Daughters of the Dust (1991)
Antonia (Antonia's Line) (1995)
Howards End (1992)
Jerry Maguire (1996)
Everybody's All-American (1988)
Sid and Nancy (1986)
Bill & Ted's Bogus Journey (1991)
Total Recall (1990)
Spice World (1998)
Mrs. Brown (1997)
The Pillow Book (1997)
Graffiti Bridge (1990)
"With his doe eyes, sensitive face and amazing openness, he might even have the makings of a whole new kind of movie star. But if Prince is ever going to be that, he must find some decent behind-the-camera collaborators."
Under the Cherry Moon (1986)
The Wiz Live! (2015)
Tomorrow Never Dies (1997)
"In GoldenEye, [Brosnan's] performance achieves darker, Conneryesque tones. And the movie's relatively realistic take on Bond -- realistic, that is, by the series' flamboyant standards -- helps to give his work weight."
The Living Daylights (1987)
"Dalton shows a serious side that's been missing from the role since Sean Connery's earliest 007 days. And as a whole, the new picture is less of a special-effects affair than most of Roger Moore's Bond films."
Salaam Bombay! (1988)
A View to a Kill (1985)
Hocus Pocus (1993)
Fletch Lives (1989)
Back to the Future Part II (1989)
"Much to my surprise, I found Babe charming in an eccentric, oddly tough-minded sort of way. And if it isn't quite good enough to change my mind about the entire critter-chat genre, it is certainly good enough to recommend."
Mad Max Beyond Thunderdome (1985)
Rocky IV (1985)
Jungle Fever (1991)
Hot to Trot (1988)
"I am not going to try to tell you that this one-joke, talking-horse comedy is, in any meaningful sense, a good movie. What I am going to say is that it's a little better than my rock-bottom expectations led me to predict."
Die Hard 2 (1990)
"Potter possesses a natural gracefulness in presentation that helps a little but, finally, not nearly enough. Orlando is vague when she means it to be mysterious, coy when it ought to be witty, familiar when it should be bold."
After Hours (1985)
"Like many of Scorsese's earlier pictures, After Hours has a fascination with the bizarre. But the new film is lighter in spirit than any Scorsese film, with the possible exception of Alice Doesn't Live Here Anymore."
Talk Radio (1988)
The Crying Game (1992)
Do the Right Thing (1989)
The Hunt for Red October (1990)
"I don't quite know how Waters did it (and I have absolutely no idea why he did it), but the fact that Cry-Baby is fun suggests that the filmmaker possesses an instinctive understanding of what made those Elvis pictures so successful in the first place."
Blue Velvet (1986)
Let Him Have It (1991)
The Exorcist (1973)
"When I first saw The Exorcist, I saw only the literal side of the story. But as I watched it again, I began to view the movie as a dark fairy tale about a parent whose child is experiencing a painful trauma."
Lost in Space (1998)