MovieCrypt.com

MovieCrypt.com is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Kevin A. Ranson
Rating Title/Year Author
3/4 Underwater (2020) Kevin A. Ranson ... edited to the bone for a trim running time, this fun time-waster is good enough for a matinee if only by using what it steals better than the films it stole from. EDIT
Posted Jan 15, 2020
4/4 Parasite (2019) Kevin A. Ranson ... playful until it becomes diabolical... only then does (writer/director) Bong Joon Ho show exactly the cards he's holding. EDIT
Posted Jan 13, 2020
3/4 Uncut Gems (2019) Kevin A. Ranson ... an endurance test foreshadowing the final five minutes of the film; while observant viewers won't be too surprised by the plot, they might be by the performance. EDIT
Posted Dec 27, 2019
4/4 Little Women (2019) Kevin A. Ranson ... celebrating young women dealing with life, circumstance, and personal decisions from their own point of view, Gerwig's new adaptation may be the best version of Alcott's novels as the most relatable take. EDIT
Posted Dec 25, 2019
4/4 1917 (2019) Kevin A. Ranson ... the theater was how this was meant to be seen: no stopping, no respite, and no escape... a two-hour no-cutaway immersion into war. EDIT
Posted Dec 25, 2019
3/4 Bombshell (2019) Kevin A. Ranson ... keeping silent to keep your spoils rather than sound the alarm to protect others as a central theme... the ripped-from-the-headlines motif is timely but not as compelling as it wants to be. EDIT
Posted Dec 25, 2019
2/4 Cats (2019) Kevin A. Ranson More is less, but sure - let's go all in... looking like a remake of The Wizard of Oz as a 1980s interpretive-dance video on MTV where all the characters have been replaced by human-feline hybrids... EDIT
Posted Dec 24, 2019
4/4 Harriet (2019) Kevin A. Ranson Whether you believe the Man Upstairs guided Harriet or not, you'll believe in the woman who believed it herself and found the courage to do the impossible, sometimes with as little as a song. EDIT
Posted Dec 24, 2019
3/4 Star Wars: The Rise of Skywalker (2019) Kevin A. Ranson ... giving Carrie Fisher top billing, the big Skywalker finale isn't the best film of the series but does manage closure of every current character arc, topping it off with a perfect coda... EDIT
Posted Dec 19, 2019
4/4 Knives Out (2019) Kevin A. Ranson In spite of such a complex story with so many great characters, Johnson makes it look too easy as it effortlessly unfolds. EDIT
Posted Dec 18, 2019
0/4 Black Christmas (2019) Kevin A. Ranson ... one of the worst films of the year... again... trying to pass off an after-school special as a slasher film. EDIT
Posted Dec 15, 2019
2/4 The Lighthouse (2019) Kevin A. Ranson ... refusal to commit to any revealing detail undoes the goodwill, leaving a thick atmosphere without tangible meaning while blaming "madness" for lacking cohesion. EDIT
Posted Dec 11, 2019
4/4 Jojo Rabbit (2019) Kevin A. Ranson ... using satire to set up a series of gut punches, Waititi succeeds in the impossible: a positive journey toward understanding -- and a stark reminder of what's at stake if the world ever forgets... EDIT
Posted Dec 9, 2019
4/4 Dark Waters (2019) Kevin A. Ranson ... pushed front and center is corporate disconnection and plausible deniability, confronting the people who profit from lives being lost... happy as long as they don't have to see the damage done. EDIT
Posted Dec 8, 2019
2/4 Charlie's Angels (2019) Kevin A. Ranson With antics too violent for empowering 'tweens and too pedestrian for adult audiences, trying to please both satisfies neither. EDIT
Posted Dec 7, 2019
2/4 The Irishman (2019) Kevin A. Ranson ... like Scorsese trying to out-runtime Quentin Tarantino... the retreaded framework of 1995's Casino... plus two hours of indulgent padding. EDIT
Posted Dec 7, 2019
2/4 Maleficent: Mistress of Evil (2019) Kevin A. Ranson ... a feast for the senses and the mind in terms of pure fantasy and imagination... buries significant character opportunities, as if the writers were tasked to combine three different scripts that defied being strung together. EDIT
Posted Dec 7, 2019
