Average Rating: 6.3/10
Reviews Counted: 42
Fresh: 30 | Rotten: 12
Riegert makes this low-key, rueful comedy about mid-life angst appealing.
Average Rating: 6.1/10
Critic Reviews: 21
Fresh: 14 | Rotten: 7
Riegert makes this low-key, rueful comedy about mid-life angst appealing.
liked it
Average Rating: 2.7/5
User Ratings: 424
A man looking for a new purpose in his life finds one that last place he expected in this comedy. Leo Spivak (Peter Riegert) is a man slowly sinking into the quicksand of a midlife crisis. He's become increasingly unsatisfied with his career in product testing, especially now that his young assistant Ed (Jake Hoffman) has taken to stealing his ideas and passing them on to his boss as his own work. Leo's marriage to Rachel (Isabella Rossellini) is not what it once was, especially now that she's
Jan 1, 2005 Wide
Oct 25, 2005
Ardustry Home Entertainment
All Critics (45) | Top Critics (21) | Fresh (31) | Rotten (13) | DVD (3)
As a portrait of an average guy who makes average mistakes, it conveys wit and wisdom without leaning too heavily on schmaltz.
It's a warm, unexpectedly moving portrait of a man on the verge of what could either be a dreadful or delightful second chapter.
This is perilously close to a vanity film, but since the star has always seemed like one of the least vain guys in the business, maybe he deserves to go on a bender.
Although Riegert, who has here assembled a first-rate cast, clearly has a good touch with actors, his handling of the awkward material reveals his directorial inexperience.
Mr. Riegert has assembled a capable cast with too little to do or say in this dry, crumbly, barely nourishing tale of intergenerational woe.
Wry, screwy and existentially gleeful.
A story of maturity and consequences -- teens OK
A punishing but also compassionate spotlight on a New York City corporate marketeer, and the result is really the movie screen as two way mirror, warts and all.
A punishing but also compassionate spotlight on a New York City corporate marketeer, and the result is really the movie screen as two way mirror, warts and all.
A pleasant comedy with plenty of heart and a cast that makes it worth the price of admission.
We've seen the midlife-crisis comedy a hundred times before, but the smarts and the gentle wit of this one makes it a standout of the genre.
perfectly average in almost every way.
A labor of love film where you feel love much stronger than you feel the film.
Although it's not a flashy debut, Riegert demonstrates an unfailing generosity toward his fellow actors that takes him far.
A classic tale of Jewish, middle-age angst, featuring a fine cast.
The marketing focus groups, product testing, and even a pre-planning visit to the funeral home provide a lot of laughs, but then you get little surprises.
The story should have kept it's focus on the midlife crisis but tried to cover too much ground without exploring any fully.
Despite a tendency to ramble and some uncomfortable shifts of tone, overall the picture generates a quiet humor and warmth that are quite appealing.
Peter Riegert's immense likability factor does much to carry King of the Corner, but Riegert's directorial debut is a clunky affair
(***): A very strong cast and an interesting screenplay kept me going with it.
December 28, 2008
[SIZE=2][COLOR=Red] [font=Arial Black][font=Arial Black]An utter waste of time. Didn't elicit a single laugh from someone who laughs easily. Whatever redeeming merit critics saw in this fiasco raises questions about their sanity. And I am being kind....:rotten::rotten::rotten::rotten::rotten: [/font]
December 18, 2005
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