Average Rating: 7.4/10
Reviews Counted: 133
Fresh: 116 | Rotten: 17
Nicole Holofcener's newest might seem slight in places, but its rendering of complex characters in a conflicted economic landscape is varied, natural, and touching all the same.
Average Rating: 7/10
Critic Reviews: 34
Fresh: 27 | Rotten: 7
Nicole Holofcener's newest might seem slight in places, but its rendering of complex characters in a conflicted economic landscape is varied, natural, and touching all the same.
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Average Rating: 3.4/5
User Ratings: 10,391
A family looking for some extra space gets drawn into a difficult relationship with the folks next door in this comedy drama from writer and director Nicole Holofcener. Kate (Catherine Keener) and Alex (Oliver Platt) are a couple living in New York City who run a successful store specializing in vintage furniture. Kate and Alex have a teenage daughter, Abby (Sarah Steele) and their apartment is starting to feel a bit small for the three of them; Kate and Alex own the unit next door to them, and
Apr 30, 2010 Wide
Oct 19, 2010
$4.0M
Sony Pictures Classics
All Critics (133) | Top Critics (34) | Fresh (116) | Rotten (17) | DVD (2)
Keener has become Holofcener's artistic alter ego. In Please Give, the sharp-eyed filmmaker sends her vibrant representative out into the world to explore what it means for a woman to be lucky and still feel itchy.
Nicole Holofcener, who writes the most interesting female characters in the movies, delivers another dazzling role to her muse, Catherine Keener, in Please Give, a delightfully dry dramedy about guilt.
Life-goes-on movies usually don't electrify the senses, but this one stimulates moral imagination.
Happily, the joy outweighs the guilt.
Nicole Holofcener is frequently lauded for writing vivid female characters, but such praise doesn't really do justice to her full game.
Please Give is an almost perfectly rendered slice of life, buoyant with wonderful performances.
You have to be smart and funny and really aware of yourself to write and direct a film like this, which is exactly what director Nicole Holofcener is.
Doesn't have much plot, just characters interacting and developing, and its lack of a need for drama is refreshing.
Its conclusions are thoughtful and non-judgmental; satisfying even if it pulls a few punches.
Holofcener takes pretty much everything you're not supposed to talk about at a dinner party and spins it into a ruefully awkward, bone-dry comedy.
The film is more emotionally incisive than it initially appears to be, but equally it ties together a little too neatly when it already has such a concise running time.
Keener never lets us lose sight of something possibly redeemable about Kate, a move which ultimately saves her performance from lapsing into an easy social caricature.
Please Give isn't laugh-out-loud funny, it is witty and clever-a pleasing tale where not much happens, but spending time with the film's characters is enough.
The main problem with the film, though, is that it seems to assume that self-obsessed and charmless people are automatically interesting - just for being people. There's definitely a flaw in that logic.
It's involving and often gripping with wonderful performances by a top cast, although the sum of its parts is less than the story as a whole
The film lives at that uneasy intersection between affluence and compassion, where the well-meaning well-to-do try to figure out how much of their wealth they need to give away to make a difference.
Writer-director Nicole Holofcener seems to get better with every film, and now she's cruising along the well-trodden path of neurotic New Yorker comedy-drama with grace and comely confidence.
Please Give is quintessential Holofcener -- a loopy, episodic ensemble story of women dealing with marriage, money and men, but it's also her smartest, most disciplined movie to date.
Keener, one of the most reliably entertaining actresses currently working, specializes in sardonic, flawed characters -- a perfect fit for Holofcener's image of the modern American woman.
Holofcener writes, and helps to shape on-screen, characters we often don't even like, and what do we do? We invite them home with us. Talk about a soft touch.
A stroll with these characters is a refreshing break from from the usual film exercises.
The acting quality is strong, especially from the ever-reliable Catherine Keener as Kate, but it's almost impossible to care about her character's dilemmas.
Here you have a one trick pony - something perhaps better suited as a TV sitcom... and it plays like one, sad to say. There's very little character development with each character a cardboard bit of archtype, providing very little tension as it slickly moves from predictable plot thread to predictable plot thread. In
November 7, 2011
Super Reviewer
I think that Nicole Holofcener has my kind of humor, that sort of mean-spirited, abrupt, non sequitur kind where you laugh really hard and then immediately afterward feel really bad for laughing. And I also like that there's always a tint of melancholy spotted in every stretch of dialogue, no matter what the mood. It
May 1, 2011Super Reviewer
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