3/4 Frozen II (2019) Kevin A. Ranson While making bold in-story choices continuing to break Disney conventions... leans heavily on visual spectacle and characterization, a safely world-expanding part two in set-up for the inevitable part 3. EDIT
Posted Nov 24, 2019
3/4 Midway (2019) Kevin A. Ranson ... paints a bleak historic picture of how the balance of power in the world shifted in only six months, tempered with a necessary glimpse into the human cost and the courage of those facing overwhelming odds. EDIT
Posted Nov 11, 2019
1/4 Pearl Harbor (2001) Kevin A. Ranson ... sensationalizing real events for a meaningless film, then coasting on a huge budget and advertising to lure in moviegoers thinking they'll see historic accuracy and drama. EDIT
Posted Nov 11, 2019
4/4 Doctor Sleep (2019) Kevin A. Ranson ... this Shining sequel understands and reworks continuity to elevate both films to the level of the novels' intentions while wallowing in the ghost porn and supernatural elements horror fans crave. EDIT
Posted Nov 10, 2019
3/4 Zombieland: Double Tap (2019) Kevin A. Ranson While Double Tap doubles down on farce, it feels like meeting up with an old friend you've lost touch with as if no time has passed... but equally like there's no urgency to schedule a visit. EDIT
Posted Nov 4, 2019
4/4 Freaks (2018) Kevin A. Ranson What fuels this film is the deftness of character development, calculated reveals, and relationship empathy that rarely comes together in a meaningful way like this in genre films. EDIT
Posted Nov 3, 2019
3/4 Terminator: Dark Fate (2019) Kevin A. Ranson ... past its posted 1997 expiration date, Dark Fate relaunches the original Terminator franchise in a meaningful way, embracing the violent spectacle of late 20th century action films using modern effects infused with characters worth caring about. EDIT
Posted Nov 2, 2019
3/4 The Addams Family (2019) Kevin A. Ranson ... seeing the caricatures of Charles Addams brought to life in all their beautiful nonconformity is a wonderful nightmare come true, even if slightly hamstrung for less-gothic audiences. EDIT
Posted Oct 17, 2019
4/4 Joker (2019) Kevin A. Ranson Less Falling Down and more Fight Club, an anti-hero discovers the power of invisibility, self-delusion, and murder before bringing all three to bear in choosing evil... it's a literal shot in the face that makes one think... EDIT
Posted Oct 6, 2019
2/4 Satanic Panic (2019) Kevin A. Ranson ... fun bits sprinkled throughout (pun intended)... this 2019 (unrated horror comedy) feels less like a throwback than an intentional also-ran... this is a solemn request to step it up instead of settle in, especially with the name Fangoria attached. EDIT
Posted Sep 15, 2019
3/4 It: Chapter Two (2019) Kevin A. Ranson ... fans who immediately imagined moving into the Well House on Neibolt Street on sight alone will joyously snuggle in.... suffers from running-time fatigue while rewarding the completionist who hangs onto every detailed breadcrumb. EDIT
Posted Sep 6, 2019
3/4 Ready or Not (2019) Kevin A. Ranson ... imagine the entirety of the worst possible marriage crammed into the span of six hours... Like Clue conjoined with Game Night in a mad scientist's lab, it comes to life as a monster all its own. EDIT
Posted Aug 22, 2019
4/4 Where'd You Go, Bernadette (2019) Kevin A. Ranson Blanchett disappears into her... withdrawn, and tortured artist completely while still managing to communicate genuine humanity... about assumptions of others, failures in communication, and a stern warning about loss if these issues are not overcome. EDIT
Posted Aug 18, 2019
3/4 Fast & Furious Presents: Hobbs & Shaw (2019) Kevin A. Ranson Between Kirby, sci-fi comic-book villainy, and just enough self-awareness to let viewers in on the joke, this is how you spin-off an intellectual property... assuming you choose to at all. EDIT
Posted Aug 14, 2019
2/4 The Kitchen (2019) Kevin A. Ranson Coming in like a lion and going out like a lamb, the conclusion feels like an incredible opportunity wasted as it abruptly and underwhelmingly ends... this setup deserved more. EDIT
Posted Aug 14, 2019
3/4 Scary Stories to Tell in the Dark (2019) Kevin A. Ranson While imperfect, André Øvredal leverages an impressive cast and serious subject matter into a shoehorned concept that happily exceeds its mandate... an old-fashioned ghost story with all the trimmings. EDIT
