Average Rating: 5.1/10
Reviews Counted: 28
Fresh: 12 | Rotten: 16
A story of redemption held together with flashbacks, Take has moments of emotional intensity, but is ultimately undone by preachiness.
Average Rating: 3.8/10
Critic Reviews: 9
Fresh: 2 | Rotten: 7
A story of redemption held together with flashbacks, Take has moments of emotional intensity, but is ultimately undone by preachiness.
liked it
Average Rating: 2.8/5
User Ratings: 14,613
An unwitting murderer and a woman close to his victims struggle to come to terms with where the fates have taken their lives in this independent drama. Ana (Minnie Driver) was a wife and mother caring for an educationally challenged son and a moody-but-loving husband when fate led her to cross paths with Saul (Jeremy Renner). Saul was a gambling addict deep in debt to loan sharks and desperately in need of enough money to keep collectors from killing or injuring him; a foolish decision on his
Jul 25, 2008 Wide
Feb 24, 2009
Liberation Entertainment
All Critics (28) | Top Critics (9) | Fresh (12) | Rotten (16)
The talky redemption element, however, ultimately feels artificially tacked on.
Stylistically as well as thematically complex.
Take is too enamored of its time-shifting gimmick and cheap suspense to ultimately have much impact.
Obscured by ugly, dark photography, a jumbled script, mumbled performances, and clueless direction that make it impossible to see or hear a lot of what's going on even if you cared, the result is a film of monumental incompetence.
Dramatically, however, Take consistently works, and, with such a story, that's an amazing thing.
A woefully earnest indie about a crime and its aftermath.
This sullen dramatic thriller is introspective to the point of being navel-gazing. And its up-to-interpretation form of 'conclusion' is fairly pretentious.
It's close but no cigar for first time writer/director Charles Oliver as he bashes his unfortunate audience with a preachy and one-dimensional exposition of revenge wearing restoration clothing.
A dreadfully misguided movie whose story of redemption is utterly irredeemable.
Clean but adult-themed movie that takes an intense look at extreme forgiveness and restorative justice.
This is an uneven directorial debut -- but not an unaccomplished one. Oliver is a name to look out for -- it would be great to see what would happen if he worked with someone else's script.
Oliver's film manages to grapple with some knotty questions about justice, even if it is not nearly as bold or ironic as Lee Chang-dong's "Secret Sunshine"
Charles Oliver's directing debut, Take, unfolds in sun-baked Southwestern locations, but it's a dreary affair all the same.
This melodrama about capital punishment has no shades of gray, only beige.
Resides in the same lives-intersect-through-tragedy wheelhouse as 21 Grams and Monster's Ball, without those films' romantic underpinnings or powerhouse performances.
Take suffers from story overload, which is distracting.
A frantic mother and a desperate criminal cross paths with devastating results in first-time writer and director Charles Oliver's emotionally charged drama.
In the present day, Saul(Jeremy Renner) is being prepared to be executed by lethal injection. In the past, he is a petty crook and gambler who works at a storage facility while taking care of his invalid father. He is also badly in need of $2,000. Ana(Minnier Driver), a maid, could also use a little extra cash. She
August 11, 2011Super Reviewer
Good indie flik. Moves very slowly.
December 28, 2010
Super Reviewer
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