Review Film Review

Review Film Review is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): CJ Sheu
Rating Title/Year Author
Greyhound (2020) CJ Sheu Greyhound [...] is what you'd get if you combined the flight scenes of First Man with the problem-solving sequences of The Martian. EDIT
Posted Jul 25, 2020
Family Romance, LLC (2019) CJ Sheu Had he cast a Westerner (such as himself) in the lead role, Herzog could've avoided this Orientalist gawkfest. EDIT
Posted Jul 18, 2020
Zootopia (2016) CJ Sheu The idea of multiculturalism is not acceptance but tolerance[.] EDIT
Posted Jun 30, 2020
Weathering With You (2019) CJ Sheu [The] plotlines ... seem to be on different planes altogether ... the characterizations are lazy archetypes and many points of tension are artificial. I still enjoyed it[.] EDIT
Posted Jun 30, 2020
Winter Vacation (2010) CJ Sheu It's a political critique that critiques by not critiquing, by refraining from criticism to such a degree that it comes back around as scathing criticism. EDIT
Posted Jun 30, 2020
Won't You Be My Neighbor? (2018) CJ Sheu Even though just the trailer had me in tears, [the film] is, aside from being a major nostalgia trip, somewhat aimless. EDIT
Posted Jun 30, 2020
Zero Dark Thirty (2012) CJ Sheu [T]he mix of technical mastery and conscious hollowness that left such a deep impression on me. EDIT
Posted Jun 30, 2020
Zero Effect (1998) CJ Sheu Daryl: He still has that sociopathic patina, but we get glimpses of the real person inside, revealing the film to be not satire but a loving deconstruction of a genre[.] EDIT
Posted Jun 30, 2020
Zombieland: Double Tap (2019) CJ Sheu [T]his second installment can get right to the conflicts and character arcs and zombie-bashing setpieces. And that's where it falters. EDIT
Posted Jun 30, 2020
U: July 22 (Utøya 22. Juli) (2018) CJ Sheu The camera is dynamic, subjective, and participatory, and post-production special effects are used only to heighten the realism in otherwise impossible ways[.] EDIT
Posted Jun 30, 2020
Valerian and the City of a Thousand Planets (2017) CJ Sheu Besson is not the best of storytellers, but ... the style is all-encompassing enough to turn back around and render the story and characters coherent. EDIT
Posted Jun 30, 2020
Vox Lux (2018) CJ Sheu And as a character study, the film should've let Portman improvise and riff on a predetermined set of topics for each scene. EDIT
Posted Jun 30, 2020
The Tale (2018) CJ Sheu Perhaps it's too much to ask of such a raw and brutally honest film that it deal with resolution as complexly as it does with instigation. EDIT
Posted Jun 30, 2020
Sylvio (2017) CJ Sheu Sylvio ends up being a heartfelt, meditative, offbeat, unpredictable, attentive, and drop-dead hilarious film. EDIT
Posted Jun 30, 2020
Tag (2018) CJ Sheu [B]eing hell-bent on not getting tagged really kills the joy and spontaneity that enable the best bits and jokes of the film. EDIT
Posted Jun 30, 2020
The Thin Red Line (1998) CJ Sheu As such, The Thin Red Line might just be the greatest war film ever made. EDIT
Posted Jun 30, 2020
Thor: Ragnarok (2017) CJ Sheu That skyward in-the-moment shot is the only one that really involved me in the film as an experience and not just a sequence of moving images. EDIT
Posted Jun 30, 2020
Three Billboards Outside Ebbing, Missouri (2017) CJ Sheu I knew it would be a wild ride from the very first tune. EDIT
Posted Jun 30, 2020
Trouble Every Day (2001) CJ Sheu Trouble Every Day is the rare film that breaks your heart while it grosses you out. EDIT
Posted Jun 30, 2020
Ready Player One (2018) CJ Sheu Like Thomas More making his case in Utopia, the example is so good it distracts from the point, leaving a lot of people scratching their heads at what it all means. EDIT
Posted Jun 30, 2020
The Rider (2017) CJ Sheu The craft evidenced by writer-director-producer Chloé Zhao is great when she improvises and adapts to the actors and situation, but less so when she has complete control[.] EDIT
Posted Jun 30, 2020
Scenes From a Marriage (1973) CJ Sheu The entire plot, even the concepts of marriage and divorce, constitute the MacGuffin for what Bergman is really after: dialectical power struggles. EDIT
Posted Jun 30, 2020
Searching (2018) CJ Sheu The film can therefore said to have opened up a new dimension of filmmaking aesthetics; I just wish the other elements weren't so old-school. EDIT
Posted Jun 30, 2020
The Seventh Seal (1956) CJ Sheu In a good example of my long-held belief that tonal inconsistency in a film isn't a drawback when well-justified, [the film] uses the B plot to flesh out ... the A plot EDIT
Posted Jun 30, 2020
