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Milk and Honey (2005)
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Reviews Counted: 18
Fresh: 10
Rotten:8
Average Rating: 5.5/10
Theatrical Release:Mar 18, 2005 Limited
Synopsis: Joe Maggio's MILK AND HONEY is a probing portrait of a disintegrating relationship, set in the hypertense world of New York City. Rick Johnson (Clint Jordan) is losing his grip on reality, while... Joe Maggio's MILK AND HONEY is a probing portrait of a disintegrating relationship, set in the hypertense world of New York City. Rick Johnson (Clint Jordan) is losing his grip on reality, while his exhausted wife Joyce (Kirsten Russell) is losing her patience with Rick. Gradually, the reason for Rick's mental instability reveals itself, in the form of Joyce's illicit relationship with a troubled young musician. But when a seemingly harmless photograph begins to resurface in the most incomprehensible of places, the characters are spun into even greater confusion. Enter Moses Jackson (Dudley Findlay Jr.), a traumatized man who is coming to grips with his mother's impending death. After a tense meeting in a downtown diner, Rick convinces Moses to murder him and put him out of his misery. Or so he thinks. Meanwhile, Joyce has formed a connection with Tony (Anthony Howard), a wannabe performance artist who is more fragile than both Rick and Joyce combined. Shot on digital video, which makes the already intimate material feel downright intrusive, Maggio's daring drama could only take place in New York City. Featuring a score from acclaimed filmmaker Hal Hartley, as well as songs from New York mainstays Yo La Tengo and Fischerspooner, MILK AND HONEY boasts memorable performances from Jordan, Russell, Findlay, and Howard. [More]
Starring: Clint Jordan, Kristen Russell, Dudley Findlay, Anthony Howard
Starring: Clint Jordan, Kristen Russell, Dudley Findlay, Anthony Howard, Greg Amici
Director: Joe Maggio
Director: Joe Maggio
Screenwriter: Joe Maggio
Producer: Matthew Myers, Thierry Cagianut
Composer: Hal Hartley
Studio: Wellspring
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Reviews for Milk and Honey
The characters each make their separate ways through Manhattan's cavernous underbelly, that is less milk and honey than a lunatic Dante's Inferno.
Without a single redeeming character or moment that rings true, audiences will likely cheer for all the bad things that happen to this truly reprehensible couple.
With its downtown context and mood of escalating desperation, the movie bears a strong resemblance to Martin Scorsese's Manhattan odyssey, After Hours.
The acting is so intriguing, the plot so unpredictable and the imagery so vibrant, the whole thing is compelling from beginning to end.
The contrivances culminate in a melancholy resolution that lends a certain quiet gravity to everything that precedes it, a small grace note that rings surprisingly true.
Some fine performances shine through in Joe Maggio's pretentious, credulity-straining dramedy.
It's not surprising that director Joe Maggio got Hal Hartley to score his off-kilter drama. Both upend clichés through a deadpan visual style and mordant performances. As a result, both have had uneven success.
aims for an After Hours-style, nighttime stew of insanity and coincidence but ends up merely showcasing meaningless lives
Milk and Honey is the kind of nightmare- in-a-box you might expect if Neil LaBute remade Martin Scorsese's After Hours on a shoestring.
Maggio clogs his story with all sorts of serendipitous events but seems uninterested in looking at these chance encounters on any kind of existential or spiritual terms.
Tells the story of an indomitable black woman's dignity and courage as she tries to make a new life for herself.
As a debut feature I might have let it off with a middling review, but as a follow-up to a far better feature, this just doesn’t pass muster.
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