Once Upon a Time In Hollywood
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(44%) "Die hard in space", if only. This is an overly busy space B-movie that came an went with little impact owing mainly to the fact that the opening scenes are more or less forgotten about before the closing act even begins. With that said this isn't a bad little movie, Guy Pearce is a fine asset, even if his character is as deep as a puddle after some light rain. And it's entertaining in a non-demanding sort of way. Script wise it's standard stuff, but there's nothing at all that is new or remarkable. If you can watch it for free, and your a fan of sci-fi, then this isn't too bad, but it's really not a must watch.
A pretty decent British sci-fi that has some fun and unique (for the time) ideas. It's a bit dated, but there is still some enjoyment to be had, and as such it is worthy of a look.
A direct to DVD crime action flick staring a rapper who really can't carry a movie, Bruce Willis who's earning a pay cheque, and the guy with the cauliflower ears from the expendables movies. The plot is tried and tested, and has been done far too many times for something as utterly routine as this to make any sort of impact. To top it off, this actually knows that it's not only poorly crafted, but maybe even worse, indicates that it has such low opinions of its audience that key characters are actually labeled such as "The driver", "The mob boss", "The hitman" etc so even simpletons can keep up, and the writers can go home early. But really if they wanted to make sure nobody gets left behind they should have made a better movie because towards the second half I couldn't really care anymore about anything. This isn't terrible, but even for a direct to video, is why too average to make any sort of mark.
Since as far back as the late 1970's there have only been a handful of strong entries for Bond. The series was lost in the 80's with too little bite coming from the tail end of Moore's output, and too much of it for most people's taste from Dalton's "Licence to kill". Then, like Bond himself, the series then was gone without a trace until a highlight in "Goldeneye" awoke and it was good to have the killer back once again; but it didn't last. The following entries are largely forgettable and nothing more than throwaway entertainment. "Casino Royale" was yet another new clean slate and things looked promising once again, that was until "Solace of shaky cam" got rushed out and hopefully for the last time pulled the spy toward being nothing more than a Bourne wannabe. Now though things are looking promising, and all I can say is it's about time. Sam Mendes has driven the series back on form with two of the better entries in decades. This like the great "Skyfall" has what's needed to make a good Bond film. It has the action, the style, the fun, the locations, the women, the bad guys, with sheer bags of quality to back everything up. This doesn't top "Skyfall" which would have been hugely difficult, but it gives Bond something he hasn't had for far too long: A strong back to back big hitter.
A wonderfully handsome Gothic horror that may not be the most scary film ever made, but it is by far one of the most visually stunning. The cast is top notch with big names at every turn, but it's by far the look and atmosphere dripping down from nearly every shot that's the most captivating. Even with elements of Tim Burton and Poe, this is very much a Del Toro film with its sharp attention to detail, strong build-up and painful touches of ultra, almost exploitation levels of violence that always seem to shock, yet never spoil the general quality feel. His direction is impeccable as the film and its characters are allowed to breath and have room to move and everything is far from just being a long series of dumb jump scares. There wasn't a great deal of horror released around Halloween 2015 (thanks to Mr Bond) but this will likely be one of the best entries of the year. This level of superbly crafted minute detail is what big screen entertainment is all about.