The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The colors on the show's palette now include alternating resignation, rage, supplication and subversion; Elisabeth Moss continues to excel, but glimpses of the world beyond her have grown yet more intriguing.
The fourth [episode is]... the show's best depiction to date of how unearned guilt holds a vice on one's identity, fragmenting it into abstract concepts of good and evil that leave no space for the true essence of humanity.
Perhaps the strongest early sequences, however, come through the glimpses of the past, which actually reveal moments of normalcy, happiness and even tenderness, in stark contrast with the hell through which they're living.
Not knowing the producers' plan, I can't say if the right length for The Handmaid's Tale is two seasons or five or more. But sometimes the best testament to a story's effectiveness is that it makes you hope for it to end.
Handmaid's big improvement over the excellent first season is that it more seamlessly toggles between scenes with Offred and the rest of the characters... Still, there's only so much trauma audiences can take before it becomes too much.