annavetticadgoes2themovies

annavetticadgoes2themovies is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Anna M.M. Vetticad
Rating Title/Year Author
3.5/5 Dil Dhadakne Do (2015) Anna M.M. Vetticad ...a gentle slap in the face of misogynists who stereotype feminists as being: (a) only women and (b) people who overlook the flaws of women. EDIT
Posted Jan 16, 2021
3/5 Dhanak (2015) Anna M.M. Vetticad ...a reminder of the best that [Nagesh Kukunoor] can be. EDIT
Posted Jan 16, 2021
4/5 Nil Battey Sannata (2015) Anna M.M. Vetticad Nil Battey Sannata has a light touch, yet is serious as hell. Despite the frenzied pace of Chanda's days, the film itself has an air of composure. EDIT
Posted Jan 16, 2021
2.75/5 Shaitan (2011) Anna M.M. Vetticad To begin with, this story is enjoyable and quite intriguing. But ... style takes over substance especially in the second half ... EDIT
Posted Jan 15, 2021
2.5/5 Shagird (2011) Anna M.M. Vetticad ... if you are in an undemanding, unquestioning mood, you could give Shagird a shot ... for [Nana Patekar's character] Hanumant Singh alone. EDIT
Posted Jan 15, 2021
3.5/5 Nh10 (2015) Anna M.M. Vetticad As events hurtle down National Highway 10 at breakneck speed, [Navdeep] Singh injects his film with questions, answers and depth rarely seen in suspense dramas. EDIT
Posted Jan 15, 2021
0.5/5 White (2016) Anna M.M. Vetticad Each frame, each word suggests that director Uday Ananthan felt he had a grand sweeping romance on his hands. ... White is not grand. It is pompous. EDIT
Posted Jan 14, 2021
3.5/5 How Old Are You? (2014) Anna M.M. Vetticad How Old Are You ... [asks] uncomfortable questions about gender equality in situations that don't involve extreme crimes or extreme poverty ... EDIT
Posted Jan 13, 2021
3.5/5 Pataakha (2018) Anna M.M. Vetticad Trust Vishal Bhardwaj to get to the root of India-Pakistan enmity plus crack Bollywood's star system, both with one stone. EDIT
Posted Jan 11, 2021
4/5 The Brawler (2019) Anna M.M. Vetticad A Hindi film that is unafraid to say what it has to say in this present repressive atmosphere is rare. This is fearless, energetic filmmaking at its best. EDIT
Posted Jan 11, 2021
4/5 In the Shadows (2017) Anna M.M. Vetticad ... swathed in the shadows referenced in its title, giving it an air of mystery and simmering unrest. EDIT
Posted Jan 11, 2021
3.25/5 Gangs of Wasseypur (2012) Anna M.M. Vetticad ...there are so many lovely actors in this film that it's a pity space does not permit me to name them all. EDIT
Posted Jan 11, 2021
2.5/5 Saat Uchakkey (2016) Anna M.M. Vetticad It takes more than a great concept though to make a great film, and at some point Saat Uchakkey loses itself in self-indulgence. EDIT
Posted Jan 11, 2021
2/5 Budhia Singh: Born to Run (2016) Anna M.M. Vetticad ... [circumvents] uncomfortable questions about the ethics of training a little child so rigorously for marathons, even while making a show of addressing those questions. EDIT
Posted Jan 11, 2021
3.5/5 Delhi Belly (2011) Anna M.M. Vetticad ...frank, funny, in-your-face, unapologetic and unafraid. EDIT
Posted Jan 9, 2021
2.75/5 Main Tera Hero (2014) Anna M.M. Vetticad ...nutty, harmless little entertainer... EDIT
Posted Dec 28, 2020
4/5 Lootera (2013) Anna M.M. Vetticad ...reflective, gentle, lyrical and reads like a letter to our hearts. EDIT
Posted Dec 28, 2020
3.5/5 Saheb Biwi Aur Gangster Returns (2013) Anna M.M. Vetticad Tigmanshu Dhulia - Saheb Biwi aur Gangster Returns' director and co-writer - proves yet again why he is one of the best talents of contemporary Bollywood. EDIT
Posted Dec 6, 2020
3/5 Saheb Biwi and Gangster (2011) Anna M.M. Vetticad The strength of Saheb Biwi aur Gangster is its snug writing by Tigmanshu Dhulia (also the director) and Sanjay Chouhan. EDIT
Posted Dec 6, 2020
3.5/5 Raat Akeli Hai (2020) Anna M.M. Vetticad Raat Akeli Hai [grabs] attention with a vice-like hold from the moment it opens with a chilling murder on a deserted highway in the inky blackness of the night. EDIT
Posted Dec 6, 2020
1.5 Batla House (2019) Anna M.M. Vetticad Batla House openly [uses] the language of 'them' and 'us' - literally - with regard to Muslims. EDIT
Posted Dec 6, 2020
2/5 Choked: Paisa Bolta Hai (2020) Anna M.M. Vetticad Kashyap's last two breathtakingly good films were Mukkabaaz and Raman Raghav 2.0. Choked wants to say a lot, but is not even as hard-hitting or entertaining as his tweets. EDIT
Posted Jun 23, 2020
0/5 () Anna M.M. Vetticad Sexism and misogyny are not Aadya Rathri's only characteristics. Kunjumon is repeatedly fat shamed. EDIT
Posted Nov 18, 2019
.5/5 Under World (2019) Anna M.M. Vetticad The rest of Under World shows a complete lack of imagination and implies a desire on Arun Kumar Aravind's part to join the club of masala directors to which Haneef Adeni belongs. EDIT
Posted Nov 18, 2019
1/5 Marjaavaan (2019) Anna M.M. Vetticad Dated, loud, cliché-ridden, preachy, unimaginative, boring, flat - that is what Marjaavaan is. EDIT
Posted Nov 15, 2019