Awakenings (1990)
Average Rating: 6.7/10
Reviews Counted: 31
Fresh: 27 | Rotten: 4
No consensus yet.
Average Rating: N/A
Critic Reviews: 3
Fresh: 3 | Rotten: 0
liked it
Average Rating: 3.7/5
User Ratings: 52,823
Movie Info
Based on a true story as related by neurologist Oliver Sacks, Awakenings stars Robin Williams as the Sacks counterpart, here named Dr. Malcolm Sayer. Something of a klutz and naif, Dr. Sayer takes a job at a Bronx psychiatric hospital in 1969. Here he's put in charge of several seemingly catatonic patients who, under Sayer's painstaking guidance, begin responding to certain stimulati. Apprised of the efficacy of a new drug called L-DOPA in treating degenerative-disease victims, Sayer is given
Dec 19, 1990 Wide
Aug 28, 2001
Columbia Pictures
Watch It Now
Cast
-
Robin Williams
Dr. Malcolm Sayer -
Robert De Niro
Leonard Lowe -
Julie Kavner
Eleanor Costello -
Ruth Nelson
Mrs. Lowe -
John Heard
Dr. Kaufman -
Penelope Ann Miller
Paula -
Alice Drummond
Lucy -
Waheedah Ahmad
Hysterical Woman -
Mary Alice
Nurse Margaret -
Tanya Berezin
Psychiatrist -
Oliver Block
1st Leonard's Friend -
Adam Bryant
Librarian -
Yusef Bulos
Joseph -
Linda Burns
Fishsticks -
Chris Carolan
EEG Technician -
Keith Diamond
Anthony -
Le Chance DuRand
Magda -
Rico Elias
1st Orderly -
Laura Esterman
Lolly -
Gwyllum Evans
Desmond -
Howard Feller
Patient 5th Ward -
Shane Fistell
Man in the Hall -
Mel Gorham
Nurse Sara -
Gloria Harper
Dottie -
Barton Heyman
Bert -
Jayne Haynes
Frances -
Tiger Haynes
Janitor -
Christina Huertes
Christina -
Michael Hyde
Bus Driver -
Judy Jacksina
Hospital Receptionist -
John Christopher Jones
Dr. Sullivan -
Charles Keating
Mr. Kean -
Debra Kovner-Zaks
Cafeteria Nurse -
Richard Libertini
Sidney -
Joan E. MacIntosh
Teacher -
Judith Malina
Rose -
George Martin
Frank -
Anthony McGowen
Patient 5th Ward -
Anne Meara
Miriam -
Paul Montgomery
Patient 5th Ward -
Anthony J. Nici
Young Leonard Lowe -
Tomislav Novakovic
Bartender -
Vincent Pastore
Patient 5th Ward -
Max Rabinowitz
Orderly 5th Ward -
Steve Randazzo
Luis -
Buck Smith
2nd Leonard's Friend -
Peter Stormare
Neurochemist -
Max von Sydow
Dr. Peter Ingham -
Gary Tacon
George Security Guard -
Leonard Tepper
Patient 5th Ward -
Libby Titus
Club Singer -
Byron Utley
Patient 5th Ward -
Steve Vinovich
Ray -
Gordon Joseph Weiss
Patient 5th Ward -
Bradley Whitford
Dr. Tyler -
Mary Catherine Wright
Nurse Beth -
Dexter Gordon
Rolando -
Max Raven
Head Ward Orderly -
Harvey Miller
Hospital Director
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Awakenings Trailer & Photos
All Critics (37) | Top Critics (7) | Fresh (27) | Rotten (4) | DVD (3)
Maybe life affirming, but hardly life-changing.
Nonfunny Robin Williams role in moving story.
A beautifully moving, life-affirming true story.
A potentially intriguing story, based on the actual experiences of Dr. Sacks, gets a characteristically middling, sentimental and uplifting from director Penny Marshall.
Tour-de-force performances and one memorable storyline
I remember this film, which I saw 13 years ago, as a squishy article redeemed by two strong performances; I am not inclined to go back for a second opinion.
