Average Rating: 6.3/10
Reviews Counted: 136
Fresh: 81 | Rotten: 55
Polanski's version of Dickens' classic won't have audiences asking for more because while polished and directed with skill, the movie's a very impersonal experience.
Average Rating: 6.1/10
Critic Reviews: 35
Fresh: 15 | Rotten: 20
Polanski's version of Dickens' classic won't have audiences asking for more because while polished and directed with skill, the movie's a very impersonal experience.
liked it
Average Rating: 3.3/5
User Ratings: 21,947
Director Roman Polanski gives one of Charles Dickens' best-loved stories a new and dynamic interpretation in this period drama. Oliver Twist (Barney Clark) is a young orphan in Victorian England who has been sent to a dank workhouse run by the miserly Mr. Bumble (Jeremy Swift) when it is learned there is no one to care for him. When Oliver dares to ask for more gruel, he is sent away to live with an undertaker, who treats him poorly. Preferring life on the streets to the treatment he's been
Sep 30, 2005 Wide
Jan 24, 2006
$2.0M
Sony Pictures
All Critics (144) | Top Critics (35) | Fresh (86) | Rotten (55) | DVD (12)
It's noble, high-minded and safe, and I can't help thinking that I would have preferred an audacious but honest failure.
A grounded and unusually matter-of-fact adaptation.
Poignant and primal, Roman Polanski's splendid adaptation of the Charles Dickens classic pricks the heart and the conscience.
In Oliver Twist, it's the viewer who is punished.
Nitpickers may squawk over missing elements, but the film doggedly hits on the book's big themes: the power of innocence, the cruelty of class.
Oliver Twist as presented by Roman Polanski is pretty much the same as Oliver Twist presented by anyone else, except perhaps it's a bit duller.
Oliver Twist is an affecting and refreshing adaptation of Dickens seminal work from a master director.
The horrors are comfily buttressed by storybook polish
Beautifully shot but very dark. Not for sensitive kids.
Polanski has crafted something that already feels like a classic film, beautiful to look at, combining accurate period detail with a certain gothic expressionism and brimming with earthy characters and high drama.
Here is surely Polanski, even more than Twist, face to face with the disappointing paternal figures of his helpless childhood who, for whatever reason, couldn't protect or save him.
The unspoken sense of youthful post-traumatic holocaust syndrome shock and awe in Polanski's Twist is as palpable as the murky stench and appalling human misery of Dickens' chaotic London streets.
Polanski's film is not a bad adaptation, and it may be a fine way to introduce children to the classic story. But it is not exactly a definitive version of that story.
Probably the thing that Polanski's Oliver Twist does best, is deliver the mood of the day
With intelligence and style (inspired by the art of Gustave Doré and Francisco Solé), Polanski makes a rewarding contribution to Dickens' legacy on screen.
One of those movies that's sort of a hard sell for contemporary audiences, so unremittingly grim is its vision of society.
The movie understands what Polanski himself knew upon surviving the Holocaust--you take your kindness where you can find it, weighing its price along the way.
The performances are wonderfulKingsley, especiallyand the sets, costumes, and camerawork evoke a colorful period in English history.
The film is a noble failure, but I can't imagine anyone coming to it for the first time wanting to take their eyes off it given the visual splendor of this disc.
It just might supplant David Lean's 1948 version as the one that students turn to for a 2-hour study guide.
A severely overlooked, exceedingly well-done version of an oft-told tale...One of the best films of 2005.
[T]he maddening thing is not just that we hardly need another movie adaptation of [Oliver Twist] ... but that there are other Dickens books that haven't been given the major movie treatment that would better suit Polanski's temperament.
As with any remake or additional adaption of a Classic Book such as Oliver Twist, it's a given that this will inevitably be compared to the greatest known version, in this case it's the 1968 Musical version by Carol Reed known as Oliver! It has to be said that the Actors had nothing on most of the originals and whilst
October 19, 2006Super Reviewer
Being opposed to any Oliver! musicals, I found Roman Polanski's gritty re-telling of the beloved Dickens tale very enjoyable. Oliver Twist offers a realistic vision of Victorian-era England, engagaing story-telling and a fantastic cast. Polanski's skillful direction transforms the well-known story into a dark and
February 5, 2010Super Reviewer
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