His Dark Materials
Forgot your password?
Don't have an account? Sign up here
Got more questions about news letters?
Already have an account? Log in here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Please enter your email address and we will email you a new password.
No user info supplied.
As I often do, I started watching this film, then I stopped to do something else... watching films this way may not be ideal, especially if it is the first time you are watching them but it does have an incredible advantage and that is to put some distance. Distance helps me to be more objective and make build my thoughts more coherently.
When I first stopped this film I was about 15 minutes in. The film was going really well and I thought about this which led to think about other films that initially were going very well and got nowhere but somehow I had the feeling, this was not going to be one of those cases. Thankfully, it was not.
There is a writer who not constantly, not like a teacher or a mentor would, speaks about writing to a younger writer. It is interesting to me how this is tackled because to talk about structure, story and when those are good the script writer needs to have the knowledge and the confidence to parallel match this in his own script. Of course the masterfully great stitching is finished when Jeff Bridges' character points out the need for specific details which connects with the title of the film being presented throughout the feature and finalising on a door in the floor of his squash court.
I say I will have to watch again this film because I am sure there are several elements I did not get to see and even though I know the story now and it is not a remarkably visual film or funny it has the attribute of depth, like the strange connection between Ted Cole (Jeff Bridges) and Evelyn Vaughn (Mimi Rogers), any connections with the writer that uses that name as pseudonym? What is her job? What is her mental status, is she clinically insane? I quite liked how nuts she was and how a character that was probably a mere extra, was given a lot more importance.
Pulling from that thread, I noticed how many other little characters had a strong sense of reality, the woman at the photos shop, the nanny, the man at the bookstore and the gardener. It is all very saddle but certainly it unfolds a world very naturally.
Now I have to wonder what is Tod Williams up to and why is he directing so few films.