The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
One would expect all these no doubt fantastic actors to select their projects with concise precision. Their craft is beyond imitation, and their portrayal of characters uniquely defined. It is in fact the dramatic deliverance in this piece that was particularly enjoyable. Unfortunately, the screenplay didn't keep up with this bargain. The characters followed a path that was clichÃ (C) at best. There might have been a token surprise here and there, but, let's face it, we've seen this one before. I read in a review somewhere that this was a Bonnie and Clide for modern times...wow... Go have a look for yourselves. I can't chalk this up as a bad film, though. As I said, the acting was flawless enough to keep me interested, and the cinematography and music was perfectly orchestrated. Perhaps the screenwriters felt it was enough to stamp the "based on a true story" at the opening and just let it coast. If you have the patience, wait for the last forty-five minutes of the film. This is when the thing actually becomes semi interesting. And, yes, it all ends as you predicted in the first ten minutes of the movie.
I was particularly mad leaving this film. Not at it. But at myself. I had already conceded on the fact that I wouldn't be needing to see this in 3D. But don't make the same mistake I did. Go watch this one with the funny glasses. This is one of those that doesn't exploit 3D for the sake of the thing. I can see how it would actually work well. The visuals are undeniably cool. And it's obvious much preparation went in its delivery. I am sadly old enough to compare this one to the original one with Arnold. And it is by far a better narrative piece. Sure, back then it was the bells and whistles of the scifi angle, the Sharon Stone, and the Arnold bit. So we were all pretty well distracted. But now that time has passed... Screw that one. This one has testicles. Lena Headey as the villain is superb. I saw her in person at the Abbey the other night and she is particularly attractive in person. Her sight grabs on to you hard. But who knew she delivered just as much a hormonal effect with a scar across her face. Olivia Thirby played a refreshingly believable role as the rookie cop looking to grow some cojones to pull the trigger. And this is no little lady from Gossip Girl, for those of you who followed her here from there. That girl will put two in the chest and two in the face. Thank God they had the common sense to come up with an excuse to have her helmet removed. I mean... Karl Urban. Dude. You are cool and all, but that could be your cousin in there. Couldn't someone had blown off your helmet? You know? Give us our money's worth to see the actor we are here to root for? All jokes aside, when you see your cousin tell him he has my thumbs up. Good job. In any case, go watch this. It's modern cool and refreshing. Soda optional.
What can I say? I like Richard Gere. He's the man. And with all pistons fired he is phenomenal on screen. This movie was a well crafted story. Definite proof that we don't need to blow up half a planet to keep your audience's interest. From opening to closing you get the clear feeling that something is going to go very wrong here. The thriller element is clearly there. The characters smart, and the decisions made along the way a perfect balance between surprise and predictability. Even you plot geniuses out there can feel smart following along. I particularly loved the ending. It went somewhere I didn't expect it to go. The definition of the true monetary American hero. By the way, what is an Applebee's?... Classic.
There's been much noise out there about this piece of filmmaking cinematic history. I actually read somewhere a mention of "Training Day" in the same sentence as "End of Watch." Well, let's put our two cents out there... Even, both films share the same scribe, This is not, in any way shape or form, remotely in the category of "Training Day", and all that noise about this film, well, let's save it for something else worth barking about. I was actually baffled to find myself reacting this way to this movie, since David Ayer has a long list of cool movies to his credit. I guess everyone missed a home run here and there. And, then again, this is just my two cents... Swimming somewhere deep in the current idiotic trend to shoot movies with video cameras the filmmakers found what barely passes for inspiration as a visual theme. Bring a bottle of Advil with you. The camera work is in deed that bad. But if the imagery wasnt bad enough of an insult to the audience's intelligence, don't waste your time finding any character development or plot evolution. This is a linear one way ride into what can be best described as an exercise in boredom. And, no, shooting Mexicans for the same tired old reason we've all seen before, and exchanging a never ending repartee of pointless dialogue in a patrol car, does not pass for creative thinking.
The verdict is out. It appears if you are a troubled male enduring a violent life style, a woman from your past, or future, is likely responsible. If you want proof, look no further than this film. All major characters are deeply affected by females. Whether it's a mother, a wife, or a hooker, they all determine the destiny of the world. I won't give it away, but do pay attention to the various female driven pointers, from small to large. It's all there. Ladies are the oil that runs the machinery of the world. This was no doubt an entertaining film. The story kept me interested. Particularly because the promotional trailers did something abnormal by today's standards: they didn't give away the whole thing. I didn't expect it to follow the path that it does. Two thumbs up right there. It's worth mention what a fastantic job they did making Joseph Gordon-Levitt look like a younger version of Bruce Willis. Frightening. The one bit that often gets to me when it comes to science fiction is how you can smell the compromisse in the futuristic look. Specially when it comes to technology. Our future selves are geniuses in one aspect, like, say, time travel, but when it comes to other details of the world, like architecture or simple street signs, we dumbed down... And of course, the story does take place in the "past" version of this future. Can you hear a studio guy say: 'we gotta shoot this thing cheaper!'... Well, you can't have it All. So it does feel a bit more like an HBO production than big theatre fare, but I still had a fantastic time. Enjoy.