Frank Scheck
Frank Scheck's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Sheep Detectives (2026)
93%
EDIT
“Despite the (brief) presence of Hugh Jackman and a top-flight voice cast, the movie never achieves the level of magic for which it’s desperately straining.” –
The Hollywood Reporter
May 8, 2026
Full Review
Mortal Kombat II (2026)
65%
EDIT
“The film has its rewards, mostly of the unsophisticated kind, since the fight sequences come fast and furious and the cheesy dialogue has enough groan-worthy one-liners to inspire a thousand drinking games.” –
The Hollywood Reporter
May 6, 2026
Full Review
Swapped (2026)
68%
EDIT
“The computer animation of the verdant environs looks beautiful, making one wish that Swapped was getting more than a token theatrical release, while the character designs provide a more than sufficient cutesiness quotient.” –
The Hollywood Reporter
May 1, 2026
Full Review
Desert Warrior (2025)
26%
EDIT
“The film was shot five years ago and is only reaching theaters now, but it’s likely to be swept away as quickly as desert sands.” –
The Hollywood Reporter
Apr 27, 2026
Full Review
Animal Farm (2025)
26%
EDIT
“Geared to younger children for inexplicable reasons, this version sacrifices the story’s powerful political and social themes in favor of by-the-numbers plotting. ” –
The Hollywood Reporter
Apr 27, 2026
Full Review
Balls Up (2026)
23%
EDIT
“This is a film that could really have used the manic energy of a Jack Black or Jim Carrey. Instead of feeling gleefully transgressive, it comes across as just another streaming-era time-filler.” –
The Hollywood Reporter
Apr 15, 2026
Full Review
Faces of Death (2026)
68%
EDIT
“It all sounds very impressive and very thoughtful. But they give the game away when they describe the film this way: “It is an exploitation of an iconic exploitation film.”” –
The Hollywood Reporter
Apr 6, 2026
Full Review
Tutu (2026)
EDIT
“It presents a deeply personal portrait of the man, so much so that by the film’s conclusion you will feel as if you’ve truly come to know him.” –
The Hollywood Reporter
Apr 2, 2026
Full Review
The Super Mario Galaxy Movie (2026)
42%
EDIT
“Relentlessly fast-paced and filled with hyperkinetic visuals, the sequel hits the sweet spot in terms of what its target audience wants, even if adult non-aficionados will find little of interest other than the starry vocal cast.” –
The Hollywood Reporter
Mar 31, 2026
Full Review
Chili Finger (2026)
80%
EDIT
“With the exception of the central character played by Judy Greer, all the figures onscreen display the sort of eccentricities that are presumably meant to be either amusing or endearing but instead simply come across as odd.” –
The Hollywood Reporter
Mar 15, 2026
Full Review
Reminders of Him (2026)
56%
EDIT
“Director Vanessa Caswill and co-screenwriters Lauren Levine and Hoover manage to effectively sweep you into the melodramatic proceedings... It helps that the characters are all sympathetic and appealingly played.” –
The Hollywood Reporter
Mar 11, 2026
Full Review
War Machine (2026)
68%
EDIT
“The film’s R rating is well-deserved thanks to the profusion of burnt and dismembered bodies on view in the alien machine’s wake. Unfortunately, the screenplay by Hughes and co-writer James Beaufort leaves much to be desired.” –
The Hollywood Reporter
Mar 9, 2026
Full Review
Scream 7 (2026)
31%
EDIT
“There’s a rote quality to the proceedings that makes Scream 7 feel like a slog despite its high body count.” –
The Hollywood Reporter
Feb 26, 2026
Full Review
Psycho Killer (2026)
9%
EDIT
“The climax proves thoroughly ridiculous, but by that point you’ve given up on the film anyway.” –
The Hollywood Reporter
Feb 20, 2026
Full Review
How to Make a Killing (2026)
44%
EDIT
“Ultimately How to Make a Killing doesn’t have the courage of its convictions, or even its killings, giving it a blandness that’s surprising coming from the writer-director of the much sharper Emily the Criminal.” –
The Hollywood Reporter
Feb 20, 2026
Full Review
The Dreadful (2026)
36%
EDIT
“Harden is the most entertaining thing about The Dreadful, which aims for classic folk horror but mostly feels tedious. ” –
The Hollywood Reporter
Feb 20, 2026
Full Review
I Can Only Imagine 2 (2026)
63%
EDIT
“Laborious and dull, I Can Only Imagine 2 only comes to life in the comedic scenes featuring Ventimiglia, who buries his handsomeness in a buzz-cut, full beard, and Buddy Holly-style glasses to resemble Timmons. ” –
The Hollywood Reporter
Feb 17, 2026
Full Review
GOAT (2026)
84%
EDIT
“The hyperkinetic animation style, which bears no small similarity to Sony’s Spider-Verse hits, can be a bit relentless for adult viewers not steadily ingesting sugary substances. But the CGI images are undeniably dazzling and often very amusing.” –
The Hollywood Reporter
Feb 17, 2026
Full Review
Nirvanna the Band the Show the Movie (2025)
98%
EDIT
“This overly meta farce beats its mildly silly jokes so steadily into the ground that it’s not so much a case of diminishing returns as humor abuse.” –
The Hollywood Reporter
Feb 11, 2026
Full Review
Crime 101 (2026)
88%
EDIT
“Crime 101 feels too contrived and artificial to be convincing. But there’s plenty to appreciate along the way, especially the extensive cinematic craftsmanship that’s gone into it. ” –
The Hollywood Reporter
Feb 11, 2026
Full Review
Melania (2026)
10%
EDIT
“To say that Melania is a hagiography would be an insult to hagiographies. This is a film that fawns so lavishly over its subject that you feel downright unpatriotic not gushing over it.” –
The Hollywood Reporter
Jan 30, 2026
Full Review
Shelter (2026)
65%
EDIT
“Shelter reliably provides plenty of the action that Statham fans crave, not to mention his trademark charisma and low-key underplaying that makes Charles Bronson look overly demonstrative. ” –
The Hollywood Reporter
Jan 28, 2026
Full Review
The Wrecking Crew (2026)
75%
EDIT
“Movies like this depend almost entirely on chemistry between the co-stars, and fortunately Bautista and Momoa have plenty of it. ” –
The Hollywood Reporter
Jan 26, 2026
Full Review
Send Help (2026)
93%
EDIT
“Sam Raimi’s darkly comic horror-thriller starring Rachel McAdams and Dylan O’Brien boasts an audacious concept that is superbly realized by Raimi’s filmmaking, which milks every bizarre situation for all it’s worth.” –
The Hollywood Reporter
Jan 26, 2026
Full Review
Mercy (2026)
25%
EDIT
“It should be avoided by anyone suffering from screen addiction. Which these days is pretty much everybody.” –
The Hollywood Reporter
Jan 21, 2026
Full Review
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