Contains nothing to outrage or offend partisans of the original, yet neither does it stand to add much to their appreciation.
Psycho (1998)
Tomatometer
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Reviews Counted:13
Fresh:4
Rotten:9
Average Rating:4.4/10
Consensus: Van Sant's pointless remake neither improves or illuminates Hitchcock's original.
Runtime: 2 hrs
Genre: Horror/Suspense
Synopsis: A remake of director Alfred Hitchcock's 1960 thriller about a young woman, who, while on the run after stealing $40,000 from her boss, is brutally murdered in the shower of a motel she is staying... A remake of director Alfred Hitchcock's 1960 thriller about a young woman, who, while on the run after stealing $40,000 from her boss, is brutally murdered in the shower of a motel she is staying in one night. As police investigate her disappearance, we learn more about the motel's psychotic owner, Norman Bates. Director Gus Van Zant's film is a shot-for-shot remake of the original. [More]
Starring: Vince Vaughn, Anne Heche, William H. Macy, Julianne Moore
Starring: Vince Vaughn, Anne Heche, William H. Macy, Julianne Moore, Viggo Mortensen, Chad Everett, Philip Baker Hall, Anne Haney, Rance Howard, James LeGros, Robert Forster
Director: Gus Van Sant
Director: Gus Van Sant
Story: Robert Bloch
Producer: Brian Grazer
Composer: Bernard Herrmann
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Reviews for Psycho
Vaughn and Heche bring energy and freshness to the parts originated by Anthony Perkins and Janet Leigh. Heche is so good, in fact, and so frisky and watchable in her role, that after her grisly demise in the shower you miss her for a long time.
This is a lifeless, workmanlike project; all tension has been leeched away. Also, it's in color.
It remains the most structurally elegant and sneakily playful of thrillers!
Van Sant clearly knows that if it ain't broke, don't fix it, and his own smooth touch is neatly sympathetic with his predecessor's.
So much of Van Sant's 'new' version of the classic remains the same that you sit there shaking your head, mumbling, why, oh, why?
The film is polished when it should be edgy and impersonal when it should be seductive.
The movie is an invaluable experiment in the theory of cinema, because it demonstrates that a shot-by-shot remake is pointless; genius apparently resides between or beneath the shots, or in chemistry that cannot be timed or counted.
Van Sant has cranked up the realism about 20 points, but somehow what he achieves for the effort is a larger sense of banality!
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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