Posted Aug 9, 2019
4/4 Once Upon a Time... In Hollywood (2019) Kevin A. Ranson In-depth, character-driven, ultra-violent, over-long, and near-perfect... all the movie sins Tarantino has been criticized for over the years coming to a head in the most wondrous and cheer-worthy payoff any film fan could want. EDIT
Posted Jul 28, 2019
3/4 The Lion King (2019) Kevin A. Ranson Something's missing from Nat Geo Wild's "Pride Rock Adventure"... Of all of Disney's animated films remade for live-action so far, this one stands out as the least enhanced for doing so. EDIT
Posted Jul 24, 2019
4/4 Spider-Man: Far From Home (2019) Kevin A. Ranson From costumes to backstory and every plot twist in between, Far From Home grounds high-concept adventure with base human impulses that everyone can relate to. EDIT
Posted Jul 23, 2019
3/4 Midsommar (2019) Kevin A. Ranson ... a substance-induced descent into the madness of strangers, viewed in plain sight under a bright sun instead of hidden in shadow... this time providing a unique light at the end of a blood-drenched tunnel. EDIT
Posted Jul 3, 2019
2/4 Annabelle Comes Home (2019) Kevin A. Ranson ...fun hints about lots of cool things - none of which are fully explored... as if the story by producer James Wan and Gary Dauberman consisted of every unused idea instead of any single good one. EDIT
Posted Jul 1, 2019
3/4 Toy Story 4 (2019) Kevin A. Ranson Fun but oddly forgettable, it's a sequel you didn't ask for with an ending you'll still enjoy... now with more endings than a Stephen King novel. EDIT
Posted Jul 1, 2019
4/4 Child's Play (2019) Kevin A. Ranson ... transforms an idea from a single person's evil into a destructive force of our collective making... fortified with Mark Hamill's most twisted voice work to date... a deliciously violent horror film that refuses to look away. EDIT
Posted Jun 29, 2019
3/4 The Dead Don't Die (2019) Kevin A. Ranson ... a manufactured cult classic destined to play in the background of horror conventions until the inevitable zombie apocalypse. EDIT
Posted Jun 17, 2019
4/4 Aladdin (2019) Kevin A. Ranson ... more Indian influence to craft a Sinbad-like fantasy Arabia, the live-action remake is intent upon entertaining all audiences while stepping on as few sandaled toes as possible. EDIT
Posted Jun 14, 2019
4/4 Ghost Light (2018) Kevin A. Ranson ... combines lighthearted character and competitive nature with throwing caution into the wind to delight, amuse, and effectively disturb. Doth not dis thine Scottish Play! EDIT
Posted Jun 14, 2019
0/4 Dark Phoenix (2019) Kevin A. Ranson ... a disservice to a great cast and X-fans everywhere to undermine all that has come before only to be upstaged by two farcical Deadpool movies that provide a far better representation. EDIT
Posted Jun 9, 2019
4/4 Booksmart (2019) Kevin A. Ranson ... the perfect storm of direction, writing, and casting... sending a positive message that everything is going to be all right... and it won't require a superhero to save the day. EDIT
Posted Jun 5, 2019
3/4 Godzilla: King of the Monsters (2019) Kevin A. Ranson ... a monster disaster film intended for the biggest screens packed with a cheering audience watching a string of money shots framed like a murals in a museum. EDIT
Posted Jun 3, 2019
3/4 Ma (2019) Kevin A. Ranson ... explores the scope of childhood trauma and keeps viewers guessing whether they should root for or fear an antagonist no longer constrained by right or wrong. EDIT
Posted Jun 1, 2019
3/4 Brightburn (2019) Kevin A. Ranson Brightburn commits to its nihilism, embracing it like a liquefying corpse. EDIT
Posted May 27, 2019
3/4 John Wick: Chapter 3 -- Parabellum (2019) Kevin A. Ranson The genius of John Wick is perfectly straddling the line between the fantastic and the ridiculous, and Parabellum is no exception. EDIT
Posted May 27, 2019
4/4 The Dead Center (2018) Kevin A. Ranson This is psychological horror at its best, when the eventual bloodletting pales in comparison to a Lovecraftian realization that one is well and truly doomed. EDIT
Posted May 27, 2019