The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
That Crazy Ex-Girlfriend takes its responsibility to portray recovery so fastidiously is noble. But as this season exemplifies, that honorableness doesn't always translate to narrative satisfaction, especially when coupled with other storytelling deficits
The crazier the better. That's been the case for Crazy Ex-Girlfriend in its brilliant third season, which has fearlessly whipsawed from manic wackiness to emotional devastation back to sublime romantic-comedy farce without missing a musical beat
The role of the "crazy ex-girlfriend" might sound like a hollow, anti-feminist stereotype, but the show, co-created by Bloom and Aline Brosh McKenna, makes Rebecca three-dimensional enough to subvert the trope.
The new episodes pull off the tricky balancing act of making the other characters be sympathetic to Rebecca's need for vengeance even as they disapprove of nearly everything she does in order to get it.