Opening

78% Fast & Furious 6 May 24
—— The Hangover Part III May 23
—— Epic May 24
95% Before Midnight May 24
83% We Steal Secrets: The Story Of Wikileaks May 24
—— Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.6M
78% Iron Man 3 $35.2M
49% The Great Gatsby $23.4M
47% Pain & Gain $3.1M
69% The Croods $2.8M
77% 42 $2.7M
56% Oblivion $2.2M
98% Mud $2.2M
37% Peeples $2.2M
8% The Big Wedding $1.1M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
88% The East May 31
100% The Kings of Summer May 31

Awakenings (1990)

tomatometer

No Score Yet...

Average Rating: N/A
Critic Reviews: 2
Fresh: 2 | Rotten: 0

audience

85

liked it
Average Rating: 3.7/5
User Ratings: 52,733

My Rating

Movie Info

Based on a true story as related by neurologist Oliver Sacks, Awakenings stars Robin Williams as the Sacks counterpart, here named Dr. Malcolm Sayer. Something of a klutz and naif, Dr. Sayer takes a job at a Bronx psychiatric hospital in 1969. Here he's put in charge of several seemingly catatonic patients who, under Sayer's painstaking guidance, begin responding to certain stimulati. Apprised of the efficacy of a new drug called L-DOPA in treating degenerative-disease victims, Sayer is given

PG-13,

Drama

Aug 28, 2001

Columbia Pictures

Watch It Now

Cast

ADVERTISEMENT

All Critics (37) | Top Critics (6) | Fresh (27) | Rotten (4) | DVD (3)

Maybe life affirming, but hardly life-changing.

January 15, 2012 Full Review Source: Projection Booth
Projection Booth

Nonfunny Robin Williams role in moving story.

December 22, 2010 Full Review Source: Common Sense Media
Common Sense Media

A beautifully moving, life-affirming true story.

July 5, 2007 | Comment (1)
FulvueDrive-in.com

A potentially intriguing story, based on the actual experiences of Dr. Sacks, gets a characteristically middling, sentimental and uplifting from director Penny Marshall.

February 1, 2007 Full Review Source: EmanuelLevy.Com
EmanuelLevy.Com

Tour-de-force performances and one memorable storyline

March 10, 2005
Moviehole

I remember this film, which I saw 13 years ago, as a squishy article redeemed by two strong performances; I am not inclined to go back for a second opinion.

November 2, 2004
Nick's Flick Picks

Moving and over-sentimental - but Marshall's best film.

June 5, 2004 | Comment (1)
Shadows on the Wall

Solid medical drama. Williams is terrific in a straight role.

May 23, 2004
Nitrate Online

Utter goo.

August 14, 2003 | Comments (2)
Mountain Xpress (Asheville, NC)

Moving and well-acted.

May 20, 2003
Needcoffee.com

Audience Reviews for Awakenings

Awakening to the world after thirty years, lost youth, the incomprehensible loss of who you were in contrast to who you could be in the future, is a heavy subject matter. Luckily we have the extraordinary efforts of actors Robin Williams and Robert De Niro to encapsulate the spectrum of human behavioral science and emotion. The aspects of the film that make it true are for certain the most astounding, drawing on the experiences of neurologist and author Oliver Sacks, who worked with catatonic patients from the 1917-1928 encephalitis epidemic. What is really very disturbing about the film, is watching fictionalized Dr. Malcolm Sayer come to the conclusion that these patients are in fact only sedate, and have the mental faculties to make a full recovery. This is both good news for their future state, and devastatingly horrifying to think of their mental prison for the past thirty years, trying to communicate with the broader world but being limited by their own body. We watch the good doctor bring back Leonard Lowe (De Niro), a child at the time of his crisis, and now a full grown man with the faculties of an infant. His transformation is subdued, nothing overall astounding about his awakening, since no one seems able to witness them when they happen. He wakes from sleep, recognizes that he's back with the tender joy of a child, and remembers the death of his former state, but not the events of the past thirty years. As the other patients also awaken, and their journey begins, we're fed the horror of wasted life, the principle of the film to drive you into living when others cannot. The premise was executed in a fairly original way, the acting was sincere and realistic for the otherworldly circumstances that developed from it, and everything is believable and neither sappy nor unenjoyable. It's only the longwinded approach to certain sections that keeps me from enjoying it through and through, the lack of true depression at the very end, only the possibility for Sayer to finally live now that he's seen the worst of unused potential. It's too bittersweet a taste for me when I've gone through the rigmarole of this film.
October 17, 2010
FrizzDrop

