The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The magnificent Elisabeth Moss's face, as she set her bonnet square with intent (to the strains of Talking Heads' Burning Down the House: genius), bodes ill for the hypocrites of Gilead, and wonderfully well for the next series.
All their stories deserve to be heard just like Offred's, and The Handmaid's Tale pushes that argument by holding up a mirror to society, one that's timeless and horrifying. It's not necessary TV, it's a wake-up call.
The constant to-and-fro of hope and despair, the sheer defiance in the era of #MeToo, and the ever-enthralling talent of Elisabeth Moss make The Handmaid's Tale one of the most gripping TV shows to date.
With only two episodes left this season it might be too far in to stop, but it's worth discussing what the intent is of making The Handmaid's Tale such a hard watch. What are we learning here that can affect the real world?