Average Rating: 7.7/10
Reviews Counted: 28
Fresh: 25 | Rotten: 3
Remaking his own 1934 film, Hitchcock imbues The Man Who Knew Too Much with picturesque locales and international intrigue, and is helped by a brilliantly befuddled performance from James Stewart.
Average Rating: N/A
Critic Reviews: 3
Fresh: 2 | Rotten: 1
Remaking his own 1934 film, Hitchcock imbues The Man Who Knew Too Much with picturesque locales and international intrigue, and is helped by a brilliantly befuddled performance from James Stewart.
liked it
Average Rating: 3.7/5
User Ratings: 31,498
The debate still rages as to whether Alfred Hitchcock's 1956 remake of The Man Who Knew Too Much is superior to his own original 1934 version. This two-hour remake (45 minutes longer than the first film) features more stars, a lusher budget, and the plaintive music of Bernard Herrmann (who appears on-camera, typecast as a symphony conductor). Though the locale of the opening scenes shifts from Switzerland to French Morocco in the newer version, the basic plot remains the same. American tourists
PG, 2 hr.
Mar 6, 2001
MCA Universal Home Video
All Critics (28) | Top Critics (3) | Fresh (27) | Rotten (4) | DVD (18)
The film is uncharacteristically rigid and pious for Hitchcock; it feels more like a work of duty than conviction.
While drawing the footage out a bit long, he still keeps suspense working at all times and gets strong performances from the two stars and other cast members.
Even in mammoth VistaVision, the old Hitchcock thriller-stuff has punch.
This version lacks some of the economy of the first, and, unusually for Hitchcock, it sags in the middle. Fortunately, there's a marked improvement as it reaches the last third.
Hitch's remake of his own film results in an equally compelling action thriller with sterling performances from Stewart and Day.
Hitchcock's scenes are beautifully framed and tautly directed.
Far superior to the 1934 version, The Man Who Knew Too Much, underestimated at its 1956 release, should be considered as one of Hitchcock's dozen masterpieces.
Each version has certain elements superior to the other, but both films rank as minor Hitchcock works.
One of Hitch's best from his '50s period...and his only one with a hit song ("Que Sera").
Starting slowly amid colourful but rather superfluous travelogue-style Moroccan footage, the film improves no end as it progresses.
Understated tension from the master of overstatement.
One of my favorites from Hitchcock. Jimmy Stewart, as always, gives his all and the Vista Vision technology is used to it's fullest. Also, Doris Day puts in her best performance.
November 13, 2011Super Reviewer
The Man Who Knew Too Much can't seem to decide whether to be a light-hearted comedy or a full-out thriller, but there are plenty of wonderful moments to be had along the way. Doris Day is good, and James Stewart is more hesitant and confused than ever as the bumbling doctor. It's worth checking out, even if it does
September 11, 2011
Super Reviewer
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