78/52 (2017) CJ Sheu What a number of critics don't seem to get is that, powered by the passion for criticism, it's not only informative but also uncanny in evoking a sense of community. EDIT
Posted Jun 30, 2020
Shin Godzilla (2016) CJ Sheu It's Godzilla versus the paper pushers-and Godzilla doesn't stand a chance. EDIT
Posted Jun 30, 2020
Koe no katachi (2016) CJ Sheu I think the key to this film ... is self-loathing in its various forms. EDIT
Posted Jun 30, 2020
A Simple Favor (2018) CJ Sheu In short, there's nothing too fancy going on here (apart from Lively's wardrobe), just some actors killing it in a bright and cheery noir. Which is to say that it's a blast. EDIT
Posted Jun 30, 2020
Song to Song (2017) CJ Sheu [The film] gets away from [Malick]. It's still full of gorgeous shots and all that, but each individual element is just a bit subpar, resulting in an unsatisfying film overall EDIT
Posted Jun 30, 2020
Spider-Man: Homecoming (2017) CJ Sheu Maybe I'm just getting old here, but I could barely follow the action set-pieces[.] EDIT
Posted Jun 30, 2020
Spider-Man: Into the Spider-Verse (2018) CJ Sheu Believe the hype. Spider-Man: Into the Spider-Verse is both the best animated film of 2018 and the best Spider-Man film ever. EDIT
Posted Jun 30, 2020
Spring (2014) CJ Sheu This depthlessness is due to Benson's inability (in this film) to write profound dialogue. EDIT
Posted Jun 30, 2020
Star Wars: The Last Jedi (2017) CJ Sheu In Which the Force, Having Awakened, Gets Some Badly Needed Coffee EDIT
Posted Jun 30, 2020
The Sweet Hereafter (1997) CJ Sheu Atom Egoyan doesn't handle nuance well, coating the film in a blanket of indistinct subtlety. Properly dissected, one can see the sublime film that could've been. EDIT
Posted Jun 30, 2020
Pacific Rim Uprising (2018) CJ Sheu It has more clarity than the first Pacific Rim and so exposes more dumb things about the entire premise[.] EDIT
Posted Jun 30, 2020
Pandora's Box (1929) CJ Sheu Brooks's energy, enhanced by the expressionist vision of G. W. Pabst, even energizes scenes from which she's absent[.] EDIT
Posted Jun 30, 2020
Persona (1966) CJ Sheu [T]hose affecting scenes linger still in the mind. Though products of manipulation, the emotions are real. Cinema speaks in spite of itself-and in spite of Bergman. EDIT
Posted Jun 30, 2020
Personal Shopper (2016) CJ Sheu Though a number of ... scenes achieve greatness, and using a series of missed texts received all at once to build tension is .. ingenious, the film as a whole misses its mark. EDIT
Posted Jun 30, 2020
Phantom Thread (2017) CJ Sheu It has great acting, great cinematography, great directing, great editing, great costumes, a great score, and (if you keep an open mind) a great story. EDIT
Posted Jun 30, 2020
Pitch Perfect 3 (2017) CJ Sheu The musical numbers are pretty good, generally speaking, but the choreography is wasted due to the fact that there are so. many. cuts. in. each. number. EDIT
Posted Jun 30, 2020
Putty Hill (2010) CJ Sheu [D]etails grow fuzzy in the mind as the characters multiply, until what's left is what Porterfield wanted all along: a portrait of the community. EDIT
Posted Jun 30, 2020
The New World (2005) CJ Sheu Though The Tree of Life garnered more attention and accolades, The New World is the better film, not only because it sticks the landing, but also due to its thematic heft. EDIT
Posted Jun 30, 2020
The Night of the Hunter (1955) CJ Sheu Like the best horror, it eschews jump scares in favor of creeping dread and unsettling elements. EDIT
Posted Jun 30, 2020
A Fábrica de Nada (2017) CJ Sheu Instead, the film captures each scene in a naturalistic, equanimous non-style, assuming incorrectly that they have the requisite attraction to motivate the film. EDIT
Posted Jun 30, 2020
Only the Brave (2017) CJ Sheu [This] is an exemplary, deeply humanist entry in the secular mythmaking genre. EDIT
Posted Jun 30, 2020
Oslo, August 31st (2011) CJ Sheu The writing is so authentic it's scary. EDIT
Posted Jun 30, 2020
Our Souls at Night (2017) CJ Sheu The main culprit is the editing, cutting away as soon as the scene is "done" instead of lingering to see what might come next. EDIT
Posted Jun 30, 2020
Our Youth in Taiwan (2018) CJ Sheu [T]he film dives into the experience, bringing us along with Fu as she goes from longing to sense of mission to loss to, finally, acceptance. EDIT
Posted Jun 30, 2020
M (1931) CJ Sheu [This] is a film that hasn't aged a day, and that is actually more innovative than most films currently playing. EDIT
Posted Jun 30, 2020
The Magician (1958) CJ Sheu It is, quite literally at times, a romp. EDIT
Posted Jun 30, 2020