Da 5 Bloods
On the Record
I May Destroy You
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No consensus yet.
And now that we know, well, Annalise Keating isn't going to let this game go so easy. No, sir! In this week's mid-season premiere, she's all about the orchestrating - and what unfolds is a thing of beauty.
Now, part two of the first season of How to Get Away with Murder is all about the clean-up. The consequences. The cover-up. The metaphorical Purell of it all.
This week's returning episode of How To Get Away With Murder attempts to use a lot of fancy editing to obscure the fact that it's mostly just an hour-long recap.
Much like Viola Davis changed the face of women leads on network television, Annalise Keating can shift the whole energy of a room-and not just this room, or any room, but every room.
[The episode] makes the story feel implausible in a way that is not rectifiable. I will continue to watch due to the acting, dialogue... but this whole oversight makes the show not enter that top-tier level of greatness.
I'd be remiss to talk about this episode and not mention how utterly flawless Viola Davis is. Seriously though, is there anything she can't do?