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G

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G (2002)

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Reviews Counted:27

Fresh:7

Rotten:20

Average Rating:4.6/10

Consensus: Race and class struggles come to the Hamptons in this reworking of The Great Gatsby with a hip-hop flavor. Unfortunately, too many subplots and a lack of believable characters spoil an otherwise novel concept.

Runtime: 1 hr 36 mins

Genre: Dramas

Theatrical Release:Sep 16, 2005 Limited

Box Office: $2,964,475

Synopsis: G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made... G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made millionaire and rap mogul Summer G (Richard T. Jones) on a journey to regain what he desires most – the love of his life (Chenoa Maxwell), now married to a wealthy and philandering Wallstreeter (Blair Underwood). Having built his thriving empire from the ground up, Summer G would relinquish it all for the promise of rekindling a romance with his one true love. Urban music writer, Tre, (Andre Royo) spends the summer chronicling the lifestyle of this complex rap mogul for an article on the rise of African-American prominence linked to Hip Hop in the Hamptons. Without malice or intent, this writer brings these lovers together while simultaneously pulling their worlds apart. [More]

Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo

Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo, Laz Alonso, Sonja Sohn, Damian Young

Director: Christopher Scott Cherot

Director: Christopher Scott Cherot

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Reviews for G

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1 - 20 (sorted by date)
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"G" is a vacuous movie set in attractive locations.

Full Review Source: ColeSmithey.com | comment Comment
04/17/09
Cole Smithey
Cole Smithey
ColeSmithey.com

The F. Scott Fitzgerald's classic, The Great Gatsby, adapted as a modern-day morality play in blackface. This fairly-faithful version explores the same themes as its source material, only with a hip-hop spin.

Full Review Source: AALBC.com | comment Comment
04/04/07
Kam Williams
Kam Williams
AALBC.com

Click to read the article

Full Review Source: Sacramento News & Review | comment Comment
05/12/06
Jim Lane
Jim Lane
Sacramento News & Review
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
12/06/05
St. Louis Post-Dispatch
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: AV Club | comment Comment
12/06/05
AV Club
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Reworking the story with a hip-hop record mogul at its center comes across as little more than a stunt. And not a very good stunt.

Full Review Source: Mountain Xpress (Asheville, NC) | comment Comment
11/02/05
Ken Hanke
Ken Hanke
Mountain Xpress (Asheville, NC)

Another strikeout, further destroying F. Scott Fitzgerald's film batting average.

Full Review Source: Entertainment Weekly | comment Comment
11/02/05
Gregory Kirschling
Gregory Kirschling
Entertainment Weekly
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No green light but the one mistakenly given to start production.

Full Review Source: Village Voice | comment Comment
11/01/05
Peter L'Official
Peter L'Official
Village Voice
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I still thought there were enough good performances, great visuals, and an interesting examination of a lifestyle in a way that we haven’t seen a lot of times in movies for me to recommend it.

Full Review Source: Ebert & Roeper | comment Comment
10/31/05
Richard Roeper
Richard Roeper
Ebert & Roeper
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G often resembles a glossy BET soap opera...Cherot does capture the decadence of its slick “playas” in the extravagant world of bling-worshipping music moguls

Full Review Source: Movie Eye | comment Comment
10/29/05
Frank Ochieng
Frank Ochieng
Movie Eye
N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
10/29/05
Houston Chronicle
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Full Review Source: Dallas Morning News | comment Comment
10/29/05
Dallas Morning News
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An unpolished but entertaining tragedy filled with outstanding performances and memorable moments.

Full Review Source: San Francisco Chronicle | comment Comment
10/28/05
Peter Hartlaub
Peter Hartlaub
San Francisco Chronicle
Top Critic Icon Top Critic

You should never make a movie about boundless, conspicuous wealth on an indie budget.

Full Review Source: Orlando Sentinel | comment Comment
10/28/05
Roger Moore
Roger Moore
Orlando Sentinel

We beat on, boats against the current, borne back ceaselessly into the sha-fizzle-dizzle.

Full Review Source: Newark Star-Ledger | comment Comment
10/28/05
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
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[A] poorly acted, directed and written (but slick-looking) vanity project.

Full Review Source: New York Post | comment Comment
10/28/05
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic

Bottom line: It works even if you’ve never heard of F. Scott Fitzgerald. But it’s twice as much fun if you have.

Full Review Source: Kansas City Star | comment Comment
10/28/05
Robert W. Butler
Robert W. Butler
Kansas City Star

The women are shrewishly materialistic, the men are manipulative or violent and the Polo wardrobes look fabulous on everyone. It's an ugly affair overall, but at least you can say you've never seen such beautiful shirts.

Full Review Source: New York Daily News | comment Comment
10/28/05
Elizabeth Weitzman
Elizabeth Weitzman
New York Daily News
Top Critic Icon Top Critic

The book was about class and the American dream. The movie is too, though it's most interested in the soap opera machinations of the plot.

Full Review Source: Detroit Free Press | comment Comment
10/28/05
John Monaghan
John Monaghan
Detroit Free Press
Top Critic Icon Top Critic

Everyone in this movie is getting it on with someone else behind their lover's back, but only the women have to end up suffering for it. Nice, right?

Full Review Source: E! Online | comment Comment
10/28/05
E! Online
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