Sequel takes place five years after the events of Godzilla 2014 with Godzilla keeping a low profile and being monitored diligently by the Monarch organization. Other creatures, or "Titans" have been discovered across the globe and the military wants them all destroyed, while Monarch believes they represent a balance in nature. Eco-terrorist Colonel Alan Jonah (Charles Dance) feels the Titans should all be freed to restore that balance and plans to steal the Orca…a device capable of communicating with, and possibly controlling the monsters…to accomplish this. He kidnaps Orca creator Dr. Emma Russell (Verga Farmiga), her daughter Madison (Millie Bobby Brown) and her invention and thus sends Monarch and Emma's estranged husband Dr. Mark Russell (Kyle Chandler) in hot pursuit. But Jonah gets more than he bargained for, when he uses it to release the three-headed space monster Ghidorah from his icy prison and the beast challenges Godzilla for the title of King of the Monsters. Add in the Queen of the Monsters Mothra and the fire demon Rodan and earth soon becomes a monster sized war zone.
Trick r Treat director Michael Dougherty takes over from Gareth Edwards and seems to have a far better grasp of the material. He also does script duties along with Zach Shields, from a story by they and Max Borenstein. What we get is far closer to a Toho Godzilla film than the 2014 flick and one that is a lot more fun. Sure the plot is a bit goofy, but no goofier than an alien race building a robot Godzilla or a creature created completely from pollution. It's filled not only with tons of fun references to Godzilla flicks of the past, but we get all the traditional story elements like devious villains, stalwart scientists, brave military types and a smarter than the adults kid. Not only are all the tropes proudly paraded out for those familiar with the series, but it has some of the most spectacular monster battles ever presented, as Godzilla, Ghidorah, Rodan and Mothra all converge to duke it out and destroy everything in their paths. The final showdown in the city of Boston is absolutely amazing and Yankee fans might even get a giggle over Godzilla and Ghidorah throwing down in the middle of Fenway Park. It's also a true popcorn blockbuster, so even those not too familiar with the Big G and his 65 year history, can still enjoy the flick on a purely entertainment spectacle level and monstrously entertaining it is. Not to mention, the film's final image is something every Godzilla fan has wanted to see from day one. On a technical level, the SPFX are amazing, the monsters are truly titanic and majestic and their destruction is on a totally massive scale. The score by Bear McCreary is far more fitting than Alexandre Desplat's ho-hum score for Zilla 2014 and delightfully mixes in some of Akira Ifukube's classic Godzilla themes to add a nice touch of nostalgia to the film.
The cast are good and all of them get the material. They play it seriously…but not too seriously. Leads Farminga, Chandler, Brown and Dance all do well in essaying their roles. Vera Farming as the scientist with a personal reason to get involved, is solid and helps us understand her decisions, even when they are the wrong ones. Chandler is fun as the father and husband trying to get his estranged family back. He's a good lead and his old fashioned character fits this kind of movie well. Charles Dance is impeccable as ever as the villainous Alan Jonah, who like Thanos, thinks he is doing the right thing by trying to unleash these creatures. Millie Bobby Brown is especially endearing as Madison and in many ways is the emotional center of the flick. The supporting cast are all good, too, especially Ken Watanabe returning as Dr. Ishirō Serizawa and Zhang Ziyi playing Dr. Ilene Chen, a character who pays tribute to a familiar Mothra trope in a very fun and clever way. A good cast that even give some very corny dialogue a little dramatic weight.
Overall, this was a really fun and action packed sequel to a film widely criticized for skimping on the monster action. It has monster battles to spare, but still gives us some people time along with a very Toho-esque storyline. Michael Dougherty keeps the 132 minute flick moving very fast and pays loving tribute to the classic Godzilla flicks in some fun and very clever ways. Stay through the credits for not only an end credits scene, but for some amusing interwoven news items that echo what is to come. A gargantuan blast of a good time!
