The Lodger: A Story of the London Fog (1928)

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AUDIENCE SCORE

Critic Consensus: No consensus yet.


Movie Info

While the silent The Lodger was not director Alfred Hitchcock's first film, it was the first to truly deserve the designation "A Hitchcock Picture". British matinee idol Ivor Novello plays Jonathan Drew, a quiet, secretive young man who rents a room in a London boarding house. Drew's arrival coincides with the reign of Terror orchestrated by Jack the Ripper. As the film progresses, circumstantial evidence begins to mount, pointing to Drew as the selfsame Ripper. In addition to Novello's 1932 … More

Rating: Unrated
Genre: Drama, Mystery & Suspense, Classics
Directed By:
Written By: Marie Belloc Lowndes, Eliot Stannard
In Theaters:
On DVD: Apr 2, 1994
Runtime:
Video Yesteryear

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Cast


as The Lodger

as Daisy Bunting

as Mrs. Bunting

as Mr. Bunting

as Joe Betts, the Polic...

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Critic Reviews for The Lodger: A Story of the London Fog

All Critics (24) | Top Critics (3)

The picture has a very, very excellent begining, a mediocre middle and a most deplorable ending. A minor fault is that its running time is about fifteen minutes too long.

Full Review… | March 25, 2006
New York Times
Top Critic

Hitch's most overtly Hitchcockian silent film ...

Full Review… | February 9, 2006
Time Out
Top Critic

Not a great film, but a remarkable one, with Hitchcock at his most 'innovative.'

Full Review… | January 1, 2000
Chicago Reader
Top Critic

Hitchcock's most underrated movie.

Full Review… | June 2, 2015
Times [UK]

Though the story has been remade many times, Hitchcock's silent version (his third work) holds up well, bearing the director's distinctive vision; he said his career relly began with that picture

Full Review… | November 10, 2012
EmanuelLevy.Com

A truly creepy cast adds to the suspense.

Full Review… | August 10, 2012
Radio Times

Audience Reviews for The Lodger: A Story of the London Fog

Now we're cookin'. This is very early Hitchock, like I think one of his first five films. But even though it wasn't his very first, it was the first he really considered his own, and it set the standard for the bulk of his career over the course of the next several decades, by introducing a lot of Hitch hallmarks including his cameo, the "wrong man" theme, visual innovations and stylishness, etc.

The story concerns a woman who fears that the latest tenant to take up residence at her boarding house is a Jack the Ripper style murderer known as The Avenger whose been on a recent murder spree across London. Looking back, the story is nothing new or revelatory, and it may not have even been so then, but it's a good yarn, and lots of fun.

The film's got a great sense of mood, tone, and atmosphere, complete with lots of fog and some really fitting music. There's some excellent cinematography here, with some neat angles and great lighting. There's some really good art direction as well. The performances are pretty decent, and get the job done, though I don't think they're really brilliant or anything.

Overall, this is definitely a must see for Hitchcock fans and general cinema lovers alike. It hasn't really aged that great, but it's still a good piece of work.

cosmo313
Chris Weber

Super Reviewer

I'm starting to think that Hitchcock was better suited for a career of silent films. With no dialogue spoken, Hitch weaves an intricate tale of murder, mass hysteria, jealousy, and the fear that grips the soul that turns man against man. Without the aid of future technology, Hitchcock finds fascinating ways to play with the audience. Whether it be having Ivor Novello walk on a piece of glass, giving the illusion that we are watching him walk on the ceiling above, or really emphasizing every time the lodger picks up a potentially lethal device, a trick used over and over again throughout the ages, this film is very well done. On top of this, Mr. Novello gives quite an unforgettable performance. Brooding, menacing, but with a sweetness underneath it all. It is a fine line, but he walks it masterfully.
While not one that you are sure to watch over and over again, it would be a great pick for a friend who gets turned off by "silent pictures." It moves at the pace of its contemporaries and is far better than what passes for most "thrillers" nowadays.

axadntpron
Reid Volk

Super Reviewer

½

ivor novello was a bit hammy but he compensated by turning up later as a character in gosford park :) seriously, the film owes ALOT to the german expressionists and the plot is rather predictable but it is fascinating to see the genesis of hitch's beloved 'wrong man' theme. some creative visual touches too

rubystevens
Stella Dallas

Super Reviewer

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