard's films, an accumulation of fragmentary remakes. [Full review in Spanish] EDIT
Posted Mar 25, 2019
5/5 Mirai no Mirai (2018) Ignacio Navarro A masterpiece. [Full review in Spanish] EDIT
Posted Mar 22, 2019
3/5 Captain Marvel (2019) José Martín Fans of the genre can breathe easy and enjoy a fantastic, hilarious adventure. [Full review in Spanish] EDIT
Posted Mar 19, 2019
4/5 The Mule (2018) José Martín Avoids... any concession to cheap sentimentality, despite the fact that the story has many dramatic ingredients. [Full review in Spanish] EDIT
Posted Mar 11, 2019
4/5 Destroyer (2018) José Martín An exceptional genre film. [Full review in Spanish] EDIT
Posted Mar 7, 2019
4/5 The Front Runner (2018) José Martín An excellent narrative pulse that reveals [Jason Reitman] as a worthy successor to... Pakula or Lumet. [Full review in Spanish] EDIT
Posted Feb 20, 2019
3/5 Dovlatov (2018) Hernán Touzón A proper performance by [Milan] Maric. [Full review in Spanish] EDIT
Posted Feb 20, 2019
3/5 Capernaum (2018) Hernán Touzón [Capernaum] deserves to be seen and appreciated. [Full review in Spanish] EDIT
Posted Feb 20, 2019
4/5 The Sisters Brothers (2018) Alberto Sáez Villarino The director manages to increase the dangerous and abrupt trip's feelings of discomfort and fatigue, while presenting a subtle metaphor of the horse as [the] animalization of the bounty hunter. [Full review in Spanish] EDIT
Posted Feb 12, 2019
4/5 The Old Man & the Gun (2018) José Martín [A] beautiful swan song from one of the greats. [Full review in Spanish] EDIT
Posted Feb 11, 2019
4/5 Creed II (2018) Aarón Rodríguez Serrano [Tessa Thompson] gives the film a sort of density that neither Michael B. Jordan nor Stallone himself managed to maintain. [Full review in Spanish] EDIT
Posted Feb 11, 2019
3/5 Sofia (2018) Aitor Salinas Sofia never highlights injustice through martyrdom or turning the protagonist into a heroine, but in turning her into a survivor. [Full review in Spanish] EDIT
Posted Feb 11, 2019
4/5 Velvet Buzzsaw (2019) Alberto Sáez Villarino [Director Dan] Gilroy approaches a diffuse style that combines dramatic intensity and psychological subtlety, the objectivity of presentation with the subjective vision. [Full review in Spanish] EDIT
Posted Feb 11, 2019
3/5 Beautiful Boy (2018) José Martín Beautiful Boy works considerably better as a portrait of the disintegration of a family... than as a story about drug addiction in youth. [Full review in Spanish] EDIT
Posted Feb 11, 2019