|
6.5/10
|
86%
|
Fill the Void (2013) |
"
Practically an ethnographic film"
—
Film.com
Posted May 23, 2013
|
|
5/10
|
22%
|
Only God Forgives (2013) |
"
There's an old expression in musical theater - you don't leave humming the lights."
—
Film.com
Posted May 22, 2013
|
|
9.1/19
|
100%
|
All Is Lost (2013) |
"
From bow to stern Chandor delivers pure cinema"
—
Film.com
Posted May 22, 2013
|
|
8.7/10
|
——
|
The Congress () |
"
Ari Folman is a filmmaker determined to make movies his own way"
—
Film.com
Posted May 21, 2013
|
|
A
|
90%
|
Inside Llewyn Davis (2013) |
"
One of the best and most understated movies about the grieving process."
—
Film.com
Posted May 21, 2013
|
|
B
|
83%
|
La Danza De La Realidad () |
"
A minor success from a major figure."
—
Film.com
Posted May 21, 2013
|
|
8.6/10
|
100%
|
Le passé (The Past) (2013) |
"
Gossipy and hand-wringing, but graceful enough for you to safely call it art."
—
Film.com
Posted May 17, 2013
|
|
6/10
|
——
|
The Purge (2013) |
"
Snicker all you want at this dopey picture, but instead of being another pointless slasher, it at least makes an attempt at some interesting discourse."
—
ScreenCrush
Posted May 7, 2013
|
|
4/10
|
50%
|
The Great Gatsby (2013) |
"
Well, you did it Baz Luhrmann. Even with an enormous budget and a camera that can fly around and do just about anything, you still made watching 'The Great Gatsby' just as boring as sitting through 8th period English."
—
ScreenCrush
Posted May 7, 2013
|
|
|
80%
|
Something in the Air (2013) |
"
Ought to interest anyone who has a soft spot for 60s/70s radicals, the French, rock n' roll, sex, long hair, dancing, painting, Pompeii and saying ridiculous things like "shouldn't revolutionary cinema employ revolutionary syntax?""
—
Badass Digest
Posted May 3, 2013
|
|
7/10
|
87%
|
Star Trek Into Darkness (2013) |
"
The Enterprise and all the people on it are gorgeous. It's just that by front-loading so much on the visceral thrills and our affection for these characters, there's just no room for the rather tangled storyline."
—
ScreenCrush
Posted May 2, 2013
|
|
7/10
|
96%
|
Stories We Tell (2013) |
"
A study on how facts have repercussions and are interpreted in different ways by different people."
—
ScreenCrush
Posted May 1, 2013
|
|
|
51%
|
Post Tenebras Lux (2013) |
"
Despite a handful of splendid moments, it doesn't quite succeed "
—
Badass Digest
Posted Apr 30, 2013
|
|
3.5/10
|
——
|
Taboor () |
"
Not enough meat on the bone to make suffering through the artifice worthwhile."
—
Film.com
Posted Apr 30, 2013
|
|
8/10
|
——
|
Hide Your Smiling Faces () |
"
A small gem from someone to watch."
—
Film.com
Posted Apr 30, 2013
|
|
8.7/10
|
——
|
Bluebird () |
"
Undoubtably a remarkable achievement, especially for a first-time filmmaker."
—
Film.com
Posted Apr 30, 2013
|
|
7.5/10
|
——
|
Trust Me () |
"
A small movie that offers a number of quite exciting moments."
—
Film.com
Posted Apr 30, 2013
|
|
8.5/10
|
——
|
Some Velvet Morning () |
"
A horror film with no blood, a rough ride that kicks you in the stomach"
—
Film.com
Posted Apr 30, 2013
|
|
|
78%
|
Iron Man 3 (2013) |
"
Sir Ben Kingsley's The Mandarin is far and away the finest villain in any of the Marvel films."
—
Badass Digest
Posted Apr 30, 2013
|
|
9/10
|
63%
|
Paradise: Love (2013) |
"
One of the most disturbing films I've seen in a very long time."
—
Film.com
Posted Apr 26, 2013
|
|
8.5/10
|
——
|
The Rocket () |
"
If you aren't moved by the "The Rocket" your heart is defective"
—
Film.com
Posted Apr 25, 2013
|
|
8.5/10
|
——
|
Harmony Lessons () |
"
For those who look for films where each shot comes loaded with a clearly defined aesthetic, this is a movie for you."
—
Film.com
Posted Apr 24, 2013
|
|
9.5/10
|
100%
|
Cutie And The Boxer (2013) |
"
A great triumph that refuses to color within typical emotional lines."
—
Film.com
Posted Apr 24, 2013
|
|
5/10
|
——
|
Almost Christmas () |
"
I almost recommend seeing "Almost Christmas.""
—
Film.com
Posted Apr 22, 2013
|
|
2/10
|
43%
|
The English Teacher (2013) |
"
Rudderless in its presentation and outright stupid in its central conceits"
—
Film.com
Posted Apr 19, 2013
|
|
7.8/10
|
88%
|
In the House (2013) |
"
With its wheels-within-wheels structure and ubiquitous jibber-jabber between neophyte and guide "In the House" is something of a lit major's "Inception.""