Moving and over-sentimental - but Marshall's best film.
Solid medical drama. Williams is terrific in a straight role.
Utter goo.
Moving and well-acted.
The beginning of Robin Williams' belief that being 'nice' equals cinematic brilliance. A mixed bag that received more acclaim than it should have.
A decent film that thinks it's more important than it actually is.
Pitch-perfect performances rescue a potentially melodramatic affair.
Celebrates the deep down joy of life and the healing exchange that can take place between doctor and patient when caring rather than curing is the main emphasis.
Audience Reviews for Awakenings
Super Reviewer
This is a remarkable and touching film that could have gone so many different ways, such as sappy melodrama, angry One Flew Over the Cuckoo's Nestish anti-establishmentarianism, or what have you. There are elements of these things, but the film nicely finds a nice balance, and is probably all the better because of it.
This is a really good film, and I liked it a great deal, but I figured I would love it. That is not the case, but I'm not sure what it is that is keeping me from giving it a higher grade. Let's just call it a very high B+, because that seems like a great way to categorize it.
The performances are terrific. Again, like the film overall, the actors achieve a very nice balance, and avoid sending the wrong message, or overplaying it, espeically De niro and the other catatonics. It is so easy to make a wrong move playing a character such as that which demands sensitivity, yet still getting the point across. As Leonard, this seems to be one of De Niro's forgotten roles. That's a shame too, because he delivers a wonderful performance. Williams is also great as the doctor trying to reach him, as well as make a connection with the rest of the world, of which he has a hard time relating to. Julie Kavner is also really good as the nurse who is the closest to Williams's doctor.
This is going to sound really cynical, but it seems odd to me that this was a theatrical release. This is troubling because it seems to me like this kind of movie, if made today, would more than likely (for the most part) not be a theatrical film, and instead a tv-film for HBO or Showtime or something. I'm not knocking those productions, but it just seems sad to me that really good films like this aren't being made as much as they once seemed to.
Give this one a look, it's a heartwarming film that is touching, inspiring, yet not overbearing in its message.
The last time I saw this was sometime in the early 1990s. but back then I didn't really get much out of it, nor do I really remember much of it. Rediscovering it recently has been a great joy
This is a remarkable and touching film that could have gone so many different ways, such as sappy melodrama, angry One Flew Over the Cuckoo's Nestish anti-establishmentarianism, or what have you. There are elements of these things, but the film nicely finds a nice balance, and is probably all the better because of it.
This is a really good film, and I liked it a great deal, but I figured I would love it. That is not the case, but I'm not sure what it is that is keeping me from giving it a higher grade. Let's just call it a very high B+, because that seems like a great way to categorize it.
The performances are terrific. Again, like the film overall, the actors achieve a very nice balance, and avoid sending the wrong message, or overplaying it, espeically De niro and the other catatonics. It is so easy to make a wrong move playing a character such as that which demands sensitivity, yet still getting the point across. As Leonard, this seems to be one of De Niro's forgotten roles. That's a shame too, because he delivers a wonderful performance. Williams is also great as the doctor trying to reach him, as well as make a connection with the rest of the world, of which he has a hard time relating to. Julie Kavner is also really good as the nurse who is the closest to Williams's doctor.
This is going to sound really cynical, but it seems odd to me that this was a theatrical release. This is troubling because it seems to me like this kind of movie, if made today, would more than likely (for the most part) not be a theatrical film, and instead a tv-film for HBO or Showtime or something. I'm not knocking those productions, but it just seems sad to me that really good films like this aren't being made as much as they once seemed to.
Give this one a look, it's a heartwarming film that is touching, inspiring, yet not overbearing in its message.
Super Reviewer
-
- Dr. Malcolm Sayer: What we do know is that, as the chemical window closed, another awakening took place; that the human spirit is more powerful than any drug - and THAT is what needs to be nourished: with work, play, friendship, family.
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Foreign Titles
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