Visually suffocating.
The Lovely Bones (2009)
Tomatometer
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Reviews Counted:18
Fresh:5
Rotten:13
Average Rating:4.5/10
Consensus: It's stuffed full of Peter Jackson's typically dazzling imagery, but The Lovely Bones suffers from abrupt shifts between horrific violence and cloying sentimentality.
Rated: PG-13 [See Full Rating] for mature thematic material involving disturbing violent content and images, and some language.
Genre: Dramas
Theatrical Release:Dec 11, 2009 Limited
Box Office: $276,000
Synopsis: Oscar winner Peter Jackson directs this adaptation of Alice Sebold's beloved novel THE LOVELY BONES. After she is killed, young Susie Salmon (Saoirse Ronan, ATONEMENT) looks down from heaven on... Oscar winner Peter Jackson directs this adaptation of Alice Sebold's beloved novel THE LOVELY BONES. After she is killed, young Susie Salmon (Saoirse Ronan, ATONEMENT) looks down from heaven on both her parents (played by Mark Wahlberg and Rachel Weisz) and her murderer. [More]
Starring: Mark Wahlberg, Rachel Weisz, Susan Sarandon, Saoirse Ronan
Starring: Mark Wahlberg, Rachel Weisz, Susan Sarandon, Saoirse Ronan, Stanley Tucci, Michael Imperioli
Director: Peter Jackson
Director: Peter Jackson
Screenwriter: Peter Jackson, Fran Walsh, Philippa Boyens
Producer: Fran Walsh, Peter Jackson, Carolynne Cunningham, Aimee Peyronnet
Composer: Brian Eno
Studio: Paramount Pictures
Reviews for The Lovely Bones
With his garish, pointless and downright inept rendering of Alice Sebold's 2002 novel, The Lovely Bones, Peter Jackson has hit a new low in the annals of movie adaptations.
A victim obsessed with the lives that go on without her is at the center of The Lovely Bones.
Color me relieved. There is no need to fear death, even the most horrifying kind of murder. Because the afterlife is exactly like the album cover for a 1970s progressive-rock band.
The novel never flinched, the movie does. But Jackson, who builds jolting suspense when Susie's sister enters the killer's lair, is drawn to a spiritual dimension.
The result is dumbfounding and ludicrous in equal measure, a too-muchness that makes the excesses of What Dreams May Come seem downright spartan.
Jackson is too enamored with the idea of mixing heaven and the heebie-jeebies, so he's made the skeevy equivalent of a Mitch Albom book with some pulp fiction pressed between its covers.
Everything that's good is undermined by an overemphasis on one part of the story that is essential but has been allowed to overflow its boundaries.
The movie strikes clashing tones, veering from lightheartedness to heavy-handedness.
In Jackson's simplified, sweetened, and CGI-besotted telling, The Lovely Bones is a sad-but-hopeful, dramatic-but-gentle fairy tale intentionally made less upsetting for teens.
Jackson crafts lovely but ineffectual dreamscapes of the afterlife that eviscerate much of the human side of the story.
Part Disney's Alice in Wonderland, part Fritz Lang's M, the movie is horrific yet cloying, alternately distended and abrupt, sometimes poignant and often ridiculous.
The New Zealand director’s trademark recipe of fantasy, realism and computerized visual effects turns The Lovely Bones into a thrilling adventure.
The Lovely Bones has been fashioned as a holiday family movie about murder and grief; it’s a thoroughly queasy experience.
How do you literalize heaven? It's a problem moviemakers have struggled with forever, and Jackson hasn't solved it.
The film certainly plays well enough as a melodrama-cum-revenge thriller.
Jackson undermines solid work from a good cast with show-offy celestial evocations that severely disrupt the emotional connections with the characters.
When else has the obscenity of child murder been the cause of such gravity and grace?
Latest News for The Lovely Bones
December 24, 2009:
Paramount Hides Its Lovely Bones Until January ![]()
Hoping to see Peter Jackson's adaptation of "The Lovely Bones" this Christmas? You'll have to wait until mid-January, now that Paramount has bumped the film, which has been... More...
December 21, 2009:
Five Favorite Films With Peter Jackson
Peter Jackson has come a long way since his 1987 debut Bad Taste, a shoestring-budget splatter film shot in his native New Zealand that went on to earn a cult following. Yet... More...
December 10, 2009:
Critics Consensus: Princess, Invictus Are Certified Fresh
This week at the movies, we've got a Southern-fried fairy tale (The Princess and the Frog, with voice work from Anika Noni Rose and Keith David) and inspiration through rugby... More...
December 06, 2009:
The Lovely Bones in the running for Best Film 2009, for most passionately opposing violence against women. ![]()
More...
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