About to climax, Spielberg paints a beautiful picture in the light of the sunset, with Jim watching his young pilot friend getting ready to take off for the first time, with Bale singing a beautiful song composed by John Williams - in fact, part of a beautiful track from the veteran - only to then introduce a past action sequence with the sun high. Okay, we can use common sense and see it as a more fantastical scene, in which Jim feels in a way that only that lighting could illustrate, and it would make sense. However, what really suggests is that Spielberg was so enchanted with his aesthetic achievements in A Cor Púrpura (1986), that he also abused this photograph, and decided to repeat it as soon as possible.