|
6.2/10
|
84%
|
Alan Partridge: Alpha Papa () |
"
There aren't many side-splitting jokes, but a goofy glee is smeared across the whole thing."
—
Film.com
Posted Sep 30, 2013
|
|
9/10
|
88%
|
Captain Phillips (2013) |
"
[Hanks'] performance in the third act might be a career best."
—
ScreenCrush
Posted Sep 27, 2013
|
|
4/5
|
59%
|
Cloudy with a Chance of Meatballs 2 (2013) |
"
Loud, weird and chaotic - just as kids like it. "
—
New York Daily News
Posted Sep 26, 2013
|
|
3/5
|
85%
|
We Are What We Are (2013) |
"
A [horror] film where ambiance, glossy imagery and performance are more effective than the splatter. "
—
New York Daily News
Posted Sep 26, 2013
|
|
6.4/10
|
——
|
The Dog () |
"
Makes for very entertaining viewing, though it hardly feels necessary."
—
Film.com
Posted Sep 25, 2013
|
|
5.0/10
|
62%
|
About Time (2013) |
"
There won't be a dry eye in the house, but the tears will be unearned."
—
Film.com
Posted Sep 23, 2013
|
|
2/5
|
53%
|
The Muslims Are Coming (2013) |
"
Viewers outside the tristate area may have their minds blown. The rest of us may be only mildly amused."
—
New York Daily News
Posted Sep 19, 2013
|
|
2/5
|
67%
|
Haute Cuisine (2013) |
"
When a movie's high-stakes moment is whether a cream cheese should be considered dessert, it's hard not to motion for the check."
—
New York Daily News
Posted Sep 19, 2013
|
|
1/5
|
14%
|
The Colony (2013) |
"
Even those trapped and bored in a bunker, surrounded by frozen waste, would tire of this unoriginal sci-fi/horror hybrid."
—
New York Daily News
Posted Sep 19, 2013
|
|
3/4
|
5%
|
Battle of the Year (2013) |
"
It's undeniable that the good-natured "Afterschool Special" vibe here plays to the film's corny strengths, and the dancing is impressive. So much so that it's almost impossible not to cheer during the final round."
—
New York Daily News
Posted Sep 19, 2013
|
|
7.9/10
|
100%
|
Le Week-End (2013) |
"
While the overall film is more mild, and ends with a somewhat silly deus-ex-Goldblumina, the good of seeing senior citizens treated maturely on film far outweighs the bad."
—
Film.com
Posted Sep 19, 2013
|
|
2/10
|
70%
|
Fading Gigolo () |
"
One of the most shameless vanity projects I've ever seen."
—
Film.com
Posted Sep 16, 2013
|
|
|
78%
|
Night Moves () |
"
Hippies, man. "
—
Badass Digest
Posted Sep 14, 2013
|
|
|
79%
|
Tracks () |
"
A hypnotic trip in a photogenic environment."
—
Badass Digest
Posted Sep 14, 2013
|
|
6.8/10
|
89%
|
Bad Words (2014) |
"
It gets a little repetitive, but it when it works, it works."
—
Film.com
Posted Sep 13, 2013
|
|
5/10
|
67%
|
Labor Day (2013) |
"
It's impossible to watch this film without thinking "aw, man, give me a break.""
—
ScreenCrush
Posted Sep 13, 2013
|
|
4/10
|
33%
|
The Family (2013) |
"
It is no easier for me to report this than it is for you to hear it, but we're all adults and let's get real: Robert De Niro's name on a film project is now more a red flag of warning than a sign of quality."
—
ScreenCrush
Posted Sep 12, 2013
|
|
8/10
|
93%
|
The Double () |
"
Whoever said nightmares couldn't also be funny?"
—
ScreenCrush
Posted Sep 12, 2013
|
|
1.5/10
|
58%
|
The Sacrament () |
"
It's not just bad, it's infuriating."
—
Film.com
Posted Sep 12, 2013
|
|
4/5
|
98%
|
Wadjda (2013) |
"
This resonant film, detailing struggles in a far-flung place, represents world cinema in the classic sense."
—
New York Daily News
Posted Sep 12, 2013
|
|
3/5
|
78%
|
Good Ol' Freda (2013) |
"
Don't look for scoops on Yoko or the band's breakup, but it's hard not to smile at the mop-top nostalgia."
—
New York Daily News
Posted Sep 12, 2013
|
|
3/5
|
86%
|
Blue Caprice (2013) |
"
Moors turns the project into something of an art film, requiring patience for repetitive editing and slow-burn scenes before the movie ultimately works itself under your skin."
—
New York Daily News
Posted Sep 12, 2013
|
|
8.0/10
|
76%
|
Joe () |
"
Ultimately comes together as a striking character meditation."
—
Film.com
Posted Sep 11, 2013
|
|
5.0
|
76%
|
How I Live Now (2013) |
"
Proof there can still be boring stories during extraordinary times."
