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Metropolis (Metoroporisu) (2001)

tomatometer

87

Average Rating: 7.3/10
Reviews Counted: 60
Fresh: 52 | Rotten: 8

A remarkable technical achievement, Metropolis' eye-popping visuals more than compensate for its relatively routine story.

84

Average Rating: 7.2/10
Critic Reviews: 19
Fresh: 16 | Rotten: 3

A remarkable technical achievement, Metropolis' eye-popping visuals more than compensate for its relatively routine story.

audience

76

liked it
Average Rating: 3.7/5
User Ratings: 24,932

My Rating

Movie Info

Playing like a candy-colored hybrid of Fritz Lang's film of the same name and Ridley Scott's Blade Runner, Osamu Tezuka's Metropolis borrows its plot liberally from numerous legendary sci-fi sources (despite the fact that the original manga was released in 1945, certain cinematic aspects can't help but appearing overly familiar), all the while dazzling viewers on the same cutting-edge visual level as such anime classics as Akira and Ghost in the Shell. The common anime practice of combining

Apr 23, 2002

$0.5M

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All Critics (60) | Top Critics (19) | Fresh (52) | Rotten (8) | DVD (44)

Tale of the struggle for personal freedom in a futuristic, tyrannical society is light on action by contempo standards, and pic's look is uninteresting, apart from occasionally bizarre backgrounds.

October 18, 2008 Full Review Source: Variety
Variety
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It smoothly blends outrageously diverse visual styles and emotional tones.

April 17, 2007 Full Review Source: Chicago Reader
Chicago Reader
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Otomo's typically sophisticated script ensures slick pacing, combining humour, terror and pathos, particularly in the final scenes.

June 24, 2006 Full Review Source: Time Out
Time Out
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A film of staggering technical and visual virtuosity, filled with utterly amazing images, that's also entertaining and engaging for children and adults on several levels.

July 20, 2002 Full Review Source: Chicago Tribune
Chicago Tribune
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The imagery with which director Rintaro brings this world to animated life is unique and captivating.

May 23, 2002 Full Review Source: Dallas Morning News
Dallas Morning News
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Unlike most anime, whose most ardent fans outside Japan seem to be introverted young men with fantasy fetishes, Metropolis never seems hopelessly juvenile.

February 26, 2002 Full Review Source: Detroit Free Press
Detroit Free Press
Top Critic IconTop Critic

A fairly standard genre exercise, packed with light, detail, color, noise, and motion that add up to relatively little.

July 19, 2010 Full Review Source: AV Club
AV Club

Com uma fabulosa direção de arte, uma animação expressiva e temas complexos, o filme representa um estímulo visual, intelectual e emocional intenso, resultando numa experiência fascinante.

January 23, 2010
Cinema em Cena

Unfortunately, as this movie is a joy in visuals, it's a let-down plot-wise.

April 29, 2009 Full Review Source: Cinema Crazed
Cinema Crazed

One of the most beautiful animated films ever produced.

December 30, 2006 Full Review Source: Empire Magazine | Comment (1)
Empire Magazine

Metropolis se veut une %u0153uvre impressionnante, à la hauteur des noms qui lui sont rattachés.

March 26, 2006 Full Review Source: Panorama

The film works best for this sheer spectacle.

December 3, 2003 Full Review Source: Film4

Doubling up on the imagery makes for an interesting, though ultimately somewhat unfulfilling, experience.

September 2, 2003 Full Review Source: Filmcritic.com | Comment (1)
Filmcritic.com

Parts of it are very silly, but it is still extraordinarily powerful as cinema and its meanings grow murkier, not clearer, with what we now know of Lang's life.

May 23, 2003 Full Review Source: Sydney Morning Herald
Sydney Morning Herald

One of the most important animated films ever made.

February 21, 2003 Full Review Source: CinemaBlend.com
CinemaBlend.com

One of the best animated films I have ever seen, and it is one of the finest films released in the US last year.

January 19, 2003 Full Review Source: Goatdog's Movies

While some of the subplots are very sketchy and the motivations of some of the characters are not clear, it is a journey worth taking because of the wondrous imagery.

