Sweeney Todd is a throat-slasher of a motion picture. It creates a new genre -- the slasher musical. Adapted from the Tony-winning Broadway musical by Stephen Sondheim, it's the tuneful tale of cutthroat's revenge.
Sweeney Todd: The Demon Barber of Fleet Street (2007)
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Reviews Counted: 208
Fresh: 177
Rotten:31
Average Rating: 7.6/10
Consensus: Full of pith and Grand Guignol grossness, this macabre musical is perfectly helmed and highly entertaining. Tim Burton masterfully stages the musical in a way that will make you think he has done this many times before.
Rated: R [See Full Rating] for graphic bloody violence.
Runtime: 1 hr 57 mins
Genre: Musical & Performing Arts
Theatrical Release:Dec 21, 2007 Wide
Box Office: $52,829,046
Synopsis: With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music,... With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music, Tim Burton fans will want to sing after seeing SWEENEY TODD. For his sixth collaboration with the director, Johnny Depp stars as Benjamin Barker aka Sweeney Todd, a barber falsely imprisoned by Judge Turpin (Alan Rickman). After leaving prison, he comes back to Victorian London to find his wife poisoned and his daughter held captive. As he plots his revenge, Sweeney joins forces with Mrs. Lovett (Helena Bonham Carter), and while he preys on clients asking for a shave, his new partner turns the bodies into baked goods. But the judge still lives, and the razor-wielding madman wants his vengeance. Though it's a musical, SWEENEY TODD has more in common with Italian horror films such as SUSPIRIA than it does with CHICAGO. Even the horror-musical hybrid LITTLE SHOP OF HORRORS pales in comparison to the darkness found here. Previous Burton-Depp pairings have veered toward the macabre, but this reaches a glorious new level. Though they've made excellent films apart, their partnership has produced some of their best work, including EDWARD SCISSORHANDS, ED WOOD, and now SWEENEY TODD. Depp demonstrates his rock-band roots as the antihero of the title with another amazing performance, while Bonham Carter is both hilarious and heartbreaking as the eager Mrs. Lovett. But credit also belongs to production designer Dante Ferretti, director of photography Dariusz Wolski, and, of course, Burton, for showing a sooty London that is just as dark as the film's subject matter. Source composer Sondheim should also be recognized for the haunting songs that threaten to stick in viewers' heads, but the film as a whole also deserves to be remembered for its beauty and brutality. [More]
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall, Jamie Campbell Bower, Jayne Wisener, Sacha Baron Cohen
Director: Tim Burton
Director: Tim Burton
Screenwriter: John Logan
Producer: Richard D. Zanuck, Walter F. Parkes, Laurie MacDonald, John Logan
Composer: Stephen Sondheim
Studio: Warner Bros.
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Reviews for Sweeney Todd: The Demon Barber of Fleet Street
Filming a major Broadway musical has always been trouble for moviemakers; none of them seem to work.
A considerable achievement even if, on balance, it's more of a Tim Burton phantasmagoria than a Sondheim fantasia.
As unsettling as it is riveting. Even Sondheim aficionados will see the story with fresh eyes, unless those eyes are covered.
[Burton's] vision of a dark and smoggy nineteenth century London, with muted colors, is perfect for the music and the story.
The movie may substitute Grand Guignol for laughs at times, but it's spectacularly stylized -- each throat-slashing exceptional -- persuasively sung, and imaginatively adapted for the screen.
Depp's staggering performance perfectly merges the story's humour, horror and romance into a serious punch to the gut.
The film suffers from a relentless emphasis on bland, thoroughly forgettable musical numbers whose sameness inevitably lends the proceedings a distinctly oppressive quality.
It is grand guignol with music that will bewitch the uninitiated -- and probably outrage those who know and love the score, especially when it's sung decently.
Depp does about as well as anyone other than Len Cariou could with his one-note character. Bonham-Carter gives Mrs. Lovett a game stab, but she suffers from all that freaky makeup and lacks the voice of an Angela Lansbury.
In all honesty, neither Depp nor Carter possess stage-quality voices. Instead, both muster emotional performances that sell the parts without selling the music.
There is much to like in Burton's Sweeney Todd and much not to like, a rather hit-and-miss affair.
In addition to branding Sweeney Todd with his signature look, Burton successfully takes advantage of the medium of film in his adaptation the musical.
A dark, brooding horror-musical-comedy that hits all the right notes.
I cannot wait to go see this film again and I really want to buy the soundtrack.
The movie belongs to Depp and Bonham Carter, who dance slowly and seductively against the backdrop of Burton's London until it's time to paint the town red.
Burton has done that rare thing -- turned a great play into a great film.
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