Kia's Review of Inception
I last saw Inception as a whole over a year ago, but even so it remains fresh in memory, thanks to the endlessly inventive visuals and captivating plot and pacing. Its construction is that of any conventional heist movie, though it is underlain by original concepts involving dreams and the subconscious mind, thus finding originality in presenting its ideas with such force and visual splendor that it is hard to resist and rewards several viewings. The story follows Cobb (Leonardo DiCaprio), who steals ideas in target's dreams for a living, and suddenly when his life crumbles from beneath him upon his wife's death, Cobb must do one last job with his team of experts, except this time, they are looking to plant an idea into a subject's mind rather than take one. The subject in question is the heir to a large corporation which the team is looking to take down. If Cobb succeeds, then he will be reunited with his children, bringing his life back together, and the other members will find peace as well. If they fail or die within the dream, they will be caught in another dream space, called limbo, within the one they are already in, where time doesn't pass and they could be stuck there indefinitely. The stakes are high, the consequences are real, and the dream could be, too. On a side note, the protagonist in the film, Cobb, is also the name of the villainous thief in director Christopher Nolan's debut, Following (1998). In this film, Nolan takes the basic character structure of the first Cobb (he is a thief and is persuasive, clever, and cunning), and builds on it, tapping its full potential and creating an emotionally and psychologically unstable man who is entertaining to watch and portrayed excellently by the particularly talented actor that is DiCaprio. Inception spins an excellent yarn and makes you think to bring all the ends together, and it is among Nolan's best works.