Another classic in the original Godzilla series. This entry returns to a lighter, more kid friendly tone but, thankfully doesn't get too silly as some of the later sequels would. This chapter introduces one of Godzila's all time favorite foes, the three headed King Ghidorah and features more top notch FX from Eiji Tsuburaya and solid direction from Inoshiro Honda. The story involves the coming to earth of the space monster Ghidorah and the efforts of Japan's three biggest monsters, Godzilla, Mothra and Rodan to expel the invader despite their own differences with the human race. The sequence where Mothra tries to convince Godzilla and Rodan to stop fighting each other and defend the earth is very amusing especially when the twin Mothra faires translating become shocked at Godzilla's use of bad language. No, not as dramatically strong as Godzilla vs Mothra but really entertaining and loaded with nostalgic charm. Trivia: The gold colored Ghidorah was originally supposed to be red as he was meant to symbolize Japan's fear of their neighbor Communist China.
Thriller opens with pretty Lindsay Pittman (Alex Essoe from Starry Eyes and The Neighbor) tied to a chair and gagged with duct tape. Then we go back a few hours to find out how and why she's there. Driving home from a New Years Eve party, down-on-their-luck couple Lindsay and Jeff (Dylan McTee) hit a man on a remote road in the woods. The man appears to die before they can get help and the couple take the body home, concerned with the consequences of the man being dead and that they both were drinking. That's when things start to go wrong. The man is not dead, has a gun and after surprising Lindsay's sister Hannah (Perla Haney-Jardine), is really killed when she gets hold of his weapon. Even worse, when going through his things, Jeff, Lindsay and Hannah find their home was the gunman's objective all along. And thus begins a tale of hidden money, betrayal, double-crossing and murder.
Flick is well directed by Julius Ramsay from a script by Alston Ramsay and is a solid thriller. Film sets up a tense enough situation with a couple already facing hard times, thinking they killed a man and not wanting to deal with the consequences. Things get worse as they find the man had a gun and their address in his wallet. Who was he and why was he heading to their home? The story slowly unfolds, as thrillers like this traditionally do, as Police come knocking at their door, a mysterious detective (Ward Horton) shows up soon after and a cache of cash has everyone turning guns, duct tape and other household torture devices on each other. It's well done and while not quite as gripping as hoped, it is still solid entertainment that offers up some nice betrayals, twists and some horror movie level violence, murder and bloodshed. By it's satisfying conclusion all secrets are revealed, questions answered and a fitting trail of bodies left. To say anymore would be to spoil some deviously entertaining moments.
The Ramsays have a fairly good cast to support their script and direction. Alex Essoe once again proves she's an actress to watch with a solid performances as Lindsay. Mrs. Pittman seems to be caught in the middle of all this and Essoe gives her some life, depth and resourcefulness as we watch a woman toughen up and try to turn things in her favor in an increasingly disturbing situation. She's a good actress and can play both sympathetic and strong very well. Dylan McTee was efficient as Jeff, but could have used a bit more intensity. Maybe it's just that his character is not at his best when our story begins and is, when all is said and done, not as strong as his wife. He's not a wuss, but his character could have used a bit stronger presence. Perla Haney-Jardine is solid as Hannah. She's not new to trouble and it's no surprise that some of the Pittman's current woes might have Hannah's fingerprints on them. Finally we have a malice laced performances by Morristown, N.J. native Ward Horton as the mysterious Detective "Smith". Let's just say he's not a nice guy and his being a detective may be questionable, too. Horton makes for a slimy and charismatic villain which always benefits movies like this.
Overall, this was a solid and entertaining thriller that rolled out the story nicely and deviously. It could have used a bit more intensity, but was still a well done movie with some nice backstabbing and other kinds of stabbing to keep us in our seats. There were some good performances, especially from lead actress Alex Essoe, which enhanced the characters and thus the effectiveness of this blood-soaked thriller. Recommend for a night of noir-ish thrills and entertainment on the couch.
