AV Club - Rotten Tomatoes

AV Club

All reviews published on AV Club always count toward the Tomatometer score because it is a Tomato-approved publication.
Rating
Title/Year
Author
1
B-
Shoot 'Em Up (2007)
Giamatti plays his villain role with a purring fervency that implies he wishes he had a properly twirlable mustache.
Posted Sep 8, 2007
2
B+
Musician (2007)
[It's] about the painstaking process behind what seems so off-the-cuff.
Posted Sep 7, 2007
3
B-
It's so honest about the desperation middle-aged people feel when they have no one to share their lives with, no prospects on the horizon, and nothing to eat in the fridge.
Posted Sep 7, 2007
4
C+
These are old stories told with minimal artistry, and the film lacks the vision that might separate it from a crowded field.
Posted Sep 7, 2007
5
B+
The strength of The Hunting Party is its shaggy-dog quality.
Posted Sep 7, 2007
6
C
The Bubble (2007)
Real love is often as complicated and painful as Middle Eastern politics, and Fox might have been better off acknowledging that, rather than making his characters such vague, sweet, safe ciphers.
Posted Sep 7, 2007
7
B-
A better film would have matched Arnett's seemingly effortless intensity throughout. This okay film does merely okay by it.
Posted Sep 7, 2007
8
A-
Set at the intersection of post-Vietnam paranoia and the myopic introspection that became hippiedom's most lasting cultural contribution, the Philip Kaufman-directed Invasion alternates social commentary with impeccably crafted scares.
Posted Sep 1, 2007
9
C-
It's a personal story that feels like it's been constructed from other movies.
Posted Sep 1, 2007
10
B-
The Monastery is like the opposite of Into Great Silence.
Posted Sep 1, 2007
11
B-
Quiet City (2007)
12
C+
Death Sentence evokes the low-down spirit of an early-'70s exploitation flick, something that might have filled the undercard at a drive-in or a long-in-the-tooth movie palace.
Posted Aug 31, 2007
13
C-
14
B+
It wouldn't be accurate to call Private Property a thriller, but it has a slow-burning intensity that's oddly suspenseful, and it shifts gears effectively once the tense family dynamic suddenly changes.
Posted Aug 27, 2007
15
C-
[An] insufferable relationship drama.
Posted Aug 27, 2007
16
C-
17
D
18
C-
For a film about growing up, Illegal Tender loses itself in a lot of silly juvenilia.
Posted Aug 25, 2007
19
B
Swanberg is accurately charting the social rituals of the young and inarticulate.
Posted Aug 25, 2007
20
B
With [Linney], the film receives some badly needed dimension to its thin satire, not to mention the lion's share of the laughs.
Posted Aug 25, 2007
21
B-
Champ is a solid effort with a lot going for it, but it suggests that Lurie still isn't willing to relax and let viewers interpret his films.
Posted Aug 25, 2007
22
B+
[A] pitch-black, bone-dry comedy.
Posted Aug 25, 2007
23
C+
24
C+
Delirious (2007)
DiCillo gets at how celebrity culture can erode a person's dignity and self-worth, and Buscemi's performance strikes just the right note between unctuous bottom-feeder and loveable loser. It's unfortunate that the rest of the movie tends to get too glib.
Posted Aug 25, 2007
25
C
26
C-
The Invasion (2007)
Opting for car chases instead of the thought-provoking ideas of its predecessors, the film looks like the work of, if not pod people, folks who gave up any kind of passion for the material long before the cameras started to roll.
Posted Aug 17, 2007
27
D
The 11th Hour is slick and passionate, but neither persuasive nor helpful; it's a headache of a film directed like an Errol Morris project, but with half the substance. It's clearly preaching to the choir, but even they may find it off-key.
Posted Aug 17, 2007
28
B
29
A-
The film keeps up a dramatic pace but it never loses sight of the personal stories.
Posted Aug 17, 2007
30
B+
Superbad (2007)
31
B-
Pacing is a problem with Love For Sale, but meaning never is.
Posted Aug 17, 2007
32
B-
Skinwalkers (2007)
33
C+
Descent (2007)
Though a clearly gifted new filmmaker, Lugacy doesn't get a handle on the combustible material, and she gets scalded in the process.
Posted Aug 14, 2007
34
B
Crossing The Line lacks the force and power of a strong point of view, but like Gordon's other work about North Korea, it succeeds in revealing what it means for individuals to give themselves over to a collective.
Posted Aug 10, 2007
35
B+
Dans Paris (2007)
Besides the restless style, Dans Paris is remarkable for being more about familial bonds than French cinema tends to be.
Posted Aug 10, 2007
36
B
For all the verbal jokery, it's more tragedy than farce.
Posted Aug 10, 2007
37
C
Rush Hour 3 (2007)
38
B
It's a high-concept idea that Blitz executes without the usual payoffs.
Posted Aug 10, 2007
39
B
Stardust (2007)
A stern editor with a sense of dramatic timing could have given this film more tension to go with its random bursts of comedy and big, happy fantasy setpieces, but lacking tautness, it'll have to settle for expansive joy.
Posted Aug 10, 2007
40
F
41
D-
Underdog (2007)
Whatever the intent, the result is unfit for humankind.
Posted Aug 6, 2007
42
B
[Director] Gavras knowingly handles [protagonist] Kervel's little flashes of sympathy for the cause.
Posted Aug 6, 2007
43
B
The Ten (2007)
44
B-
Hot Rod (2007)
Still, Hot Rod keeps a sweet tone that's filled with affection for its characters, and enough laughs to become this summer's most mildly recommendable comedy.
Posted Aug 2, 2007
45
B
Molière (2007)
A conventional biopic would probably elide most of this period, which was before the pioneering satirist scandalized the establishment with plays like Tartuffe, but the disarming farce Molire, to its great credit, isn't really a biopic.
Posted Aug 2, 2007
46
C
El Cantante (2007)
47
C-
48
C
After the invigorating cinematic brio of 2005's Pride And Prejudice, it's disheartening to see the Austen brand retreat back into Costume Drama 101...
Posted Aug 2, 2007
49
A-
50
C-