Floated Alternative Culture Magazine

Floated Alternative Culture Magazine is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Danielle Del Plato
Rating Title/Year Author
7/10 I Am Mother (2019) Danielle Del Plato I Am Mother exudes visual sophistication-specifically with its production design, which is intriguing and well suited. EDIT
Posted Jun 27, 2019
4.5/10 Extremely Wicked, Shockingly Evil and Vile (2019) Danielle Del Plato Extremely Wicked, Shockingly Evil and Vile lacks everything the title states--a bland cocktail that's enjoyable only for the last 20 minutes, after it's subdued you into submission. EDIT
Posted May 4, 2019
6.5/10 Starfish (2016) Danielle Del Plato Starfish is a strong independent film that reaffirms a strong stylistic look doesn't directly correlate with a large budget. EDIT
Posted Mar 23, 2019
6/10 Lords of Chaos (2018) Danielle Del Plato Culkin's performance is subtle and controlled, this is the best we have seen from him in quite some time. EDIT
Posted Mar 2, 2019
8.7/10 Prospect (2018) Danielle Del Plato While many sci-fi films rely heavily on visual effects and the idiosyncrasies of foreign worlds, Prospect entertains viewers in the best way possible: with substance rather than grandeur. EDIT
Posted Feb 9, 2019
7/10 30 Miles From Nowhere (1970) Danielle Del Plato It's offbeat, witty, and completely entertaining. EDIT
Posted Feb 5, 2019
3/10 Rust Creek (2018) Danielle Del Plato It doesn't generate the energy and originality a survival thriller needs to, well, survive. EDIT
Posted Jan 26, 2019
5.5/10 Vox Lux (2018) Danielle Del Plato Many of Corbet's ideas are half-baked--on the surface, Vox Lux is a mess of popstar clichés and when you dig deeper it's a convoluted jumble of opinions about the aging societal idol. EDIT
Posted Jan 26, 2019
9/10 Spider-Man: Into the Spider-Verse (2018) Danielle Del Plato Will this film win an Oscar for best-animated feature? I sure hope so, because quite frankly it's that good. EDIT
Posted Dec 27, 2018
0/10 The House That Jack Built (2018) Danielle Del Plato It stands as a representation of ego and misogyny from a filmmaker who deems it necessary to reaffirm his controversial status. EDIT
Posted Dec 15, 2018
7/10 Eighth Grade (2018) Danielle Del Plato Fisher's performance is piercingly real--frankly the best performance from a teenager I have ever seen. EDIT
Posted Dec 9, 2018
9/10 BlacKkKlansman (2018) Danielle Del Plato I can just imagine a white couple--in their tiny bubble of perfect living--deciding to see that "comedy about a black guy joining the KKK". Little did they know their bubble would soon be popped by Lee, whose finger is pointed directly at them. EDIT
Posted Dec 9, 2018
4/10 Puppet Master: The Littlest Reich (2018) Danielle Del Plato Stating the major errors of this film is like saying that rain is wet. EDIT
Posted Dec 9, 2018
5/10 Under the Silver Lake (2018) Danielle Del Plato Strange just for the sake of being strange. EDIT
Posted Dec 9, 2018
8/10 Cam (2018) Danielle Del Plato This film isn't about a "near future experience", it's about the present. EDIT
Posted Dec 9, 2018
5/10 Outlaw King (2018) Danielle Del Plato There's nothing too eye-catching or unique enough to differentiate the film from others of its kind. EDIT
Posted Dec 9, 2018
3/10 The Dark (2018) Danielle Del Plato If you need some visual inspiration, maybe give this film a watch. Otherwise, this is a hard pass. EDIT
Posted Dec 9, 2018
6.5/10 Quincy (2018) Danielle Del Plato Rashida Jones and Hicks succeed in creating a lively and humble portrait of a true artist while revealing the struggles of aging and loss. EDIT
Posted Dec 9, 2018
3/10 Venom (2018) Danielle Del Plato Well, sorry to break it to you, but Venom is one massive missed opportunity. EDIT
Posted Dec 9, 2018
7/10 Mandy (2018) Danielle Del Plato Who doesn't love a crazed Cage? EDIT
Posted Dec 9, 2018
3/10 The After Party (2018) Danielle Del Plato While it might be all in good fun, there's no way in hell a dorky pasty white teenager would be able to sneak into Atlantic Records. EDIT
Posted Dec 9, 2018
3/10 Zoe (2018) Danielle Del Plato While Doremus' work centers around connections, it's near impossible for the audience to connect with Zoe. EDIT
Posted Dec 5, 2018
5/10 Hot Summer Nights (2017) Danielle Del Plato A twenty-second long sequence of a sticky and moist exchange of a lollipop is one of the most immersive sequences I have seen in some time. EDIT
Posted Dec 5, 2018
7/10 Sorry to Bother You (2018) Danielle Del Plato A tiny crazy time capsule of everything wrong with our current society. EDIT
Posted Dec 5, 2018
9/10 Won't You Be My Neighbor? (2018) Danielle Del Plato Won't You Be My Neighbor welcomes us back to that space during this time when some of us need it most--allowing ourselves to take off our jackets and pull on a warm sweater. EDIT
Posted Dec 5, 2018
7.5/10 What Keeps You Alive (2018) Danielle Del Plato What Keeps You Alive is beautifully and effortless composed. Long takes will swiftly and smoothly carry you throughout the barren woods and rustic cabin, while gradually building tension that lasts until the films final moments. EDIT
Posted Dec 5, 2018