Eric Shirey's Profile - Rotten Tomatoes

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Rating History

Exterminators of the Year 3000 (Gli Sterminatori dell'anno 3000)
22 months ago via Rotten Tomatoes

Director Jules Harrison's (aka Giuliano Carnimeo) low-budget Italian / Spanish blend of "The Road Warrior" and Death Race" blows up all over the screen with exciting car crashes and chases. To add even more camp to the movie, the most ridiculous dialogue you'll ever hear is overdubbed as half the cast speaks English and the others shout their lines in their native tongues.

In "Exterminators of the Year 3000," the post-apocalyptic earth is a desert and water is the most precious substance of all. A band of survivors must turn to a mysterious stranger (Robert Iannucci) to battle a ruthless gang of motorcycle psychos for control of the wasteland and the water. Can their reluctant savior defeat the sadistic outlaws and get the water back home before their supply runs out?

Every part of "Exterminators of the Year 3000" invokes images of other end-of-the-world films of the 1970s and 1980s. The demolition derby jousting and destruction is obviously heavily influenced by "Mad Max," "The Road Warrior," and the original "Death Race 2000." The survivor's compound, water plant, and other locations are extremely reminiscent of the ones seen in "Logan's Run" and "Battle for the Planet of the Apes."

Anti-hero Alien looks like he walked off the set of "Megaforce" wearing Barry Bostwick's hair and headband combined with Peter Hunter's costume from "Spacehunter: Adventures in the Forbidden Zone." Alicia Moro's wardrobe and makeup department appear to have watched episodes of "Battlestar Galactica" and studied Farrah Fawcett's hairstyle in "Saturn 3" to get their inspiration. Head bad guy Fernando Bilboa looks as if he was given permission to raid the left-over wardrobe from "The Road Warrior" for his outfit.

Although it's nowhere near as graphic as movies of this nature would be today, "Exterminators of the Year 3000" is rated R. It contains violence and gore, profanity, alcohol use by a minor, and frightening and intense scenes. The scene of a young boy downing beer after beer as a pain killer might offend some. One other sequence has our heroes battling mutants that resemble the deformed ones from "Beneath the Planet of the Apes."

"Exterminators of the Year 3000" is the perfect film for those who have ran out of "Mad Max" and "Death Race" flicks to watch. It's a B-movie to top all B-movies that conjures up the same tingles and giggles you get when watching anything Roger Corman produced or directed in the 1970s and 1980s. With the release of "Mad Max: Fury Road" so close on the horizon, I can't think of a more fitting time for audiences to enjoy this little known cult classic.

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Doctor Mordrid
2 years ago via Rotten Tomatoes
½

Doctor Mordrid, Full Moon, Doctor Strange, Marvel, Charles Band

Marvel might be riding high now as a member of the Disney family, but twenty years ago it was literally taking any deal it could get from Tinseltown to make some money off the different properties they owned. Low-budget versions of "Captain America," "Fantastic Four," and "The Punisher" are perfect examples of where the comic book publishing giant was heading at the time. Even George Lucas's bigger attempt at bringing "Howard the Duck" to life was a miserable failure.

For those who might not know, Marvel gave rights to Full Moon Features in the early 1990s to adapt the mystical magician's adventures into a live-action movie. When time ran out and the property went back to Marvel, Charles Band decided to move forward with his rendering altered enough to keep from crossing any lines of copyright infringement.

Doctor Mordrid (Jeffrey Combs) is a powerful sorcerer who has sworn to keep Earth safe from the powers of darkness throughout the universe. His arch-enemy Kabal (Brian Thompson) arrives with plans to destroy the world. The two clash in an epic battle of good and evil that includes destructive mystical abilities and re-animated prehistoric creatures.

You can tell as soon as the opening credits roll on "Doctor Mordrid: Master of the Unknown" Directors / Producers Charles Band and his father Albert were quite passionate about bringing one of their favorite superheroes to life, even if he was under a new name with a re-tooled storyline and origin. Obviously, the movie was made on a budget that limited some of what could be done. It still looks great and the entire cast is fully invested in their individual roles.

"Doctor Mordrid: Master of the Unknown" is unrated but should hold an R for all intents and purposes. There's only one scene of nudity, which was really unnecessary and could've been cut or edited to open the picture up to even younger viewers. There was some violence and language as well, but nothing that would've caused it to be rated anything more than PG-13.

1992's "Doctor Mordrid: Master of the Unknown" still stands up well today even though elements of it might seem aged. It's a reminder of where comic book properties stood in the grand scheme of Hollywood at that time.

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Zootopia
Zootopia (2016)
2 years ago via Rotten Tomatoes

Disney's "Zootopia" is an amusing and action-packed addition to their long history of animated classics. However, at times, the message of the movie does start feeling heavy-handed. We got it the first three or five times: you can do or be anything you want as long as you believe in yourself and go for it. There's also nothing quite like a wholesome half-dressed pop star telling our children to "Try EVERYTHING", right? Aside from those two gripes, a great vocal cast and well-placed humor bring everything together quite nicely.

