Rolling Stone - Rotten Tomatoes

Rolling Stone

All reviews published on Rolling Stone always count toward the Tomatometer score because it is a Tomato-approved publication.
Rating
Title/Year
Author
1
4.5/5
Ghost World (2001)
A film like no other, an artful spellbinder that cuts deep.
Posted Jul 10, 2001
2
3.5/5
A Clueless wanna-be, but Reese rocks.
Posted Jul 10, 2001
3
3/5
The Score (2001)
There's nothing you can't see coming in this flick, including the surprise ending.
Posted Jul 10, 2001
4
4.5/5
Is this a tour de force or what? As Hedwig would say, you do the math, honey.
Posted Jul 10, 2001
5
3/5
At first it's fun to watch the characters ... But then you notice a coldness in the eyes, a mechanical quality in the movements.
Posted Jul 10, 2001
6
1/5
There is much to grate on your nerves in this TV Afterschool Special trying to pass as a real movie.
Posted Jun 22, 2001
7
4/5
Baby Boy (2001)
Leaves you shaken.
Posted Jun 22, 2001
8
3/5
[A] fascinating wreck.
Posted Jun 22, 2001
9
3.5/5
Wisely focuses his attention on the film's two magnetic stars.
Posted Jun 22, 2001
10
4/5
A bonbon spiked with mirth and malice.
Posted Jun 22, 2001
11
2/4
In the department of numbing ineptitude, the pacing runs a neck-and-neck race with the dialogue.
Posted Jun 22, 2001
12
1.5/5
Rob Cohen, who last directed The Skulls -- ouch! -- can consider this one another career-killing skid mark.
Posted Jun 22, 2001
13
2/5
A fast, fat paycheck for star Eddie Murphy.
Posted Jun 22, 2001
14
2.5/5
Baise-Moi (2000)
As Despentes lets the brutality overwhelm the relationship between the women, the film loses its core, and the shock loses its value.
Posted Jun 12, 2001
15
4/5
Songcatcher (2001)
McTeer and the transporting music hold you in thrall.
Posted Jun 12, 2001
16
2/5
It's worse than the title suggests.
Posted Jun 12, 2001
17
0.5/5
The Animal (2001)
Certainly reeks like something produced from a squatting position.
Posted Jun 12, 2001
18
3.5/5
They turn what could have been an acting stunt into an intimate and compelling study of bruised emotions.
Posted Jun 12, 2001
19
1/5
Swordfish (2001)
The sleazy script by Skip Woods ... slimes the actors.
Posted Jun 12, 2001
20
4.5/5
Sexy Beast (2000)
It's Kingsley who will fire you up. He's dynamite.
Posted Jun 12, 2001
21
2/5
Evolution (2001)
It's refried comic beans that smell stale and smack of desperation.
Posted Jun 8, 2001
22
McConaughey, 26, is dynamite in a performance of smarts, sexiness, scrappy humor and unmistakable star sizzle.
Posted Jun 6, 2001
23
The Phantom (1996)
Expect this ghost of bad movies past to walk quickly to the back bins of Blockbuster, where it should be filed under a helpful heading, monotonous and juvenile.
Posted Jun 6, 2001
24
The Mask (1994)
Carrey is the ultimate party dude, and like the masked man says, this party is smokin'.
Posted Jun 6, 2001
25
The Paper (1994)
It's all slick, fizzy fun. But the film's fighting spirit gets snatched.
Posted Jun 6, 2001
26
In going beyond chase-yarn duty, Eastwood and Costner do themselves proud.
Posted Jun 6, 2001
27
The Player (1992)
[Altman] sticks it to every target, himself and us included, with a wicked zest that hurts only when you laugh.
Posted Jun 6, 2001
28
Boomerang (1992)
For all the sex talk in Boomerang, there's very little nudity. The only thing naked is Murphy's vanity.
Posted Jun 6, 2001
29
Deep Cover (1992)
Rather than ride the easy cynicism of the script, by Michael Tolkin and Henry Bean, Fishburne illuminates his character's moral struggle.
Posted Jun 6, 2001
30
Hamlet (1990)

Gibson gives the melancholy Dane an earnest but pedestrian reading.
Posted Jun 6, 2001
31
What this movie needs isn't criticism, it's more like a stake through the heart.
Posted Jun 6, 2001
32
Valmont (1989)
33
Next time, if the Turtles really want to hurt 'em, they should call on Hammer.
Posted Jun 6, 2001
34
[A] cliched catchall, which wastes a fine cast.
Posted Jun 6, 2001
35
4.5/5
Even when the accents are as indecipherable as the plot, Ritchie keeps the action percolating and the humor on high.
Posted Jun 5, 2001
36
2/5
What the film lacks is suspense, surprise (the new ending is a dud) and passion.
Posted Jun 5, 2001
37
4.5/5
Aims right for the heart and aces its target.
Posted Jun 5, 2001
38
4/5
Quote not available.
Posted Jun 4, 2001
39
3.5/5
Malena (2000)
Quote not available.
Posted Jun 4, 2001
40
0.5/5
Antitrust (2001)
There's not an original note in Howard Franklin's screenplay or Peter Howitt's direction.
Posted Jun 4, 2001
41
2.5/5
Quote not available.
Posted Jun 4, 2001
42
0.5/5
Dracula 2000 (2000)
Dracula may stay undead in the new millennium, but there's not a sign of life -- oh, that bloodless acting -- in this sorry mess.
Posted Jun 4, 2001
43
4/5
The Gift (2000)
Quote not available.
Posted Jun 4, 2001
44
1/5
Unless you think it's a riot to watch Bullock fall over herself repeatedly in high heels, this Miss is a mess.
Posted Jun 4, 2001
45
Cast Away (2000)
Hanks conducts a master class in acting by showing a man losing his sense of himself in fractional gradations.
Posted Jun 4, 2001
46
4/5
Quote not available.
Posted Jun 4, 2001
47
Unbreakable (2000)
Thrill-kill plots, cardboard characters and zap-pow editing are not for Shyamalan, who takes his good, thoughtful time to snare audiences in his dark web.
Posted Jun 4, 2001
48
2/5
Quote not available.
Posted Jun 4, 2001
49
5/5
Chow reveals astonishing depths. But the revelation is Yeoh.
Posted Jun 4, 2001
50
5/5
In uniting to honor Arenas, Bardem and Schnabel create something extraordinary.
Posted Jun 4, 2001