Super Reviewer

The last time I saw this was sometime in the early 1990s. but back then I didn't really get much out of it, nor do I really remember much of it. Rediscovering it recently has been a great joy

This is a remarkable and touching film that could have gone so many different ways, such as sappy melodrama, angry One Flew Over the Cuckoo's Nestish anti-establishmentarianism, or what have you. There are elements of these things, but the film nicely finds a nice balance, and is probably all the better because of it.

This is a really good film, and I liked it a great deal, but I figured I would love it. That is not the case, but I'm not sure what it is that is keeping me from giving it a higher grade. Let's just call it a very high B+, because that seems like a great way to categorize it.

The performances are terrific. Again, like the film overall, the actors achieve a very nice balance, and avoid sending the wrong message, or overplaying it, espeically De niro and the other catatonics. It is so easy to make a wrong move playing a character such as that which demands sensitivity, yet still getting the point across. As Leonard, this seems to be one of De Niro's forgotten roles. That's a shame too, because he delivers a wonderful performance. Williams is also great as the doctor trying to reach him, as well as make a connection with the rest of the world, of which he has a hard time relating to. Julie Kavner is also really good as the nurse who is the closest to Williams's doctor.

This is going to sound really cynical, but it seems odd to me that this was a theatrical release. This is troubling because it seems to me like this kind of movie, if made today, would more than likely (for the most part) not be a theatrical film, and instead a tv-film for HBO or Showtime or something. I'm not knocking those productions, but it just seems sad to me that really good films like this aren't being made as much as they once seemed to.

Give this one a look, it's a heartwarming film that is touching, inspiring, yet not overbearing in its message.
The last time I saw this was sometime in the early 1990s. but back then I didn't really get much out of it, nor do I really remember much of it. Rediscovering it recently has been a great joy

This is a remarkable and touching film that could have gone so many different ways, such as sappy melodrama, angry One Flew Over the Cuckoo's Nestish anti-establishmentarianism, or what have you. There are elements of these things, but the film nicely finds a nice balance, and is probably all the better because of it.

This is a really good film, and I liked it a great deal, but I figured I would love it. That is not the case, but I'm not sure what it is that is keeping me from giving it a higher grade. Let's just call it a very high B+, because that seems like a great way to categorize it.

The performances are terrific. Again, like the film overall, the actors achieve a very nice balance, and avoid sending the wrong message, or overplaying it, espeically De niro and the other catatonics. It is so easy to make a wrong move playing a character such as that which demands sensitivity, yet still getting the point across. As Leonard, this seems to be one of De Niro's forgotten roles. That's a shame too, because he delivers a wonderful performance. Williams is also great as the doctor trying to reach him, as well as make a connection with the rest of the world, of which he has a hard time relating to. Julie Kavner is also really good as the nurse who is the closest to Williams's doctor.

This is going to sound really cynical, but it seems odd to me that this was a theatrical release. This is troubling because it seems to me like this kind of movie, if made today, would more than likely (for the most part) not be a theatrical film, and instead a tv-film for HBO or Showtime or something. I'm not knocking those productions, but it just seems sad to me that really good films like this aren't being made as much as they once seemed to.

Give this one a look, it's a heartwarming film that is touching, inspiring, yet not overbearing in its message.
August 3, 2006
cosmo313
Chris Weber

Super Reviewer

    1. Dr. Malcolm Sayer: What we do know is that, as the chemical window closed, another awakening took place; that the human spirit is more powerful than any drug - and THAT is what needs to be nourished: with work, play, friendship, family.
    – Submitted by Chad E (21 months ago)

Discussion Forum

Topic Last Post Replies
Goof 2 months ago 0

Foreign Titles

  • Despertares (ES)
Help | About | Jobs | Critics Submission | API | Licensing | Mobile