The Informer (1935)
The Informer, Liam O'Flaherty's novel of the the Irish "troubles" of the early 1920s, was first filmed in England in 1929, with Cyril McLaglen in the lead. When director John Ford remade The Informer in 1935, the role of the tragic Irish roisterer Gypo Nolan went to Cyril's brother Victor McLaglen. The scene is Dublin, during the Sinn Fein rebellion. Gypo has tried to join the IRA, but has been bounced because he lacked full commitment to the cause. Gypo's best friend is Frankie McPhillip (Wallace Ford) a fugitive from the British "Black and Tans" with a price on his head. Hoping to start a new life with his streetwalker girlfriend Katie Madden (Margot Grahame), Gypo informs on Frankie, collecting the twenty-pound reward. Frankie is cornered and killed by the British troops; Gypo briefly suffers the pangs of conscience, but is too simple-minded to grasp the full impact of his betrayal. Suspecting that Gypo has turned in Frankie, IRA commander Gallegher (Preston Foster) orders his men to keep tabs on the big lout. As Gypo stupidly squanders his money on food, drink and entertainment, Gallegher's lieutenants keep tab of every penny spent. Finally dragged before the rebel court, Gypo tries to bluff his way out of trouble, fingering another man (Donald Meek) as the informer, but this subterfuge quickly falls apart. Sobbingly, Gypo confesses his treachery. Before his execution can be carried out, he escapes, but his hiding place is given away inadvertently by Katie. Regretfully, because they realize Gypo is too childish to be fully responsible for his actions, the IRA members shoot the man down. With his last ounce of strength, Gypo drags himself into the church where Frankie's mother (Una O'Connor) prays for his son's soul. "Twas I informed on your son, Mrs. McPhillip," Gypo weeps, "Forgive me." "Ah, Gypo, I forgive you," the grieving mother replies. "You didn't know what you were doing." Exultantly, Gypo looks heavenward, and, just before succumbing to his wounds, bellows "Frankie! Frankie! Your mother forgives me!" The Informer earned Victor McLaglen an Oscar, as well as several other nominations; the film did poorly at the box office, but John Ford had anticipated this reaction, reportedly waiving his considerable salary just to make certain that picture--a labor of love for the director, who was himself a native of Ireland--would be completed. The film was remade in 1968, relocated to the black ghetto of Los Angeles and retitled Uptight!. … More
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Critic Reviews for The Informer
The film's gorgeous black-and-white cinematography -- with its streams of fog and sparkling cobblestones -- gave audiences a new glimpse as to the potential artistry of cinema.
John Ford won the first of his four Oscars for this tale of betrayal, set against the Irish Revolution of 1922, which is more impressive visually than thematically.
Among John Ford's first great films; w/Oscar turn by McLaglen.
Nearly as good as its reputation
Audience Reviews for The Informer
Exciting, dense and atmospheric, John Ford's The Informer employs the best of silent and sound movie techniques. Victor Mclaglen is a magnificent as the IRA brute and traitor who is forced to come to terms with his betrayal. Brilliant expressionist cinematography and a rousing Max Steiner score.More
After an Irishman informs against his IRA compatriots, he spends the money on a night on the town.
John Ford's The Informer shows Ford's Irish sympathies with the same gusto that The Quiet Man did, but here he's more political, shaming an Irish informant for ninety-one minutes. The film's politics are anti-establishment, but the strength of this film is the performance by Victor McLaglen whose burly size and imposing physique belie the vulnerability with which he carouses through the story. It's a remarkably human portrayal in a remarkably political film.
Overall, McLaglen keeps the film grounded and interesting.
Fantastic film from John Ford with an outstanding performance by Victor McLaglen. A perfect example that fog can be used to set a mood. I was surprised by the intensity that the film showed in some scenes and also mixed with some really funny moments.More
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