Glue Magazine

Glue Magazine is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Annie Banks
Rating Title/Year Author
7.5/10 Ford v Ferrari (2019) Annie Banks Ford v. Ferrari is a people-pleaser, a hope-giver, and a dream chaser. EDIT
Posted Nov 8, 2019
8.7/10 Jojo Rabbit (2019) Annie Banks Jojo Rabbit is an emotive, feel-good satire that entangles heart and humanity, even if it may strife on packing in intensity. EDIT
Posted Nov 1, 2019
8/10 Joker (2019) Annie Banks Joker is a devastatingly bold, brashly aggressive, truly haunting homage to the clown prince of crime. It stands proud as one of the most troubling, worrisome and delightfully distressing pieces of comic book cinema. EDIT
Posted Oct 3, 2019
9/10 The Farewell (2019) Annie Banks Wang is a visionary on the rise. EDIT
Posted Jul 19, 2019
6/10 The Lion King (2019) Annie Banks While The Lion King may not be able to go toe-to-toe with the Renaissance precursor, it still holds enough of that comforting Disney feel to gratify and amuse moviegoers. EDIT
Posted Jul 19, 2019
2/5 Dark Phoenix (2019) Annie Banks With the namesake of fire and destruction, the film is smothered and reduced to soot and ash. It really is sad to see something that could have been a triumph result in something sullen and carelessly completed. EDIT
Posted Jun 24, 2019
Spider-Man: Into the Spider-Verse (2018) Annie Banks Combines elements of humor, heart, and humanity into the superhero film that we've been waiting for. EDIT
Posted Dec 11, 2018
Rebel in the Rye (2017) Annie Banks With too long of a running time, the potential biography only tells the same story of a misunderstood writer, that becomes boring and hard to watch. EDIT
Posted Aug 27, 2018
Kingsman: The Golden Circle (2017) Annie Banks Kingsman may be turbulent but is the most fun to watch. EDIT
Posted Aug 27, 2018
Wheelman (2017) Annie Banks It only took nineteen days to shoot, and it's evident. Even if Grillo had performed most of the driving himself, his final product is underwhelming at best. EDIT
Posted Aug 27, 2018
The Dark Tower (2017) Annie Banks With a weak supporting cast, Sony has created a mediocre adaptation of a malleable story. EDIT
Posted Aug 27, 2018
The Hitman's Bodyguard (2017) Annie Banks This film is highly entertaining and masterfully written. Reynolds and Jackson are keen when it comes to foul-mouthed mercenary roles. EDIT
Posted Aug 27, 2018
Marshall (2017) Annie Banks Still powerful and upliftlingly hopeful, Marshall borderlines what could be a Gad film as he interjects and oversteps. EDIT
Posted Aug 27, 2018
Thor: Ragnarok (2017) Annie Banks Ragnarok remains to keep it's level of entertainment as again Led Zeppelin is played over, highlighting each member of the Revenger team. EDIT
Posted Aug 27, 2018
For the Love of George (2018) Annie Banks The concept of George is entertaining, but the execution by an independent distributor isn't enough to get the film off the ground. EDIT
Posted Aug 27, 2018
Darkest Hour (2017) Annie Banks The film stands strong and tall as one of the most prominent biopic films. EDIT
Posted Aug 24, 2018
Black Panther (2018) Annie Banks Black Panther is a cinematic triumph. It dominates and overcomes racial and social barriers while executing a superhero film. EDIT
Posted Aug 24, 2018
The Death of Stalin (2017) Annie Banks The Death of Stalin is a smart, quick-witted, and amusing comedy that pinpoints historical humor. EDIT
Posted Aug 24, 2018
Ready Player One (2018) Annie Banks Ready Player One is literally a gamer's paradise, a dazzling film that never seems to slow down. EDIT
Posted Aug 24, 2018
Avengers: Infinity War (2018) Annie Banks It's powerful, it's draining, it's fantastically harrowing. EDIT
Posted Aug 24, 2018
Teen Titans GO! to the Movies (2018) Annie Banks Surprisingly, this one is pretty fun. It's amusing, bright, and a triumph for DC Entertainment. EDIT
Posted Aug 24, 2018