Da 5 Bloods
On the Record
I May Destroy You
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Not a bad flix, looks great. I never knew Dickens wrote a story where a orphan boy meets nothing but good people.
Great action, great cast, and great use of music too bad the story was dull. Soderbergh knows how to shoot action, but the guy is also a great writer, and I wish he would mix the two. Maybe if he would spend more than a month developing, shooting, and editing films he could settle down and do one great film once in awhile. He doesn't make bad films, but he doesn't great ones either, they are all rush jobs. This film was a lot of fun at times, but I guess I got greedy and wanted more.
First off I am not a big fan of Godard. I think Godard is really talented and groundbreaking,especially with the style and visuals of his films. What he does that bothers me is he is too political, too preachy and relies on shocking the audience too much, and that is what's wrong with Weekend. The story never really makes any sense, people are being raped and murdered everywhere and their is no explanation. There is an amazing tracking shot of a car slowly weaving through traffic as chaos reigns all around, really this scene should be shown in all film school. Sadly there is another scene where a garbage man rants about politics in America for 10 minutes, it's dated and a waste of time. I thought there was no story or direction, just moments, some good, some bad. I know it's a surrealist film,but it is dated and is kinda a mess. Overall not a film I would revisit, but glad I watched some of it.
Drive is a fun and stylish film, but I didn't love it like many of my friends and critics have. This is my fault because I would have liked it more with no expectations, but when I hear "Oscar worthy" or" Best film of the year" I better see something really original and powerful. It reminded me a bit of 80's Michael Mann, but that was mainly because of the films font, music, and Ryan Gosling's character. Gosling is a quintessential Michael Mann antagonist quiet, tough, and quick to action if pushed. I was more reminded of early Tarantino and Indie action films of the mid 90's that always encompassed a great cast, style, and sharp dialogue. I wouldn't put Drive in the same category of greatness as Pulp Fiction or Reservoir Dogs, but more like True Romance and better than Tarantino rip offs like 2 Days In the Valley. The cast was good, but besides Gosling the only stand out was Albert Brooks. Every scene with Brooks is captivating and I wanted more scenes like the one between him and Gosling at the restaurant. I really enjoyed the look and pace of the film, but I was also just relieved to see an action film without 100 cuts per minute or shaky cam.I will look forward to Nicolas Refn's future projects because he has great sense of pacing and knows how to shoot an action film correctly. I feel a stronger script would help him immensely and he could add substance to his already established style. Overall I enjoyed Drive, but I felt the film was a little too simple and really lacked originality. I think the film comes off as fresh and unconventional because of all the shit Hollywood has been throwing at us the last 15 years and basically we all long for films of the 80's.