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A Night at the Opera (1935)
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Reviews Counted:33
Fresh:32
Rotten:1
Average Rating:8.5/10
Runtime: 1 hr 32 mins
Genre: Comedies
Synopsis: While DUCK SOUP has risen to become emblematic of the Marx Brothers at their zaniest, A NIGHT AT THE OPERA represents the brothers at their finest. Under the inspired supervision of the boy genius... While DUCK SOUP has risen to become emblematic of the Marx Brothers at their zaniest, A NIGHT AT THE OPERA represents the brothers at their finest. Under the inspired supervision of the boy genius Irving Thalberg, the script was penned by two of Hollywood's wittiest screenwriters, George Kaufman and Morrie Ryskind; the production values are substantially greater than in previous Marx Brothers works; the romantic leads, Kitty Carlisle and Allan Jones, are charming, first-rate stars; the supporting cast, led by Margaret Dumont, Sig Rumann, and Herman Gottlieb, turn in excellent performances; and the bent of the humor is honed from the surreal to a pointed attack on the lifestyles of the wealthy. The circuslike stateroom scene is among the funniest in motion-picture history. Harpo's performance of the hit song "Alone" is perhaps his finest harp solo. Directed by Sam Wood, A NIGHT AT THE OPERA was the Marx Brothers' greatest commercial and critical success. [More]
Starring: Marx Brothers, Kitty Carlisle, Allan Jones, Sig Ruman
Starring: Marx Brothers, Kitty Carlisle, Allan Jones, Sig Ruman, Walter Woolf King, Margaret Dumont, Edward Keane, Gino Corrado, Claude Payton, Samuel Marx, Billy Gilbert, Luther Hoobyar, Rodolfo Hoyos, Olga Dane, James J. Wolf, Inez Palange, Jonathan Hale, Otto Fries, William Gould, Jay Eaton, Leo White, Rolfe Sedan, George Irving, Wilbur Mack, Selmer Jackson, Phillips Smalley, Harry Tyler, Harry Allen, Alan Bridge, Lorraine Bridges, Jack Lipson, Robert Emmett O'Connor, Frank Yaconelli
Director: Sam Wood
Director: Sam Wood
Producer: Irving Thalberg
Screenwriter: George S. Kaufman, Morrie Ryskind, Al Boasberg, Bert Kalmar, Harry Ruby, James Kevin McGuinness
Composer: Herbert Stothart
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Reviews for A Night at the Opera
The backstage finish, with Harpo doing a Tarzan on the fly ropes, contains more action than the Marxes usually go in for, but it relieves the strictly verbal comedy and provides a sock exit.
Fondly remembered for such classic comedy bits as Groucho and Chico drafting a contract, the stateroom scene, and the hilarious climax where the brothers make a shambles of Il Trovatore. Sans Duck Soup, we'll watch this any day.
Never was a director more aptly named than Sam Wood: his movies are redwood forests of unrelieved monotony.
[The Marx Brothers] still let the air out of stuffed shirts and barbecue a few sacred cows, but something got lost in all that MGMness when the screen's ultimate anti-authoritarian team starting working the Andy Hardy side of the street.
The Brothers get to perform some of their most irresistible routines.
Fresh off the failure of "Duck Soup," this was the Marx Brothers' comeback movie. The effort shows.
... all the classic hallmarks of the Marx Brothers — Groucho’s one-liners, musical numbers, rapid fire word play and Margaret Dumont — are present in the film
May be the start of the slide, but it's still pretty close to the top.
contains more memorable moments than usual with its tighter script and more consistent laugh lines
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