4.5/5

Michael Haneke's aptly named Caché (Hidden) is the kind of movie that fully engages the mind of the viewer. It's a multi-layered, open-ended thriller, an onion sliced by taut piano wire.

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06/08/08

4.5/5

Haneke doesn't just communicate anything to be left up to the viewer; he stacks up many ideas for the viewer to pick through.

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09/18/07

N/A

Here, no image and no act of viewing seems entirely innocent.

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07/09/07

4/5

Haneke's most accessible film, wraps the viewer up in its cinematic universe and makes him feel the menace breathing dows his neck

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09/10/06

N/A

Like the very best of Hitchcock, marries both high- and low-brows in the compulsively watchable format of the thriller.

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08/07/06

4/5

Un drama intimista e inquietante que esconde una reflexión perturbadora sobre un vergonzoso capítulo de la historia francesa. Brillante dirección y actores.

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08/05/06

3/5

Although its opening promises a mystery, the question at the core of 'Cache' is not who is responsible for sending the packages; instead, the film asks whether the real danger is outside the Laurents' home or inside it.

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06/23/06

B+

Haneke has made a fine study of guilt and betrayal, and tries to convey what is hidden. Perhaps what is best hidden in the film is the claim that lies are conveyed at 24 frames a second.

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05/27/06

3.5/4

Chillingly reminds us that in life, love, family and politics, we never know the full story. And someone is always watching.

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05/04/06

N/A

The most unsettling part about Michael Haneke's taut, psychological thriller Hidden, is the ever-constantly changing points of view. We are never sure through whose eyes we are watching the events.

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04/28/06

C

If I have to sit through French small talk in a slow-paced film for two hours, I expect a substantial payoff.

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04/19/06

2/5

However valid these themes may be, these are not issues that keep me awake at night. They do not squat on my brain like some fantasticated octopus of guilt.

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04/19/06

A-

It's a head-scratcher, and a particularly fine one at that.

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04/17/06

3.5/4

Challenges the audience to get involved in the story

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04/14/06