The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The triumph of Waller-Bridge's style is in its reconciliation of the outlandish and the intimate. The Jason Bourne-style escapism of the bare premise, inflected by the assertively odd tone, yields fresh depictions of fear and grief.
Comer and Oh make us believe in their mutual obsession, delighting in the sparks they create at a distance and holding our breath in anticipation of the inevitable conflagration that would result from a meeting of these opposing forces.
Killing Eve is a helluva good time, it's already more interesting than many of its genre peers, and the first season illustrates a self-awareness essential for its survival. The show may follow a formula, but there's nothing routine about it.
What might have been another dreary detective chasing serial killer series is turned on its head when women portray both roles, exploring the kinds of things that aren't often considered in such dramas.
Watching [Jodi] Comer's Villanelle operate feels like watching a lion pace far enough away that the danger of her ripping you apart isn't exactly immediate, but the threat of that changing is definitely imminent.