Step Brothers is a rowdy, rambunctious, fitful, against-the-wall comedy. Will Ferrell, John C. Reilly, and director writer Adam McKay heave comedy, like spaghetti, against the wall. About half sticks; the other half makes a real mess.
Step Brothers (2008)
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Reviews Counted:175
Fresh:97
Rotten:78
Average Rating:5.5/10
Consensus: The relentless immaturity of the humor is not a total handicap for this film, which features the consistently well-matched talents of Will Ferrell and John C. Reilly.
Rated: R [See Full Rating] for crude and sexual content, and pervasive language.
Runtime: 3 hrs 23 mins
Genre: Comedies
Theatrical Release:Jul 25, 2008 Wide
Box Office: $100,468,793
Synopsis: While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY... While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately hilarious films. McKay reteamed with not only Ferrell for STEP BROTHERS, but also Ferrell's co-star in TALLADEGA NIGHTS, John C. Reilly (who has steadily proven himself to be one of Hollywood's most versatile actors); and though STEP BROTHERS may be the most threadbare of the three movies on which the duo have collaborated, it's arguably their best. The plot is about as simple as they come: Brennan Huff (Ferrell) and Dale Doback (Reilly) are deadbeat man-children thrown together when the single parents with whom they live marry. The two initially despise one another, but become fast friends over a shared love of ninjas, COPS, porno mags, and the comforts of living in the fantasy world of a prolonged adolescence. What makes STEPBROTHERS so much fun, however, has nothing to do with story or script; rather, it's McKay's foresight to step back and let Ferrell and Reilly run wild. The duo kick and punch, fart and burp, laugh and cry, yet somehow elevate such banalities to a level of grotesque poetry, hitting upon what feels like an entirely new comedic language. When the pair act like children, they are not presenting themselves as immature adults, but are literally acting like children, meticulously duplicating everything from the fears and concerns to the speech patterns and awkward physicality of children. It sounds simple enough, but it requires a dexterity and sense of timing and delivery that is actually quite amazing. In the end, STEP BROTHERS is really nothing more than an absurd comedy; then again, isn't that what they called WAITING FOR GODOT? [More]
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen, Kathryn Hahn, Richard Jenkins, Ken Jeong
Director: Adam McKay
Director: Adam McKay
Screenwriter: Will Ferrell, Adam McKay
Story: Will Ferrell, Adam McKay, John C. Reilly
Producer: Jimmy Miller, Judd Apatow
Composer: Jon Brion
Studio: Sony Pictures Entertainment
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Release:
Dec 2, 2009
Reviews for Step Brothers
... surpreendente que, em meio a tanta estupidez, o filme seja realmente engraçado e consiga criar dois personagens tão carismáticos, chegando a incluir, aqui e ali, momentos que, de uma forma sutil, se revelam tocantes.
Only occasionally funny and about three times as long as the material justifies, it's boring and just a little bit embarrassing to sit through.
When Step Brothers is funny, it's hilarious. But when it isn't funny, the second hand of your watch sounds peculiarly loud.
On its own terms, Step Brothers is hilarious. But it's a shame that the filmmakers didn't have more faith in the audience. Why resort to gross-out tactics when your premise is strong enough to allow for a more sophisticated approach?
There is also a general sloppiness to the screenplay, which introduces elements that have no real pay-off.
No one can play a 40-year-old obliviously immature man-child like Will Ferrell.
It's clear that much of what is on the screen is there because writers Ferrell and McKay found it funny, not because it serves the plot.
Like toothpaste from a tube, every last laugh is squeezed from this absurd premise, where both men pushing forty act like they're 14. Surprisingly, it's enough to make it work.
Thanks to their ability to convincingly portray adults who have never emotionally advanced beyond their pre-adolescent years, Ferrell and Reilly perfectly inhabit these obnoxious yet hilarious characters.
Despite valiant efforts from a seasoned cast, it fails to deliver the expected laughs.
One thing spoils the mood: for all the joy that Ferrell and Reilly take in brawling or whimpering like two-year-olds, immaturity is still seen as something to be overcome.
Between occasional guffaws and more frequent hand-over-mouth, oh-my-God moments, I started to think about where American comedy has come from and where it's going.
Painful to watch, this Will Ferrell vehicle is crude, infantile and unfunny as it hovers around its one-tone premise in which two grown men behave like kids %u2013 and vile ones at that
There is a plot, but it only exists to give Ferrell and Reilly some focus for their juvenilia. While this sounds like a negative comment, it's actually not.
If someone farts in your presence and it smells like 'ketchup and onions', do you a) snigger like a child, b) leave the room or c) vomit? If it's 'b' or 'c', do not see this movie. If it's 'a', book your tickets right now - you'll laugh yourself stupid.
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