Spider-Man: Far From Home
Toy Story 4
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No user info supplied.
The best movies and tv shows come from books, and a series based off a series is as good as it gets! Michael Connelly has already published fifteen books about Detective Harry Bosch, meaning there is a ton of material and angles to be used, deep background and personalities on all the characters, and some amazing stories to tell!
Harry Bosch is a L.A. homicide detective, a special forces veteran of the Iraq war, and a man who takes each case personally. Bosch is the best detective on the force and gets the biggest cases. He goes into extreme detail on every case and rules nothing out. However, his personal involvement in each case leads him to make rash decisions that often leave him under a microscope.
Titus Welliver stars as Bosch, and I never liked him as an actor. It's not that he isn't talented, it's the fact that he's always playing the bad guy, a role he just doesn't fit. Bosch however is the perfect fit for him, as he fits the role like a glove. His previous experience playing the bad guy, helps him to mask emotion and be the toughest cop in the world when he needs to be. When I watch him I have the feeling that everything in his passed has lead up to this, a career defining role.
Welliver is paired with a couple of veterans from the hit HBO show, The Wire. Jamie Hector and Lance Reddick aren't only award winning actors, but their experience comes in the same vein of the genre as Bosch. After six years on The Wire, they are able to include their own spin on things and correct passed mistakes from the previous show, making for an incredible dynamic.
The final angle that makes this show as good as it is, is Harry's family and childhood. At it's core, this is just another cop show, but what makes it as good as it is, is the story of Harry Bosch's life. Knowing what we know and seeing the extraordinary things he is able to accomplish, with so much going against him, really makes for one compelling story.
Bosch is a cop show, but it's one that is written by an award winning novelist, produced by decades long veterans of the genre, and features a cast of award winners, that are as good as it gets. The casting for this show is terrific and the writing is phenomenal. If you love a good mystery and being part of the investigation every step of the way, you'll love Bosch. Often times these steaming shows aren't great, a lot of them are cancelled or rejected network shows, lacking in many ways. Bosch however isn't in that category, as it is the signature show of Amazon Prime and something that makes the whole cost of subscribing worthwhile.
Netflix gives TV shows an unprecedented opportunity never before seen, and it has led to many unique and innovative shows making it on the air. The network governs itself, without any FCC oversight, it also isn't reliant on immediate ratings, and can give unique shows the time to evolve, grow, and gain a following. This is especially important for a show like The OA, which is perhaps the most unique show I've ever seen.
After missing for eight years, Prairie Johnson (Brit Martling) is finally found, only something is dramatically different. The once blind girl can now see, but that's not all, she has weird scars on her back, and seems completely out of touch with reality. Her family try to help her cope and re-integrate, but with only limited success, as Prairie seems to be obsessed with a mission that she must complete. Before she's able to do this, Prairie must recruit the help of five people and tell them her story, where she's been, how she got there, and what happened to her. As we get to know Prairie and discover why she's so weird, we also get to know the five people who will supposedly help her on her journey. All of them are unique in their own way and all of them have their own stories, which while not the main focus of the show, offer a nice interlude from the Prairie Johnson saga.
The OA is a strange show which features multiple dimensions, near death experiences and experimentation, even interpretive dance. If you are not a fan of Science Fiction or desire your Sci-fi with a lot of action and strange beings, you probably aren't going to like this show too much. I found the OA to be very dark, sometimes intolerably slow, and it very frequently repeats itself. That being said it is also a incredible mystery that asks a lot of questions that some people may find hard to deal with. I found the show somewhat difficult to get into but once I did, it became very addicting. I needed to know the whole story and see what happened once the story ended.
The show has been renewed for season two, but much is the case with many Netflix shows, that was a year an half ago. I really don't understand why it takes them so long to get addition seasons of their shows produced. It is very anti-climatic when you think about it, because people who got into it when it first debuted have probably forgotten all about it by now. Not to mention, how do you just start watching a show again that you haven't seen in two years? Many people are going to forget everything except the major plot lines and not wanting to re-watch the first season, aren't going to bother with season 2. With that in mind, a second season is supposedly on it's way, and hopefully it answers the biggest question of them all.
The story of The Glades is one of consistency, as the show was consistent to a fault. From the series premiere to it's finale, across four seasons, nothing ever changed. When the show went into re-runs, the only way you knew what season you were watching, was by seeing how big Uriah Shelton was, it had become that ridiculous. What could they have done with an episonic police drama that hadn't been done before, not much, but something would have better than nothing, as like most, near the end, I just completely lost interest.
Jim Longworth (Matt Passmore) is a homicide detective from Chicago, who doesn't like to play by the rules. He has his own way of doing things and it earned him a ticket out of town. He relocated to the Florida Everglades, expecting quiet days at work and weekends of golf in the sun, but murder happens everywhere. Each week Longworth finds unique homicides and ends up doing battle with everyone from deranged soccer moms to international drug smugglers, as he tries to keep the people of Florida safe.
One of the main focuses of the show is Jim's feelings for a nurse/medical student Callie (Kiele Sanchez), who often gets involved in his cases. Jim has become a mentor to her young son, Jeff (Uriah Shelton) and would love to be with Callie, but she can never seem to finalize her divorce or balance her life. It is a recurring theme throughout the series that never seems to get resolved and becomes unbelievably frustrating after 50 episodes of the same thing.
