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Good Night. And, Good Luck (2005)
Tomatometer
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Reviews Counted: 206
Fresh: 194
Rotten:12
Average Rating: 8.1/10
Consensus: This is a passionate and concise civics lesson from the past, arriving with much political and cultural relevance to today.
Runtime: 1 hr 33 mins
Genre: Dramas
Theatrical Release:Oct 7, 2005 Limited
Box Office: $31,501,218
Synopsis: With GOOD NIGHT, AND GOOD LUCK, George Clooney delivers a riveting account of a crucial chapter in 20th-century American history and, in the process, firmly establishes himself as a major force... With GOOD NIGHT, AND GOOD LUCK, George Clooney delivers a riveting account of a crucial chapter in 20th-century American history and, in the process, firmly establishes himself as a major force behind the camera as well. The crisply paced, tautly scripted docudrama recounts the events of the mid-1950s leading up to acclaimed CBS journalist Edward R. Murrow's (David Strathairn) decision to stand up against fiery Senator Joseph McCarthy, who was out to rid the country of communism. McCarthy's seemingly reckless behavior, in which he condemned individuals without giving them a fair trial, angered Murrow and his producer Fred Friendly (Clooney) into action. The resulting few episodes of Murrow's show, SEE IT NOW, found Murrow on a personal, patriotic crusade to challenge McCarthy and rid America of his callous persecution. Set almost entirely inside the smoke-filled, pressurized newsrooms at CBS, Clooney's assured picture moves at a breakneck pace. Cinematographer Robert Elswit miraculously recreates the black-and-white look of that era, giving the film an added air of legitimacy. And while Clooney and co-screenwriter/producer Grant Heslov wisely chose to use stock footage of McCarthy instead of finding an actor to fill his shoes, they couldn't have found a better Murrow than Strathairn, who delivers his lines with heroic conviction. Clooney's stellar ensemble cast also includes Ray Wise, Patricia Clarkson, Robert Downey Jr., Jeff Daniels, and Frank Langella. [More]
Starring: David Strathairn, Robert Downey, Patricia Clarkson, Rose Abdoo
Starring: David Strathairn, Robert Downey, Patricia Clarkson, Rose Abdoo, Alex Borstein, Robert John Burke, Ray Wise, Frank Langella, Jeff Daniels, Tate Donovan, Tom McCarthy, George Clooney
Director: George Clooney
Director: George Clooney
Screenwriter: George Clooney, Grant Heslov
Producer: Grant Heslov
Studio: Warner Independent
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Reviews for Good Night. And, Good Luck
Provocative, principled and richly detailed, this is compelling stuff. Emotionally it’s a little dry, but as brain-food, it’s absolutely invigorating. George done good.
Scrupulously journalistic, sometimes to its credit, sometimes to its deficit as a movie.
Good Night is not your average historical recreation. It doesn't dumb-down its story or its characters with needless explanation for the benefit of an under-educated audience.
proves that it is still possible in the cinema, if not in television, to inform without being boring and entertain without condescending.
bez obzira na plemenite namjere svojih tvoraca, ipak ne zaslu%u017Euje "Oscara", jer je iznevjerio visoke standarde objektivnosti koje pripisuje svom junaku.
Having your heart in the right place doesn't quite compensate for keeping your mouth somewhat shut and turning the volume down to an ideological whisper.
Clooney's excellent film uses the past to make today's media and their audiences address their responsibilities.
... a timely reminder of the consequences of failing to balance national security with personal liberties... (believability is) what really comes through on the screen...
It's both a crafty little picture and a forthright one -- a neat trick.
David Strathairn is terrific and with George Clooney's passion for his subject, they make [i]Good Night[/i] a satisfying comparison between the past and the present.
Many will see it as a cautionary tale: Don't let anyone else do your thinking for you. The truth is the thing. Cherish it and defend it.
more interested using the movie medium as a pulpit from which to pontificate...political beliefs rather than in telling a dramatically engaging story
That it's a film both timely and timeless goes without saying. Yet Clooney is too canny a storyteller to let didacticism obscure the complexities of Murrow's character.
Strathairn's performance is uncanny, and the 1950s period detail is spot-on.
Provocative, principled and richly detailed, this is compelling stuff. Emotionally it's a little dry, but as brain-food, it's absolutely invigorating. George done good.
The film's tight shots and incessant cigarette smoke don't give the material or the audience much room to breathe.
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