The actors are not well supported by Howard A. Rodman's self-satisfied script, which would rather tell than show, relying at several points on long, smug speeches that bring the narrative to a grinding halt.
Top Critic This middling drama has no glaring faults, but simply lacks the intended urgency. There's scant sense of surprise in a narrative trajectory that feels preordained.
Top Critic
The worthwhile attempts at creating realistic character dynamics and situations within a very specific era in New York is notable for sure.
August doesn’t make a lot of sense nor does it seem to have a message or point.
Has a gritty, edgy look and it helps propel the audience along with Tom as he rides the edge of the dot com bust.
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