—
Film.com
Posted Apr 19, 2013
|
|
9/10
|
——
|
Zero Charisma () |
"
This film comes from a place that is, perhaps to the creators' consternation, legit."
—
Film.com
Posted Apr 16, 2013
|
|
6/10
|
4%
|
Scary Movie 5 (2013) |
"
There are opportunities to have a good time with this film, if you are a forgiving sort."
—
ScreenCrush
Posted Apr 12, 2013
|
|
3.5/10
|
67%
|
Disconnect (2013) |
"
Not as bad as 'Crash,' but it sure as heck ain't good"
—
Film.com
Posted Apr 11, 2013
|
|
3/10
|
88%
|
The Angels' Share (2013) |
"
Just how is one supposed to react, in 2013, to a non-ironic use of the Proclaimers' "(I'm Gonna Be) 500 Miles" in a musical montage?"
—
Film.com
Posted Apr 10, 2013
|
|
8/10
|
75%
|
Simon Killer (2013) |
"
brooding and mesmerizing"
—
ScreenCrush
Posted Apr 4, 2013
|
|
6/10
|
27%
|
The Brass Teapot (2013) |
"
Too agreeable to fully dismiss."
—
Film.com
Posted Apr 1, 2013
|
|
6/10
|
55%
|
The Company You Keep (2013) |
"
There's more substance in their sighs than in any of the dialogue"
—
ScreenCrush
Posted Apr 1, 2013
|
|
8.7/10
|
96%
|
Blancanieves (2013) |
"
This gorgeous silent film is an unexpected gift from the gods of pure cinema."
—
Film.com
Posted Mar 29, 2013
|
|
3/10
|
9%
|
The Host (2013) |
"
It stinks. . .and yet. . .I'm glad I saw 'The Host,' and more so than just as an anthropological study"
—
ScreenCrush
Posted Mar 28, 2013
|
|
5/10
|
28%
|
G.I. Joe: Retaliation (2013) |
"
It is, surprisingly, the lesser of the two 'G.I. Joe' films, with Stephen Sommers' 2009 'The Rise of Cobra' featuring much more team spirit, pep and fun."
—
ScreenCrush
Posted Mar 27, 2013
|
|
B-
|
47%
|
Olympus Has Fallen (2013) |
"
If you have an uncle who hasn't seen a movie since "Taken," he's gonna' love this one."
—
Film.com
Posted Mar 21, 2013
|
|
7/10
|
69%
|
The Croods (2013) |
"
When the Croods wake up each morning their rallying cry is "Still Alive!" It gets a big laugh, but comes from a genuine place of panic."
—
ScreenCrush
Posted Mar 20, 2013
|
|
B
|
80%
|
Eden (2013) |
"
A unique and thought provoking picture on a subject that ought to send you into a good old fashioned blood-boiling rage."
—
Film.com
Posted Mar 19, 2013
|
|
|
8%
|
K-11 (2013) |
"
Stuck in that valley of being bad, but not so bad that it's actually good."
—
Badass Digest
Posted Mar 15, 2013
|
|
9/10
|
82%
|
The Place Beyond The Pines (2013) |
"
'The Place Beyond the Pines' comes readymade with a heft. . .as if students have been banging out essays on [it] for years."
—
ScreenCrush
Posted Mar 15, 2013
|
|
2/10
|
37%
|
Dead Man Down (2013) |
"
I can see people renting this over VOD. I can also see a lot of people turning to the person next to them on the couch and asking "do you want to finish this?""
—
ScreenCrush
Posted Mar 7, 2013
|
|
|
90%
|
Beyond The Hills (2013) |
"
These people have no electricity - they have a RIGHT to be repetitive."
—
Badass Digest
Posted Mar 7, 2013
|
|
8/10
|
43%
|
Admission (2013) |
"
Off the likability charts"
—
ScreenCrush
Posted Mar 6, 2013
|
|
B
|
59%
|
Oz the Great and Powerful (2013) |
"
The raised eyebrows and slightly silly tone are all a little bit of a put on, but neither Franco nor anyone else goes full Depp in this one."
—
Film.com
Posted Mar 5, 2013
|
|
6/10
|
27%
|
21 And Over (2013) |
"
[Justin Chon] bursting into a bar shouting the quote "where the white women at?" just speaks to me, what can I say?"
—
ScreenCrush
Posted Feb 28, 2013
|
|
C+
|
52%
|
Jack the Giant Slayer (2013) |
"
[M]ay get you habitually reaching for your PS3 controller to jab the cut-scene skipping "X" button"
—
Film.com
Posted Feb 27, 2013
|
|
9/10
|
67%
|
Stoker (2013) |
"
Prurience aside, 'Stoker's' photography and production design are sublime, each frame worthy of a high-res screenshot for the noblest of cineaste Tumblrs. "
—
ScreenCrush
Posted Feb 27, 2013
|
|
B+
|
96%
|
War Witch (2013) |
"
It's depressing stuff, to be sure, but it does a marvelous job at giving us an impressionistic taste of horrific circumstances without using them to beat us into submission."
—
Film.com
Posted Feb 27, 2013
|
77%
23%
67%
85%
46%
40%