—
Film.com
Posted Sep 11, 2013
|
|
7/10
|
64%
|
August: Osage County (2013) |
"
If disses were marble, Tracy Letts would be Michelangelo and 'August: Osage County' would be his David. "
—
ScreenCrush
Posted Sep 11, 2013
|
|
7/10
|
88%
|
Under the Skin () |
"
We don't get totally in her head, but it is still rewarding to stay in your own and watch."
—
ScreenCrush
Posted Sep 10, 2013
|
|
10/10
|
97%
|
12 Years a Slave (2013) |
"
...refuses to take the easy road."
—
ScreenCrush
Posted Sep 10, 2013
|
|
8.5/10
|
86%
|
Dom Hemingway (2014) |
"
A marvelous lead character, and Jude Law, a little puffier and hairier than usual, turns in a career best performance."
—
Film.com
Posted Sep 10, 2013
|
|
7.5/10
|
50%
|
L'étrange couleur des larmes de ton corps (The Strange Colour of Your Body's Tears) () |
"
A fantasia of death, sex, panic, confusion, nipples and razors."
—
Film.com
Posted Sep 9, 2013
|
|
6.0/10
|
95%
|
Enough Said (2013) |
"
You care, maybe even identify, but also wish they would shut up."
—
Film.com
Posted Sep 8, 2013
|
|
8.5/10
|
89%
|
Dallas Buyers Club (2013) |
"
The fireworks caused by pitting never-say-die Texas bravado against heartlessness is a powerful mix, and the film manages to be an inspiring tale amidst all this sadness."
—
Film.com
Posted Sep 7, 2013
|
|
|
——
|
Ida () |
"
Glows on the screen, rich with history. "
—
Badass Digest
Posted Sep 7, 2013
|
|
|
100%
|
Manakamana () |
"
It takes a certain kind of alchemy to present an uninterrupted 8-and-a-half minute shot of a goat's anal canal and call it entertainment."
—
Badass Digest
Posted Sep 7, 2013
|
|
10/10
|
98%
|
Gravity (2013) |
"
Gravity is important, relentless and, let's not undersell this, completely entertaining."
—
ScreenCrush
Posted Sep 7, 2013
|
|
6/10
|
88%
|
Rush (2013) |
"
Despite the numerous eye-rolls ... one can't deny [the races] are marvelously shot"
—
ScreenCrush
Posted Sep 7, 2013
|
|
|
100%
|
Blue Ruin () |
"
It may be the finest cinematic plea for pacifism since Munich, or it may just be a great thrill ride."
—
Badass Digest
Posted Sep 6, 2013
|
|
5.8/10
|
35%
|
The Fifth Estate (2013) |
"
For a film that reminds use over and over that this is a whole new world, this movie feels awfully familiar."
—
Film.com
Posted Sep 6, 2013
|
|
3/5
|
100%
|
Red Obsession (2013) |
"
[a] probing, fascinating documentary"
—
New York Daily News
Posted Sep 6, 2013
|
|
3/5
|
91%
|
Il Futuro (2013) |
"
a curiously effective coming-of-age tale"
—
New York Daily News
Posted Sep 6, 2013
|
|
2/5
|
29%
|
Tio Papi (2013) |
"
[a] by-the-numbers feel good story"
—
New York Daily News
Posted Sep 6, 2013
|
|
2/5
|
73%
|
99%: The Occupy Wall Street Collaborative Film (2013) |
"
Some segments are mesmerizing, others not"
—
New York Daily News
Posted Sep 6, 2013
|
|
2/5
|
34%
|
Salinger (2013) |
"
The result is something of a literary-style "TMZ" - certainly interesting, but a little bit sleazy - and, in terms of glimpses into the man himself, ultimately disappointing."
—
New York Daily News
Posted Sep 5, 2013
|
|
7/10
|
80%
|
Prisoners (2013) |
"
'Prisoners' is too nuanced to dismiss, but too silly to take seriously."
—
ScreenCrush
Posted Sep 5, 2013
|
|
3/5
|
91%
|
Our Nixon (2013) |
"
[S]hows the precise moment when new image technology would alter power."
—
New York Daily News
Posted Aug 30, 2013
|
|
4/5
|
69%
|
I Declare War (2013) |
"
[A] surreal, strangely effective look at childhood imagination."
—
New York Daily News
Posted Aug 30, 2013
|
|
2/5
|
40%
|
American Made Movie (2013) |
"
The approach is as subtle as a U.S.-made Louisville Slugger to the head."
—
New York Daily News
Posted Aug 30, 2013
|
|
3/5
|
59%
|
Afternoon Delight (2013) |
"
These are very much first-world problems, and the portrayal of Temple's happy hooker is a tad disingenuous. Nevertheless, the fleshed-out performances keep it sympathetic."
—
New York Daily News
Posted Aug 29, 2013
|
|
2/10
|
3%
|
Getaway (2013) |
"
'Getaway' has accomplished one significant thing. It makes plain that Selena Gomez has no business passing herself off as an actress. "
—
ScreenCrush
Posted Aug 28, 2013
|
|
3/10
|
46%
|
Closed Circuit (2013) |
"
The whole picture is lifeless and without consequence and by the time everyone is chasing each other in the last scenes I guarantee your mind will be off somewhere."
—
Film.com
Posted Aug 25, 2013
|