Graveyard Shift Sisters

Graveyard Shift Sisters is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Ashlee Blackwell, Carolyn Mauricette
Rating Title/Year Author
Desolation (2017) Ashlee Blackwell Desolation is not quite popcorn fare with its spots of disturbing imagery, but it is a highly energetic, instropective, and honest piece. EDIT
Posted Feb 11, 2020
The Void (2016) Ashlee Blackwell I can't promise that it will all come together and make sense after one viewing. The rewatchability factor is, I'm happy to report, extremely high... EDIT
Posted Feb 11, 2020
Safe Neighborhood (2016) Ashlee Blackwell Better Watch Out is the definition of a horror comedy, with great performances all around. EDIT
Posted Feb 11, 2020
Waiting for You (2017) Ashlee Blackwell I've always been a fan of Dixon as a rising filmmaker who demonstrates a masterful use of camera work and sound... EDIT
Posted Feb 11, 2020
BOO! (2018) Ashlee Blackwell BOO! promises a raw, solemn, exquisite journey into nightmares that will assuredly haunt audiences at less of a moments notice. EDIT
Posted Feb 11, 2020
Get Out (2017) Ashlee Blackwell ...it'll be with us years later as shattered pieces from its fall, making sense for the future of how we talk about racism, and the human monster that hides within it. EDIT
Posted Feb 11, 2020
FirstBorn (2016) Ashlee Blackwell FirstBorn is worth the time its given, and if you adore Antonia Thomas from the UK television series' Mistfits or even Lovesick, you'll definitely nod to the young actress' range and promise as a starlet. EDIT
Posted Feb 11, 2020
Quarries (2016) Ashlee Blackwell Quarries is a beautifully shot, female-driven, earnest attempt at visual self actualization and inner-strength. EDIT
Posted Feb 11, 2020
Raw (2016) Ashlee Blackwell Raw is both endearing and brutal with Ducourau's masterful character development and visceral pleasures. EDIT
Posted Feb 11, 2020
Buster's Mal Heart (2016) Ashlee Blackwell These themes of class and ethnicity in Buster's Mal Heart aren't frying pan head blows. They're subtle in order to sneak into your subconscious and reveals how a system, also subtly placed in Reagan's America is shattered. EDIT
Posted Feb 11, 2020
Dearest Sister: Nong Hak (2016) Ashlee Blackwell Nok's journey is a human one, and the climax of such a trek leaves you a feeling of satisfaction and intensity from not only from the story, but also of what Do will do next. EDIT
Posted Feb 11, 2020
The Perfection (2018) Ashlee Blackwell It is complexly, an emotionally draining, exhilirating, and liberating quest. EDIT
Posted Feb 11, 2020
Knives and Skin (2019) Ashlee Blackwell I'll be spending a lifetime with Knives and Skin. It is a beautiful revelation that we are all whole and never alone. EDIT
Posted Feb 11, 2020
Sweetheart (2019) Ashlee Blackwell A film that conveys volumes with a masterful amount of restraint. EDIT
Posted Feb 11, 2020
Us (2019) Ashlee Blackwell Its cold opening and the eerie tale that follows became a test of my own emotional state that I was not prepared in any way to face. And that's just one of the ways that makes this heavily symbolic film so brilliant. EDIT
Posted Dec 18, 2019