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Contact (1997)
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Reviews Counted:12
Fresh:6
Rotten:6
Average Rating:6.3/10
Runtime: 2 hrs 33 mins
Genre: Science-Fiction/Fantasy
Synopsis: Devoted astronomer Dr. Ellie Arroway undertakes an emotional and spiritual journey after receiving the message she's waited for all her life--a mysterious signal beamed in from alien beings, who... Devoted astronomer Dr. Ellie Arroway undertakes an emotional and spiritual journey after receiving the message she's waited for all her life--a mysterious signal beamed in from alien beings, who pass along instructions for building and piloting a craft that will presumably survive the passage from Earth to their home. While struggling to fund her mission, Arroway also struggles with her feelings about the nature of things, particularly after meeting a charismatic New Age believer who questions her disbelief in God. A deliberately-paced, meditative adaptation of the eponymous novel by Ann Druyan and "pop" astronomer Carl Sagan, who died during production. [More]
Starring: Jodie Foster, Matthew McConaughey, James Woods, John Hurt
Starring: Jodie Foster, Matthew McConaughey, James Woods, John Hurt, Tom Skerritt, Angela Bassett, Rob Lowe, William Fichtner, Geoffrey Blake, Jena Malone, Sami Chester, Timothy McNeil, Laura Elena Surillo, Henry Strozier, Michael Chaban, Max Martini, Larry King, Thomas Garner, Conroy Chino, Dan Gifford, Vance Valencia
Director: Robert Zemeckis
Director: Robert Zemeckis
Composer: Alan Silvestri
Producer: Carl Sagan, Ann Druyan, Joan Bradshaw, Lynda Obst
Story: Carl Sagan, Ann Druyan
Screenwriter: James V. Hart, Michael Goldenberg
Producer: Robert Zemeckis, Steve Starkey
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Reviews for Contact
When it tries to personify the struggle between skepticism and faith in the relationship between Ellie and her theologian boyfriend, it becomes flat and obvious.
While the movie doesn’t qualify as an awful waste of space by any means, it has so many creative black holes, you’ll have to weigh the entertainment odds before making this journey.
This is the kind of motion picture that restores one's faith in what can be produced when a large budget is used wisely.
The movie's CNN strategy, whereby credibility is measured in TV exposure, proves fatal, often throwing the proceedings into a laughable tailspin.
As is the Sagan way -- it lets science hold its own against religion without reducing either to mush.
Zemeckis uses special effects to suggest the climactic events without upstaging them.
Contact is at its most relaxed when it sheds its intellectual pretensions and reveals its media-wise sense of humor.
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