"Zootopia" is rated PG for some thematic elements, rude humor and action. Judy Hopps is bullied by her classmates, which might disturb younger viewers or ones who are victims of that sort of abuse. Christians will be offended by the use of God's name in vain in a couple of scenes as well. Judy and Nick visit a nudist colony where animals don't wear clothing. The sequence might stir up some questions about what exactly a nudist colony is.

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Kiss Rocks Vegas
2 years ago via Rotten Tomatoes

When four Liverpool lads stood onstage playing music and wagging their hair around in the early 1960s, it was easy to please a crowd. Rock 'n Roll was young and new. Fast forward a decade to the 1970s, and you had to do a bit more to thrill an audience. One band stood out above all others and continues to: KISS.

Whether you loved them or hated them when they hit the scene in 1973, KISS made an undeniable impression on anyone and everyone they came across. They were charisma. They were spectacle. They were energy. They were explosive. They were loud. They were bombastic. KISS WAS Rock 'n Roll!

Almost every word I used above to describe the "Hottest Band in the Land" could and is used when people think about Las Vegas shows today. When you think of what many consider the most entertaining and bright spot of entertainment in the United States, words like charisma, spectacle, energy, explosive, loud, and bombastic all come to mind I'm sure. What better home for KISS than this place?

Many die-hard fans of KISS will immediately throw up a wall of defense after reading my previous statement. "MY KISS is a rock 'n roll powerhouse too good to become just another staple of Las Vegas," they'll exclaim. Just like KISS deserved to be put in the Rock 'n Roll Hall of Fame for so many decades of hard work, they deserve a second home to hang their hats and call their own. A place where people come to them on their own turf to have their faces melted off instead of vice versa.

November of 2014 saw KISS take up residence at the Hard Rock Hotel in Las Vegas. For nine eruptive nights, the group unleashed their powers and legendary songs on the masses who attended these special performances. Bringing with them all the show-stopping vivacity they've become known for, KISS left the venue in a shambles of explosions, smoke, confetti, and blood.

"KISS Rocks Vegas" is the quintessential KISS. It shows the band at the top of their game in every way. Both Paul Stanley and Gene Simmons unleash their vocals and tight musical fury to perfection on every tune. Guitarist Tommy Thayer shreds his instrument's strings for squealing leads that on multiple times conclude in a flash of sparkles and loud cracks in the sky. Drummer Eric Singer doesn't miss a beat as he pounds away on his multi-colored drums lit and strobing throughout the concert.

Every single wonderful trope of a KISS performance is included in "KISS Rocks Vegas", and they should be. Here is a band delivering the goods to many times folks from all walks of life. They've never seen them before in a live setting. Just as they always do, KISS puts their best foot forward and strives to win over newcomers and make new fans. That's how a rock group becomes immortal.

Starchild Paul flies out into the crowd and performs while strutting down a catwalk suspended above audience members. Demon Gene spits blood and fire before ascending to his pedestal high above and proclaim himself the "God of Thunder". Spaceman Tommy fires rockets and lights up the darkness of the arena. Catman Eric blasts away at his drum kit as it rises off the stage to reveal giant banners featuring ferocious felines looking like they're going to jump into the crowd and devour it.

"KISS Rocks Vegas" was a great balance of songs featuring both Paul and Gene on lead vocals. I was actually surprised at how many of Simmons' signature songs appeared on the set list. "God of Thunder", "War Machine", and "I Love It Loud" were all there. The only one absent that I would've liked to hear was "Unholy." Stanley brought the glitz and glamour to numbers like "Love Gun", "Do You Love Me?", and "Creatures of the Night". Singer even had the opportunity to shine through a soulful performance of "Black Diamond". I did miss getting to see Thayer belt out one of his excellent tracks off of KISS's latest albums "Monster" and "Sonic Boom".

The cinematography for "KISS Rocks Vegas" put the viewer in several different locations during the extent of the show. At times, you would be standing in the middle of the crowd where you could see the whole stage. Other times you'd be standing at the feet of the group front row. We also got to fly high above the crowd and the band thanks to some fabulous crane-shots. There wasn't a bad seat in the Hard Rock Hotel.

I took my nine-year-old son with me and was hoping that "KISS Rocks Vegas" would be appropriate for him. In other DVD releases of the band's concerts, we see girls pulling up their shirts and Gene and Paul's famous rock 'n roll "poses." While there are a couple of those here for the sake of keeping it real, all the girls keep their clothes on and the show is family-friendly.

"KISS Rocks Vegas" is a glimpse of things to come. I can see KISS taking up residency for a much longer time than nine days. I can see them becoming a permanent staple of the Town That Never Sleeps. I can see them building the ultimate tribute band and their presence being forever an essential part of the Las Vegas Experience long after the actual members are gone... but not forgotten.

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