Daze Magazine

Daze Magazine is not a Tomatometer-approved publication. Reviews from this publication do not count toward the Tomatometer.
Rating Title/Year Author
4/5 Wild Nights With Emily (2018) Sara Clements Olnek pens a story that is refreshing for the genre. It's not melancholy or narratively conflict-heavy as most queer stories are -- it's a comedy. EDIT
Posted Jun 8, 2019
3.5/5 Her Smell (2018) Sara Clements [Becky Something is] her own being and Moss truly lives in her skin. And it doesn't matter that she isn't the best singer; there's a heartbroken sound to her music. A vulnerability that is hidden underneath selfishness and egotism. EDIT
Posted May 17, 2019
4/5 Diane (2018) Sara Clements The film is an empathetic look at a character who is trying to stay strong for everyone around her, but as the film progresses, we see a Diane with tired eyes and a demeanour drained of that matriarchal strength. EDIT
Posted Apr 27, 2019
3.5/5 Mirai no Mirai (2018) Sara Clements Hosada is able to create an overall nostalgic experience, especially for those who have siblings. EDIT
Posted Apr 12, 2019
3.5/5 The Highwaymen (2019) Sara Clements John Lee Hancock's latest film is all about the politics surrounding the capture of two of America's most notorious criminals, [but] it feels like a story that didn't need to be told as it rehashes the same old tale of how Bonnie and Clyde lived and died. EDIT
Posted Apr 12, 2019
4/5 Never Look Away (2018) Sara Clements Never Look Away is wrapped up in touching performances, beautiful cinematography, and an incredibly faithful timepiece that reminds us to never look away because 'everything that's true is beautiful.' EDIT
Posted Apr 12, 2019
3.5/5 Ash Is Purest White (2018) Sara Clements The first half of the film perfectly sets up a compelling gangster drama, but for the rest of the runtime, that genre completely disappears, and as a result, it struggles to figure out what kind of film it wants to be. EDIT
Posted Apr 12, 2019