The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The narrative lacks internal cohesion and some of the plot twists, such as Frederik's motivations for his actions, strain credulity. Some characters, like the evil boss of Apollon, are not fleshed out enough to possess the requisite gravitas.
The Rain is a solid entry into the dystopian realm, and it forces its young adult (and teen) characters to go without those precious years where one is allowed to screw up in life and receive second and third chances.
Thus far, it doesn't look like The Rain will bring anything new to the dystopian thriller category-but that shouldn't stop fans of the genre from immersing themselves into the fictional Scandinavian world it presents...
At the very least, I implore you to watch the pilot long enough to see little Rasmus turn tall and swole in a single, cinematic cut. Your tiny inner conspiracy nut will burst with joy at all the possibilities that single cut suggests.
The emotional journeys of the young people eking out a tense post-apocalyptic existence pulled me in much more than I was expecting because every character is constructed with surprising nuance and balance.
Boasting a delightfully imaginative premise clearly inspired by the works of Stephen King - toxic rain kills anyone who comes in contact with it - it's a consistently engaging show, one that keeps reinventing itself in each new episode.
Much like The Walking Dead was in its prime, The Rain is at its strongest when it's focusing on group dynamics and how this disaster has affected each individual differently rather than shocks and thrills.
It's not so much that The Rain breaks new ground for the postapocaptic-dystopia narrative. It's simply that it shows how much more ground there is to explore in that great big quarantine zone of a genre.