January 9, 2003 Full Review Source: Laramie Movie Scope
Laramie Movie Scope

In the end, the story doesn't really matter that much as this is really a vehicle for the amazing visuals.

December 8, 2002 Full Review Source: Film Threat
Film Threat

One of the best looking and stylish animated movies in quite a while . . .

September 18, 2002 Full Review Source: Sci-Fi Movie Page
Sci-Fi Movie Page

If you are a fan of animation you'll want to watch it more than once.

July 28, 2002 Full Review Source: Apollo Guide
Apollo Guide

For something as splendid-looking as this particular film, the viewer expects something special but instead gets [sci-fi] rehash.

July 12, 2002 Full Review Source: Window to the Movies
Window to the Movies

...a haunting vision, with images that seem more like disturbing hallucinations.

June 22, 2002 Full Review Source: David Keyes' Cinema 2000
David Keyes' Cinema 2000

Audience Reviews for Metropolis (Metoroporisu)

The storyline and lip-syncing aren't as amazing as the CGI backgrounds and traditional animation blending. But Metropolis is still an enjoyable and above all emotional film for big anime fans and audiences with an open mind for beautiful yet depressing cartoons.
November 22, 2011
Directors Cat
Directors Cat

Super Reviewer

One form of story telling that has, is, and always will be a test of true story telling talent will be animation. When one looks at it, animation will always be a less expensive, more breath-taking approach to films then any live action film can be. One of the best examples will have to come from Japan, their animation style known as anime. Already popular in the States, anime gives people a beyond detailed view into other worlds, creatures, and imaginations behind the people that created them that we can not help but be amazed at. Now, take anime and mix in elements from Fritz Lang's METROPOLIS, Ridley Scott's BLADE RUNNER, and Steven Spielberg's A.I. ARTIFICIAL INTELLIGENCE and what you get is a beautiful film with a plot that, while complex, is nothing that we have not already know. At the helm of directing is the ever wonderful Rintaro. Known for Astro Boy and Kimba The White Lion, Rintaro takes the story and tries to make it move to a certain pace and style. Style, he has that down. Pace, not so much. There are numerous times when the pacing is slow and you would wish it would hurry up. While this is something of a down fall, you have all of that beautiful animation that keeps your eyes glued to all of the 150,000 stills that are in the film and you tend to forget about the pacing. Due to this being a film that was drawn, I am going to have to replace acting with voice acting for this film. In case none of you know, voice acting is when an actor only submits there voice for the characters. In a way, this is more troublesome then acting because you have to think on how you would sound when things like being shot at, being attacked, or even falling would sound like. With me seeing the English audio track for the film, I must admit that it is one of the better films to have good English dub for. Mostly I love not the voices, but all of the additional sounds that litter inside of this film. You hear so many unexpected sounds that you would normally never hear in an animated film regardless if it is the sounds of birds chirping to far off clinging of metal. I have to give props to the people who worked on sound with this film for making it all seem so life life. Next we have the script. Like I have said before, there is nothing new here that was not already thought up of in other films and literature of the science fiction genre. But the one thing I will have to comment on is how well the complexity of the characters were. Going into this film knowing not to expect anything complex with the plot, I am pleased to find out how complex these drawn characters are. I will not say anything for fear of giving away some plot elements, but I will say that you might find yourself getting attached to these characters. Finally we have something that did take me by surprise: the score. Now, answer me this: when was the last time you heard an original Dixie Land/ Jazz score in a film? Well, this film's entire score is this fresh Jazz music that really gave the film a nice bonus while setting the tone for probably one of the greatest tributes to Stanley Kubrick's DR STRANGELOVE, OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB. Overall, this is a beautiful film that might surprise some audiences if they watch it with no expectations. Just, do not think that this is a remake of Fritz Lang's masterpiece.
June 11, 2011
Zach Brehany

Super Reviewer

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Foreign Titles

  • Robotic Angel (DE)
  • Metropolis (UK)
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