Korean epic is a bit long but I was never bored. There is action, drama and beautiful cinematography to keep one's interest. If all else fails it does have Ziyi Zhang. I liked the characters and the sense of nobility they carried even in the face of certain death, and the story involves a part of Asian history that I knew little about. If you like Asian period epics I recommend this. A very good movie.
At this point the makers of the Underworld series aren't even trying to lure in new viewers, just keeping the loyal fan base of this franchise interested and happy. But even the most loyal viewer would have to admit that with this entry, entertaining as it may be, the saga is starting to run out of gas. Blood Wars finds vampire hottie, Selene (Kate Beckinsale) having abandoned her daughter to keep her safe and now being pursued by Lycan and Vampire alike. The wolves want her hybrid daughter's blood to become more formidable, to tip the scales in their war with the vampires. Vampire councilwoman Semira (Lara Pulver) wants the latex covered Selene's powerful blood so she can overthrow her coven leaders and take over. Selene's only allies are Vampire Elder, Thomas (Charles Dance) and his hunky son, David (Theo James), who gained heightened abilities when given some of sexy but dour Selene's blood in Underworld: Awakening. Still with me? Of course new Lycan leader Marius (Tobias Menzies) is out eradicate the vampires once and for all and has some bloody secrets of his own to help him accomplish this and poor, curvy, quick-triggered Selene is caught in the middle of it all. What a bloody mess!
Fifth go-around is competently directed by newcomer Anna Foerster from a script and story by Cory Goodman and Kyle Ward and is entertaining enough to pass the time. You have to be a fan of this series to appreciate the theatrical melodrama mixed with bone crunching action, but even then, it's getting far too familiar to really set this new chapter apart from the last one...or any of the others. The filmmakers have realized this stuff has more of a cult audience and this flick has half the budget of the previous flick and thus is smaller scaled and delivers far more of that melodrama than some of the previous entries. There is still a decent amount of action, though it is fairly by-the-numbers and is nothing beyond what we expect from this series by now. It's in the Twilight-esque moments that the film is weakest, thought, thankfully, those moments are usually bookended with some blood-spattering as the rapid fire editing keeps things from stagnating and us from thinking too much about how silly it all is. That is also one of the film's weaknesses as there is little time to let dramatic plot points resonate and sometimes the movie jumps forward a little too quick for it's own good. Selene's final confrontation with Marius is a good example, it's just over too quickly to have impact, despite a shocking reveal in it's midst. The editing can be choppy in spots, as if there was an effort to get to the action more quickly and the opening chase is hard to follow as a result of being a bit too rapidly cut...much like the opening chase in the James Bond epic A Quantum Of Solace. Foerster seems to have a good visual eye and the snow set scenes are especially eye-catching, but if the series is to continue...and there are indications it is going to...they need to really shake things up a bit and give the series some new blood...pun intended.
The cast all take this stuff very seriously and it helps us do the same. Beckinsale can basically play Selene in her sleep at this point and the story has her a bit more sullen than usual. Pouting over her lost daughter and love Michael (played in flashbacks by both original actor Scott Speedman and stand-in Trent Garrett, who looks nothing like him) Selene is quite the sourpuss here, although she still looks stunning in latex and seems to cheer up when blasting Lycans or ripping out their spines. Theo James is a fine hero as David. The actor does the vampire heartthrob thing adequately, although the character does seem to only have been added to lure in the Twilight crowd who have nothing new to watch. Charles Dance is regal and noble as Thomas. A class actor giving the role strength beyond the simple script. Tobias Menzies is menacing enough as Marius, though he could have used a bit more charisma and Lara Pulver gives leading lady Beckinsale a run for her sexy money as vampish vamp Semira.
Overall, the movie did entertain, but only for fans who have enjoyed the previous flicks and are forgiving to the familiar material. Even so, the series needs some freshness injected into it or it may start to lose even it's most loyal followers. Perhaps have Beckinsale's Selene pass the torch to her wayward daughter and let mom's latex covered buns only cameo, because, to be honest, we'd miss those latex covered buns if they were gone completely...after all bullets, blood and buns is why we watch these movies.