A paean to the resiliency of the human spirit.
The Take (2004)
Tomatometer
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Reviews Counted: 28
Fresh: 25
Rotten:3
Average Rating: 6.9/10
Synopsis: In the wake of Argentina's spectacular economic collapse in 2001, Latin America's most prosperous middle class finds itself in a ghost town of abandoned factories and mass unemployment. In suburban... In the wake of Argentina's spectacular economic collapse in 2001, Latin America's most prosperous middle class finds itself in a ghost town of abandoned factories and mass unemployment. In suburban Buenos Aires, thirty unemployed auto-parts workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act -- the take -- has the power to turn the globalization debate on its head. Director/producer Avi Lewis (Counterspin) and writer/producer and renowned author Naomi Klein (No Logo) takes viewers inside the lives of ordinary visionaries, as they reclaim their work, their dignity and their democracy. -- © Official Site [More]
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Reviews for The Take
Anyone sympathetic with the political viewpoint presented here will find much to admire in the energy and optimism of both the filmmakers and their subjects
Rousing as it is, you can't help feeling at times that the filmmakers have reduced a complex situation to a black and white.
An extraordinarily stirring film that should resonate even with the fairly internationally isolated American audience.
The Take plays out like a Frank Capra movie with the 'little people' taking on corrupt and indifferent officials. In the process the film strikes a strong blow for the dignity of labor and introduces an array of brave individuals.
This film puts a pained human face on the cost of the corporate status quo.
Sua parcialidade óbvia compromete um pouco a credibilidade, mas, no geral, o filme traça um painel revoltante sobre os efeitos nocivos da política econômica imposta pelo FMI.
Makes one wish Argentina finds a way out of its habitual vulnerability to petty tyrants whose principal vision seems to be self empowerment through corrupt favoritism.
A well-made, informative look at events during and after the 2001 collapse of the Argentine economy.
A success story? Yes, according to the Movement of Recovered Companies. No, according to the owners and the courts.
Avi Lewis and Naomi Klein's film is antiglobalist advocacy journalism of the most muddled and romanticized stripe, almost dangerously naive in its simplistic presentation of complex political events.
The reason to watch the documentary The Take is buried in an ominous comment from an out-of-work laborer: 'We are where the rest of the world is going.'
Mr. Lewis and Ms. Klein found themselves a subject and a setting rife with drama, and they showed a reporter's dogged verve in entering the thick of the action.
It's not the most original documentary ever filmed, shot in routine style. But it's the content that counts. We see very real people in crisis.
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