The show always starts with a crime, Jim investigates, jokes with the medical examiner and geeky forensic guy, and then works the case at the same time doing his back and fourth with Callie and Jeff, and that's it! There were never any recurring storylines, never any changes, nothing to keep people interested from season to season! How about a cliffhanger or a ballbuster of a new boss? Maybe someone should have gotten shot and their future left up in the air? Ever heard of a serial killer? There was never anything but the current case. The comedy was always there and at first the back and fourth with Jim and Callie was great, but when you're doing the same thing four years later, who cares already?
The bottom line, this was a show that had potential, I liked the characters, the setting was fairly unique, and there were a couple of really talented new faces associated with this show. However, The Glades was happy with the status quo and didn't take any risks of any kind. It quickly grew stale, the ratings dropped, and now it's just another failed forgotten cop show streaming on Netflix.
Today there are more networks and streaming services offering original programming than ever before. It is an amazing time for TV lovers and it seems that anyone can get pretty much anything on the air. With all these new shows debuting all over the place, this does unfortunately leave the networks at somewhat of a disadvantage when it comes to original ideas. Out of desperation, many networks have turned to re-booting old shows, bringing back cancelled ideas that didin't work, and even Americanizing overseas television shows, The Returned is an example of the later.
I understand why A&E chose to take a show from overseas, Americanize it, and market it as their next big hit, but why the Returned? This idea has been done to death, both in movies and on TV, and while the show is critically acclaimed, the ratings for the overseas version were terrible, the show was cancelled after it's second season. If no one is watching it over there, why did they think anyone would watch it over here?
The returned takes place in a small Northwestern town, where one day, out of the blue, people who have been dead, some for decades, start showing up back at home with no memory of being gone at all. Each episode is broken up into sections that follow specific individuals and their interactions with their loved ones and society. There is also of course the police and investigative angle to the whole thing, and an unsolved crime thrown into the mix, in order to try and keep viewers coming back each week.
Funny thing is, I wasn't all that crazy about this episode of the Twilight Zone. It was a little better when The X-Files did it. The 4400 added beings from the future and turned it into a series that quickly ran out of storyline and fizzled out, and now we have The Returned. This isn't an original idea, far from it, and the fact that it takes place in the same location as the 4400 is completely laughable.
The cast has a few standouts that made the show a bit less tiresome, Mark Pellegrino is always fun to watch, as you never can figure out if he's a good guy or a bad one. We're also introduced to a new young actor in the form of Dylan Kingwell. He doesn't say much, but his character is honestly one of the most fascinating mysteries of the whole show.
The bottom line is that this show is a complete rip off of other ideas and there is really very little here to keep the viewers interested. The boys story turned out to be really cool, The murder investigation was interesting but under utilized, and there were a few cast members I enjoyed. Otherwise the writing was terrible and parts of this show were just painfully slow. There are some terrific overseas shows that no one has even mentioned bringing over here, why they chose this one, I'll never know.
In the age of streaming, DVRs, and On Demand, networks still aren't getting it! Even the best and most innovative TV show to come along in years isn't going to survive, if you debut it with minimal advertising in the middle of the summer! This is the reason why Cult didn't last and why it isn't currently the top rated show on the CW network.
The wildly creative idea was the brainchild of Farscape's Rockne S. O'Bannon and took nearly a decade to come to television. Cult is a TV show within a TV show, that features a cult, within a cult, I will attempt to explain. The show Cult is centered around a fictitious show called Cult. That fictitious show is centered around an FBI agent (Alona Tal) who lived her whole life in a cult, only to escape and join the FBI, with the hopes of locking up her old family for the abuses she endured. In retaliation, the cult has abducted her sister, brother-in-law, and nephew, who she is attempted to rescue. Back to the "real" Cult, the fans of this fictitious show, claim to see hidden messages in the show, that lead them to commit crimes on behalf of the shows mysterious creator, a man no one has ever met. One such crime is to kidnap Nate Sefton (James Pizzinato), the younger brother of a reporter, Jeff (Matthew Davis). Jeff makes it his mission to investigate these followers of cult, to find his brother, and to figure out what their up to, but he needs help. Jeff recruits Skye Yarrow (Jessica Lucas), a researcher on the show, whose father, was also a reporter, who disappeared fifteen years ago, while attempting to investigate the same man who created this TV show. Every episode is a wild ride into an underworld that has existed for decades, that no one knew anything about, and as always is the case with shows like this, each episode is better than the one before it, as it builds up to an epic conclusion.
This is the kind of show that had so many original ideas and so much material it could have gone on for years. Cult would have appealed to main stream audiences across every demographic and (pun intended) would have garnered a huge cult following, if it wasn't for the CW. I remember when this show premiered, the CW literally started to advertise for it a week before it aired, and then rarely after that. Cult was on Tuesday nights in the middle of the summer, when lets face it, most people are out enjoying the nice weather. Since the show had no previous exposure, there was no reason for anyone to watch on demand or even DVR it, so it was cancelled. It just doesn't make sense to me, why even spend the money and make the show if you're not going to give it a real chance? If this show debuted on the fall line-up after Supernatural, the ratings would have been enormous, the show would still be on!
You have a terrific young cast playing duel roles, an experienced creator, with a team that's already had success with Seaquest, Farscape, and Alien Nation, there was no reason to bury this show, but a las, Cult met it's fate after just thirteen episodes, which are currently streaming on Netflix. For all my followers who claim they have nothing to watch, here is 13 hours of some of the most imaginative and creative writing you will ever see on TV, add Cult to your queue and start watching tonight!!!